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简介：Summary: Publisher Summary 1 This unique collection gathers texts from today's leading ecocritics as well as esteemed figures from literature and philosophy thought to have contributed a green approach to cultural production and examination. Coupe (English, Manchester Metropolitan U.) includes extracts from William Wordsworth, Henry David Thoreau, John Ruskin, William Morris, Virginia Woolf, D.H. Lawrence, Theodor Adorno, Martin Heidegger, Raymond Williams, Theodore Roszak, Claude Levi-Strauss, Jean-Francois Lyotard, Jonathan Bate, Kate Soper, Gary Snyder, Terry Gifford, Louise Westling, Richard Kerridge, and Jhan Hochman. Annotation c. Book News, Inc., Portland, OR (booknews.com)  

The arts & crafts movement in Europe & America : design for the modern world /

作者：  Wendy Kaplan ; with contributions by Alan Crawford ... [et al.].

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简介：The first assessment of the truly international influence of the Arts and Crafts movement, published to accompany a groundbreaking exhibition.At the turn of the last century, the Arts and Crafts movement transformed not only how objects looked but also how people looked at objects. It provided a framework for essential issues that are s...   more 籺ill debated today: the conflict between standardization and individuality, the question of whether a one-of-a-kind handcrafted object is superior to a mass-produced one, and the problem of defining what kind of design most benefits society. As the most industrialized country, Britain was also the first to generate a movement to counter what was seen as the malevolent effects of mass production. Protagonists such as John Ruskin and William Morris championed "joy in labor"—the moral and spiritual uplift that would come with the revival of making objects by hand. The improvement of working conditions, integration of art into everyday life, and an "honest" aesthetic resulting from the use of indigenous materials and native traditions were also central to the movement's philosophy. At the end of the nineteenth century, these Arts and Crafts ideals were appropriated and adapted by the young avant-garde throughout Europe and the United States. With 260 objects—furniture, ceramics, metalwork, textiles, and works on paper—from Britain, Ireland, the United States, France, Belgium, Germany, Austria, Hungary, Scandinavia, and Finland, this is a visually stunning, definitive survey. The book features masterworks by the best-known designers of the period, such as William Morris, M. H. Baillie Scott, Henry Van de Velde, Peter Behrens, Josef Hoffmann, Eliel Saarinen, Gustav Stickley, Greene and Greene, and Frank Lloyd Wright, as well as lesser-known examples that have never been displayed together. 360 illustrations, 300 in color. With contributions by: Alan Crawford, Rüdiger Joppien, Juliet Kinchin Amy F. Ogata. Elisabet Stavenow-Hidemark, Christian Witt-Dörring.   ?less

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简介：Includes poems by Sir Thomas Wyatt, Edmund Spenser, Sir Walter Ralegh, Sir Philip Sidney, John Lyly, George Peele, Henry Constable, Samuel Daniel, Michael Drayton, Christopher Marlowe, William Shakespeare, Thomas Campion, Sir Henry Wotton, John Donne, Ben Jonson, Thomas Heywood, George Wither, Robert Herrick, Francis Quarles, Henry King, Thomas Carew, Edmund Waller, John Milton, Sir John Suckling, Richard Lovelace, Andrew Marvell, John Dryden, John Wilmot Earl of Rochester, Matthew Prior, William Congreve, John Gay, Henry Carey, William Cowper, William Blake, Robert Burns, William Wordsworth, Sir Walter Scott, Walter Savage Landor, Thomas Campbell, Thomas Moore, George Gordon Lord Byron, Percy Bysshe Shelley, John Clare, John Keats, Thomas Hood, William Barnes, Ralph Waldo Emerson, Elizabeth Barrett Browning, Edgar Allan Poe, Alfred Lord Tennyson, Robert Browning, Emily Bronte, Walt Whitman, Matthew Arnold, Coventry Patmore, Dante Gabriel Rossetti, George Meredith, Emily Dickinson, Christina Rossetti, William Morris, Algernon Charles Swinburne, Wilfrid Blunt, Thomas Hardy, Alice Meynell, A.E. Housman, W.B. Yeats, Arthur Symons, Ernest Dwson, Edwin Arlington Robinson, Hilaire Belloc, Robert Frost, D.H. Lawrence, Ezra Pound, Edward Thomas, John Crowe Ransom, Edna St. Vincent Millay, and Hart Crane.

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简介：This is a fully illustrated guide to the glorious riches of London's museums and galleries, drawing on the cream of the city's collections to create an easily navigable, narrative history of art. The guides unique approach allows you to locate your favourite artist or style of art in any museum and follow this throughout the museums of London. D...   more 籵 you like, say, the pre-Raphaelites? This book will show you where to find their works in London, from great masterpieces of the genre on show in world-famous institutions to hidden gems housed in galleries off the beaten track. Drink in the beauty of Burne-Joness stained glass in the Holy Trinity Church in Sloane Street, then move on to see Millaiss Ophelia in Tate Britain; jump on the tube to Walthamstow to the William Morris Gallery, which was once Morriss home and now displays a fine selection of pre-Raphaelite paintings. Featuring over 100 galleries, including the National Maritime Museum, the Institute of Archaeology, the National Gallery, Tate, the Saatchi Gallery and the Royal Academy of Arts, and works by such artists as Rossetti, Francis Bacon, Van Gogh and Velazquez, "The Art Guide: London" is the perfect guidebook for all art lovers who visit and live in the city.   ?less

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简介：This is a study of a group of potters living in a small community in the south of Japan, and about the problems they face in the production, marketing and aesthetic appraisal of a kind of stoneware pottery generally referred to as mingei, or folk art. It shows how different people in an art world bring to bear different sets of values as they negotiate the meaning of mingei and try to decide whether a pot is 'art', 'folk art', or mere 'craft'. At the same time, this book is an unusual monograph in that it reaches beyond the mere study of an isolated community to trace the origins and history of 'folk art' in general. By showing how a set of aesthetic ideals originating in Britain was taken to Japan, and thence back to Europe and the United States - as a result of the activities of people like William Morris, Yanagi So etsu, Bernard Leach and Hamada Sho ji - this book rewrites the history of contemporary western ceramics.

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简介：　　The Society for the Protection of Ancient Buildings, founded by artist and craftsman William Morris in 1877, sought to preserve the integrity of historic buildings by preventing unnecessary repairs and additions. William Morris's intention and that of the SPAB was that buildings of any period had a life that was best protected through the conservative repair of what was falling into ruin and the prevention of injury to buildings by safeguarding them as much as possible and practical. This practice became known as historic preservation. The extremes of the Gothic Revival motivated the founding of the SPAB: in the mid-nineteenth century, many historic buildings were restored to appear Gothic in style. Although some restoration had occurred in past centuries, it was in Morris's age that this practice became excessive. Early SPAB work involved speaking against restoration and pring alternate ideas to promote preservation. Due to the continued monitoring of preservation practices concerning historic buildings,along with the evolution of techniques and adaptations throughout the years, the SPAB is now the oldest and largest conservation society in Britain. The SPAB so influenced late nineteenth century perspectives of historic preservation that it motivated the foundation of similar societies in Britain, in Europe, and around the world. This dissertation, based on many original documents from the SPAR archives in London, emphasizes the founding and development of the SPAB in the late nineteenth century. The SPAB is best understood by appreciating Morris's ideology and motivation, the popularity of the Gothic Revival and the preservation issues that evolved from it, and the SPAB's effectiveness in Britain through specific case studies. Then these issues are followed onto the continent, specifically in Germany and France, to examine the SPAB's influence there. Finally, the SPAB's twentieth century success is considered by looking at its current programs and cases.　　

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简介：Includes poems by Chaucer, William Dunbar, Sir Thomas Wyatt, Sir Philip Sidney, Edmund Spenser, Sir Walter Ralegh, Chidiock Tichborne, Robert Southwell, Christopher Marlowe, Michael Drayton, Shakespeare, Thomas Nashe, Thomas Campion, John Donne, Ben Jonson, John Cleveland, James Shirley, Robert Herrick, Thomas Carew, Richard Lovelace, Sir John Suckling, Edmund Waller, Andrew Marvell, George Herbert, Richard Crashaw, Henry Vaughan, Thomas Traherne, John Milton, John Dryden, John Wilmot Earl of Rochester, Alexander Pope, Samuel Johnson, William Colliins, Thomas Gray, Christopher Smart, William Cowper, Robert Burns, William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, John Keats, Walter Savage Landor, Thomas Love Peacock, John Clare, George Darley, Thomas Lovell Beddoes, William Cullen Bryant, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Edgar Allan Poe, Jones Very, Henry David Thoreau, Julia Ward Howe, Walt Whitman, Herman Melville, Emily Dickinson, Tennyson, Edward Fitzgerald, Robert Browning, Matthew Arnold, Gerard Manley Hopkins, Dante Gabriel Rossetti, Christina Rossetti, William Morris, Algernon Swinburne, Emily Bronte, Elizabeth Barrett Browning, Edward Lear, Lewis Carroll, George Meredith, Rudyard Kipling, William Butler Yeats, Lionel Johnson, Ernset Dowson, Thomas Hardy, Robert Bridges, D.H. Lawrence, A.E. Housman, Wilfred Owen, Edward Thomas, Isaac Rosenberg, Edwin Arlington Robinson, Stephen Crane, Trumbull Stickney, Robert Frost, Wallace Stevens, William Carlos Williams, Ezra Pound, Elinor Wylie, H.D. (Hilda Doolittle), Robinson Jeffers, Marianne Moore, T.S. Eliot, John Crowe Ransom, Conrad Aiken, Edna St. Vincent Millay, Louise Bogan, John Brooks Wheelwright, Leonie Adams, Allen Tate, and Hart Crane.

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简介：This book explores the intersections between Victorian literature, painting and photography. Taking as a starting point mid-nineteenth-century developments in the understanding of visual perception, Lindsay Smith examines the representation of a pervasive desire for a literal understanding of the process of seeing and perceiving. This is played out in the aesthetic theory of John Ruskin, the early poetry of William Morris, paintings of the Pre-Raphaelites, and in the photographic technique of combination printing. She demonstrates how the novel presence of the camera in nineteenth-century culture not only transforms acts of looking, but also affects major social, aesthetic and philosophical categories. By exploring the intricacies of photographic discourse she shows how Ruskin and Morris produce a critique of the earlier Cartesian perspectival model of vision.

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简介：Students new to the work of William Morris will find the full range of his achievements covered in this reissue of Peter Faulkner's excellent biography, first published in 1980. The author has carefully placed Morris in the context of the Victorian age, but has also suggested the relevance of his ideas today. The six chapters are organised biographically and cover all aspects of Morris's work in poetry, fiction, design and socialist politics. The emphasis is on his continuous struggle against the age in which he lived, seen as an idealism which went through various stages from the wistfulness of The Earthly Paradise through the practical activities of the firm of Morris & Company to the socialism of Morris's later years. The book quotes freely from writings by Morris not easily accessible at present and gives an overall account from which the student can develop his specialist interests. This reissue will appeal to sixth-formers and undergraduates interested in the Victorian period, as seen through one of its most striking personalities.

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简介：　　The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.　　

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简介： Students new to the work of William Morris will find the full range of his achievements covered in this reissue of Peter Faulkner's excellent biography, first published in 1980. The author has carefully placed Morris in the context of the Victorian age, but has also suggested the relevance of his ideas today. The six chapters are organised biographically and cover all aspects of Morris’s work in poetry, fiction, design and socialist politics. The emphasis is on his continuous struggle against the age in which he lived, seen as an idealism which went through various stages from the wistfulness of The Earthly Paradisethrough the practical activities of the firm of Morris & Company to the socialism of Morris's later years. The book quotes freely from writings by Morris which are not easily accessible and gives an overall account from which the student can develop his specialist interests. This reissue will appeal to sixth-formers and undergraduates interested in the Victorian period, as seen through one of its most striking personalities. When this book appeared in 1980, Morris’s reputation had risen again after the low estimates of the interwar period. This was due both to the reappraisal of his politics and to the expanding popularity of his designs. Against the Age offers a clear account of Morris’s career for those developing an interest in his numerous achievements. It covers the whole range of Morris’s work, and argues for his significance as a writer of both poetry and prose. Since 1980 our knowledge of Morris has been enriched by the publication of Norman Kelvin’s edition of his Collected Letters, by the late Nicholas Salmond’s editions of his contributions to the socialist journals, by Fiona MacCarthy’s biography of 1984, and by the increasing recognition of Morris as a pioneer of environmentalism. However, the book retains its value for its wide coverage and its balanced attitude to Morris’s achievements, and for its encouragement to readers to consider the issues that make Morris of continuing importance today.　　　 ?

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简介：This book "presents nature as the ultimate sourcebook for design, and explores nature鈥檚 influence on architecture, engineering, interiors, fashion, manufacturing and graphic design. It features the work of leading designers such as Issey Miyake, Ron Arad, William Morris and Frank Genry." - back cover

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简介："The twelve designers featured in Masters of Modern Design - originators of ideas vital to the contemporary world - have had an immeasurable impact on the buildings, houses, furniture, cars, and basic products we use daily. George Marcus offers biographical sketches and critical evaluations of William Morris, Henry van de Velde, Josef Hoffmann, Frank Lloyd Wright, Le Corbusier, Marianne Brandt, Raymond Loewy, Charles and Ray Eames, Achille Castiglioni, Ettore Sottsass Jr., Shiro Kuramata, and Philippe Starck. These profiles present a parallel history of design movements, from the nineteenth century on: Art and Crafts, Art Nouveau, the International Style, the Bauhaus, postmodernism, and more." "Marcus's thorough text covers the history, development, philosophy, and process of these influential designers. He focuses on the definitive stances each took in regard to modernism - issues of decoration, simplicity, functionality, and mass production - and the inescapable connections of their works and ideas."--BOOK JACKET.

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简介： 看見理想國：一位建築師的夢想國度遊記 ◆全球首度出版 ◆美國知名建築師古德曼生前未竟的出版遺願 ◆建築師 王秋華 翻譯 王大閎(前輩建築師)、安郁茜(實踐大學設計學院院長)、阮慶岳(元智大學藝術管理研究所所長)、孫德鴻(十三行博物館建築設計師)、陳邁(建築師)、黃聲遠(建築師)(依姓氏筆劃排序)推薦！ 一位建築師窮盡一生的夢想旅程 一趟穿越時空的烏托邦之旅 美國知名建築師的未竟遺願，二十年後在台實現。 每個人心中都有一個理想國。 無論是烏托邦的嚮往者，或是夢想建造理想國的建築師， 這絕對是你不容錯過的傑作。 「這是一本值得尊敬的書，古德曼建築師如小說般輕快的書寫與動人的手繪圖像，讓這本書稀罕而珍貴，……，而王秋華的全力投入翻譯，更讓我們慶幸能閱讀到這位華人女建築師翹楚者的文筆風采。」──阮慶岳 「一本不含理想國的地圖是不值一瞥的。」──英國小說家王爾德(Oscar Wilde) 「如果別人也能看見我所見的，我的夢將不再是幻想，而是理想。」──《烏有鄉》作者莫理斯(William Morris) 烏托邦、理想國是每個建築師的夢想之地，想像自己是理想國的建築師，你會如何建構整座城市？美國建築師古德曼，親身去實踐這個理想，並撰寫成書。他實地參訪理想國的相關遺蹟，並多年來不斷鑽研原著，加上個人的想像，成就了這本融合虛構與史實的奇幻之書，以第一人稱的方式，寫下在理想國、烏托邦中的所見所聞。 建築師古德曼，被譽猶太人史中最富創造力的建築師，年少對理想國的傳說即滿懷憧憬，年長時又曾以此為題在有名的大學講學，雖然這些國家目前在世界地圖上還找不到，但他終於決定親自去實地探訪，研討居民的生活方式，並順便測繪當地的服裝、建築、紀念碑等。 他去到了柏拉圖的共和國、培根的新大西島、康帕內拉的太陽城、摩爾的烏托邦和莫理斯的烏有鄉，融合嚴謹的知識鋪陳，與小說輕快的敘述手法，寫就這本建築師走訪夢想之地的奇想遊記，書中內容全是他觀察、記錄、描繪和想像的成果。 身為古德曼好友的資深建築師王秋華，為好友完成出版此書的遺願，並親自為本書導讀、翻譯。不管你是曾經神往理想國的讀者，或是夢想建造理想國的建築師，這本書都是不可多得的傑作。 「聰明的旅遊者只在幻想中遊歷。」──毛姆(Somerset Maugham) 「越是和我們不同的習俗，越會令我們感到不可思議。」──英國湯瑪斯?摩爾爵士 < TOP>

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简介：When architects design their own homes, they become their own dream clients. For anyone intrigued by the possibilities of domestic architecture, One Hundred Houses for One Hundred European Architects of the Twentieth Centuryinitially seems as if it will be a fascinating entré into the private worlds leading modern architects have built for themselves. Beginning with the great Finnish modernist Alvar Aalto and ending with John Young, an Englishman best known for his high-tech designs for airports, the book includes famous figures (Le Corbusier, Eileen Gray, Victor Horta, William Morris, Otto Wagner) as well as architects unknown outside specialist circles. Each house is illustrated with a floor plan and exterior and interior photographs--many in color--and each architect's major projects are listed, along with brief bibliographies. So far, so good. Unfortunately, many of the brief individual essays are written in stiff, bureaucratic prose with all the earmarks of a bad translation. The numerous authors offer up facts without relating the homes to the lives and design philosophies of the architects in vivid and insightful ways. Editor Gennaro Postiglione's terse and stilted introduction is equally disappointing. As if to acknowledge these problems, the book is printed in hard-to-read gray type. Still, some of the entries offer more personal glimpses. When Swedish architect Gert Wing?rdh enlarged an 18th-century farmhouse by adding two subtly-angled wings, he managed to combine his seemingly contradictory love of traditional materials and Venturian complexity with "green" technology--still in its infancy in 1990. Working with wood, a peat and grass-covered roof, and floors of limestone or pine, he achieved a sensual harmony of forms and spaces. --Cathy Curtis

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简介："He was a supreme artist in the intimacies and connections that bind people together or tear them apart," says Leon Edel in his introduction to this collection of Henry James's best letters. Edel has chosen, from the four-volume epistolarium already published, those letters which especially illuminate James's writing, his life, his thoughts and fancies, his literary theories, and his most meaningful friendships. In addition, there are two dozen letters that have never before been printed. In its unity, its elegance, and its reflection of almost a century of Anglo-American life and letters, this correspondence can well be said to belong to literature as well as to biography. Besides epistles to James's friends and family--including his celebrated brother, William--there are letters to notables such as Flaubert and Daudet in France; Stevenson, Gosse, Wells, and Conrad in England; and Americans from William Dean Howells to Edith Wharton. The latter correspondence, in particular, enlarges our understanding of James's complex involvements with Wharton and her circle; among the previously unpublished letters are several to Wharton's rakish lover, Morton Fullerton. This masterly selection allows us to observe the precocious adolescent, the twenty-six-year-old setting out for Europe, the perceptive traveler in Switzerland and Italy, and the man-about-London consorting with Leslie Stephen and William Morris, meeting Darwin and Rossetti, hearing Ruskin lecture, visiting George Eliot. The letters describe periods of stress as well as happiness, failure as well as success, loneliness as well as sociability. They portray in considerable psychological depth James's handling of his problems (particularly with his family), and they allow us to see him adjust his mask for each correspondent.

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简介：In the late nineteenth century, a spectre haunted Europe and the United States: the spectre of utopia. This book re-examines the rise of utopian thought at the fin de siecle, situating it in the social and political contradictions of the time and exploring the ways in which it articulated a deepening sense that the capitalist system might not be insuperable after all. The study pays particular attention to Edward Bellamy's seminal utopian fiction, "Looking Backward" (1888), embedding it in a number of unfamiliar contexts, and reading its richest passages against the grain, but it also offers detailed discussions of William Morris, H.G. Wells and Oscar Wilde. Both historical and theoretical in its approach, this book constitutes a substantial contribution to our understanding of the utopian imaginary, and an original analysis of the counter-culture in which it thrived at the fin de siecle.

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简介：This major and acclaimed study of the symbolist tradition in England focuses on the years 1850 to 1900 and discusses the poetry of such as William Morris, O'Shaughnessy, the Rossettis, Swinburne, Wilde and Yeats, paintings by Holman Hunt, Millais, Rossetti, Burne-Jones and others, and critical works by Keble, Ruskin, Carlyle, Arnold, Pater and Arthur Symons. This volume considers the changes from romantic symbol through Victorian 'type' and 'emblem' to late romantic image. This study of both literature and the visual arts is comparative in nature, attempting to establish an English symbolist tradition as part of an international development linking the nineteenth and twentieth centuries. Originally published by Cambridge in 1988, Lother H?nnighausen's book includes illustrations and a survey of critical works, defining major research issues and offering suggestions for other work.

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简介：In C. S. Lewis and the Middle Ages, medievalist Robert Boenig explores Lewis's personal and professional engagement with medieval literature and culture and argues convincingly that medieval modes of creativity had a profound impact on Lewis's imaginative fiction. The Middle Ages affected Lewis in different ways. Early in his life he found medieval narrative compelling, sharing his love for it with others and first experiencing the intense spiritual longing he termed joy through his engagement with it. He went on to build a successful career as a scholar who was, as he put it, chiefly a medievalist. His creative writing not only evokes the Middle Ages but also adapts the medieval technique of appropriating and altering prior texts as a means of generating new stories. Understanding Lewis's creative appropriation of previous sources is essential for a full assessment of his achievement as a creative writer. For Lewis, the medieval was above all a place where he encountered the spiritual. It was through the medieval in its mode of Norse myths, particularly those involving the Norse god Balder, that he experienced joy. He delighted in hunting this joy through medieval books, like those of Malory or Chaucer, and also through more modern works that evoke the Middle Ages, such as the prose romances of William Morris. Among the works of devotion and spirituality that Lewis continually read toward the end of his life were the medieval classics The Imitation of Christby Thomas ???? Kempis and Revelations of Divine Loveby Julian of Norwich. The medieval for Lewis was a place where he could and did encounter God. Using Lewis s private correspondence, scholarly books and articles, and creative writing, Boenig charts Lewis's involvement with all things medieval, demonstrating the importance of the Middle Ages in any assessment of Lewis s literary achievements.

Everlasting vision of William Morris

作者：  廖文卿主编

出版社：新北市立淡水古迹博物馆,2014

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