简介
This major and acclaimed study of the symbolist tradition in England focuses on the years 1850 to 1900 and discusses the poetry of such as William Morris, O'Shaughnessy, the Rossettis, Swinburne, Wilde and Yeats, paintings by Holman Hunt, Millais, Rossetti, Burne-Jones and others, and critical works by Keble, Ruskin, Carlyle, Arnold, Pater and Arthur Symons. This volume considers the changes from romantic symbol through Victorian 'type' and 'emblem' to late romantic image. This study of both literature and the visual arts is comparative in nature, attempting to establish an English symbolist tradition as part of an international development linking the nineteenth and twentieth centuries. Originally published by Cambridge in 1988, Lother H?nnighausen's book includes illustrations and a survey of critical works, defining major research issues and offering suggestions for other work.
目录
Table Of Contents:
List of illustrations vii
Preface ix
Introduction 1(8)
1 Changing conceptions of the symbol in the nineteenth century 9(19)
From romantic symbol to Victorian typology (Keble, Ruskin, Carlyle) 9(4)
The crisis of the romantic approach to nature and its impact on the symbol 13(4)
Arnold J. Thomson
The beginnings of the new symbolism 17(7)
Pater Wilde Yeats
The problem of correspondences 24(4)
2 Typology and allegory in late romantic literature 28(55)
Typologies 28(5)
The realism of the Pre-Raphaelites 33(6)
The conflict between realist and symbolist elements 39(9)
Rediscovering allegory 48(4)
Picture-poetry and the problem of the emblem 52(10)
The symbolic portrait 62(9)
Dominant personifications 71(3)
Symmetries and cycles in late romantic poetry and painting 74(4)
Personification and its contexts 78(5)
3 The impact of symbolist tendencies on late romantic poetry 83(52)
Poet and poetry 83(6)
The problem of genre 89(7)
Late romantic diction 96(8)
Aspects of late romantic imagery 104(10)
Symbolist tendencies and the interrelationship of the arts 114(21)
4 The imaginary landscape 135(37)
The late romantic experience of time 136(3)
The garden - a favourite Pre-Raphaelite refuge 139(6)
The shadowy land 145(3)
The exotic landscape 148(6)
The landscape of terror 154(12)
The allegorical landscape 166(3)
The landscape of the soul 169(3)
5 The ideal beloved 172(35)
The femme fatale as symbolic figure 173(4)
The ideal beloved: the biographical background 177(4)
The child 181(4)
The dead beloved 185(4)
The madonna 189(12)
Idealism and aestheticism 201(6)
6 Late romantic spirituality 207(53)
Mysticism 207(5)
Occult tendencies 212(1)
The spiritualization of the flesh 213(4)
Satan and sin 217(6)
Religious escapism 223(6)
Religious imagery 229(3)
The snake, the sphinx, the dance, and the rose as symbolist images 232(15)
Postscript: a survey of critical works since 1971 247(13)
Notes 260(59)
Bibliography 319(18)
Index 337
List of illustrations vii
Preface ix
Introduction 1(8)
1 Changing conceptions of the symbol in the nineteenth century 9(19)
From romantic symbol to Victorian typology (Keble, Ruskin, Carlyle) 9(4)
The crisis of the romantic approach to nature and its impact on the symbol 13(4)
Arnold J. Thomson
The beginnings of the new symbolism 17(7)
Pater Wilde Yeats
The problem of correspondences 24(4)
2 Typology and allegory in late romantic literature 28(55)
Typologies 28(5)
The realism of the Pre-Raphaelites 33(6)
The conflict between realist and symbolist elements 39(9)
Rediscovering allegory 48(4)
Picture-poetry and the problem of the emblem 52(10)
The symbolic portrait 62(9)
Dominant personifications 71(3)
Symmetries and cycles in late romantic poetry and painting 74(4)
Personification and its contexts 78(5)
3 The impact of symbolist tendencies on late romantic poetry 83(52)
Poet and poetry 83(6)
The problem of genre 89(7)
Late romantic diction 96(8)
Aspects of late romantic imagery 104(10)
Symbolist tendencies and the interrelationship of the arts 114(21)
4 The imaginary landscape 135(37)
The late romantic experience of time 136(3)
The garden - a favourite Pre-Raphaelite refuge 139(6)
The shadowy land 145(3)
The exotic landscape 148(6)
The landscape of terror 154(12)
The allegorical landscape 166(3)
The landscape of the soul 169(3)
5 The ideal beloved 172(35)
The femme fatale as symbolic figure 173(4)
The ideal beloved: the biographical background 177(4)
The child 181(4)
The dead beloved 185(4)
The madonna 189(12)
Idealism and aestheticism 201(6)
6 Late romantic spirituality 207(53)
Mysticism 207(5)
Occult tendencies 212(1)
The spiritualization of the flesh 213(4)
Satan and sin 217(6)
Religious escapism 223(6)
Religious imagery 229(3)
The snake, the sphinx, the dance, and the rose as symbolist images 232(15)
Postscript: a survey of critical works since 1971 247(13)
Notes 260(59)
Bibliography 319(18)
Index 337
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