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简介:Ocean acoustics represents an auxiliary science of ocean research, providing indispensable tools for the survey of structure, motion and features of undersea matter. The book includes the fields of research, off-shore industry and economy, of governmental surveillance, and protection of the ocean and shelf areas. The combined potential of large scale area coverage and advanced high resolution methods is unique. The book concentrates on imaging methods of acoustic remote sensing in the sea, which demonstrate both the peerless power and fascinating aesthetics of ocean acoustic visualization. It shows ocean acoustics as the unique technology to visualize in detail the interior of more than two thirds of the surface of the globe. Today technologies to "see by sound" reveal the convincing evidence of the various processes of geodynamics, the rise and set of continental plates, the results of enormous forces of deformation. Sediment echosounders look into the fine structure of the sea floor stratification, the prehistoric diary of the earth climate, disclose subsediment morphologies and discover large deposits of methane ice. The CD included with the book allows turning and zooming of the relief globe as well as of selected large sound images and contains animations, underwater flights and soundtracks.
作者: (美)菲茨杰拉德 著
出版社:天津人民出版社 2014-7-1
简介:《THE GREAT GATSBY:了不起的盖茨比(英文朗读版)》首次出版于1925年,20世纪美国著名小说家F·S·菲茨杰拉德代表作,被视为美国文学“爵士时代”的象征,曾入选20世纪百部最佳英文小说,20世纪50年代后的数十年间一度成为美国高中、大学文学课的标准教材。小说以未成名作家尼克的视角出发,全面展现了美国20年代纸醉金迷的上层社会生活,人与人之间的虚情寡义,以及“美国梦”在幻想、爱情与谎言中的破灭。《THE GREAT GATSBY:了不起的盖茨比(英文朗读版)》为英文原版,配朗读录音,免费下载,是英语学习的最佳原版读物之一。Described as "the great American novel", The Great Gatsby has become a standard text for generations of American students and one of the most beloved books of all time.First published on April 10, 1925, The Great Gatsby is set on Long Island's North Shore and in New York City during the summer of 1922. It is a critique of the American Dream. The novel takes place following the First World War. American society enjoyed having unprecedented levels of prosperity during the "roaring" 1920s as the economy soared. At the same time, Prohibition, the ban on the saleand manufacture of alcohol as mandated by the Eighteenth Amendment, made millionaires out of bootleggers. After its republishing in 1945 and 1953, it quickly found a wide readership and is today widely regarded as a paragon of the Great American Novel, and a literary classic. The Great Gatsby has become a standard text in high school and university courses on American literature in countries around the world, and is ranked second in the Modern Library's lists of the 100 Best Novels of the 20th Century.
作者: (爱尔兰)乔伊斯 著,戴从容 译
出版社:上海人民出版社 2013-1-1
简介: 汉弗利·钱普顿·壹耳微蚵是都柏林一个小酒馆的老板,有些口吃,并且驼背。他和妻子安娜·利维娅·普鲁拉贝尔、儿子山姆、肖恩、女儿伊茜住在酒馆里。晚饭后,山姆、肖恩和伊茜在酒馆外面的街道上玩着一种被称作“天使与魔鬼”的儿童游戏,两兄弟争着赢得妹妹的青睐。虽然山姆在猜谜游戏中失败,成为被驱逐的魔鬼,妹妹伊茜却独独钟情于他。随着夜幕降临,兄妹们被叫回家中,山姆和肖恩一起做功课,伊茜则在边上织毛衣。山姆借着几何题,给肖恩画了一幅母亲的子宫,于是两个兄弟大打出手。楼下,壹耳微蚵一边听收音机,一边招待酒客们喝酒。等到酒馆打烊,酒客们陆续离开,壹耳微蚵把酒客们杯里的剩酒喝个一干二净,醉得从楼梯上跌下来。声音惊醒了女仆凯特,却发现壹耳微蚵一丝不挂地躺在地上。半夜,孩子的一声惊哭将父母惊醒,两人上楼查看熟睡中的孩子,没有发现任何异样。于是两人回到卧室,开始做爱。随着新的一天渐渐降临,如同《尤利西斯》的结尾一样,安娜·利维娅·普鲁拉贝尔在半梦半醒中开始了自己漫长的没有标点的独白。 在这个看似简单的故事架构上,乔伊斯以梦呓一般的语言、迷宫一般的结构,构建了一个庞大繁杂的梦境,用芬尼根的死亡和复活,暗喻了全人类循环往复的历史发展,体现了18世纪意大利历史哲学家维柯和布鲁诺思想对他的影响。 同时,乔伊斯更将他的意识流技巧和梦境式的风格发挥到了极致。这部小说彻底背离了传统的小说情节和人物构造的方式,语言也具有明显的含混和暧昧的风格。乔伊斯在书中编造了大量的词语,潜藏了许多历史和文化的背景以及哲学的意蕴,甚至大量运用双关语。如果说《尤利西斯》描写的是一个城市一天的全部生活,那么《芬尼根的守灵夜》讲述的则是夜晚和梦幻的逻辑。 riverrun, past Eve and Adam's, from swerve of shore to bend ofbay, brings us by a commodius vicus of recirculation back to HowthCastle and Environs. “河水流淌,经过夏娃与亚当教堂,从凸出的河岸,到凹进的海湾,沿着宽敞的循环大道,把我们带回霍斯堡和郊外。” 这就是《芬尼根的守灵夜》著名的开篇,乔伊斯用如音乐般舒缓的语言勾勒出都柏林的优美景致。不过这可不是司空见惯的一句风景描写,请仔细看,乔伊斯把英文中“commodious”(宽敞的)去掉了一个字母“o”,成了“commodius”,让人联想到罗马暴君康茂德(Commodus),将人们带回悠久的古罗马时代;“vicus”是一个字典上查不到的词,但与意大利哲学家维柯名字的拉丁文拼写相同,与recirculation(循环)一起暗喻了维柯“循环”的历史观;“riverrun”一词作为全书的开篇词,却首字母小写。这不是印刷错误,而是乔伊斯在全书的谋篇布局上运用了维柯在《新科学》中所描绘的历史循环论的观点。维柯认为人类历史是循环往复的,人类的文明要先后经历混沌、神权统治、贵族统治和民主政治,然后再次回归混沌,重新循环。全书的结尾居然结束在一个定冠词the上:“Away a lone a last a loved a long the”,这个结尾就与全书的开头“riverrun , pastEve andAdam”连成了一句,构成了小说的循环,用以表示“生生不息”的轮回。所以乔伊斯说,这部作品是永远没有结局的,因为当人们终于读到最后一句的时候,发现自己又重新回到了小说的开头。简简单单的一句话,深究下去,你会惊讶地发现这是一个历史和现实相互交织的复杂迷宫,包含了人类历史、现实社会、时间空间和自然世界。
作者: 刘正江主编
出版社:大连海事大学出版社,2013
简介:刘正江编著的《船舶安全管理(英文版)》内容介绍:This textbook covers various knowledge on ship safety management and it consists ofseven chapters. Chapter 1 explains the background, concept, theory and method of ship safetymanagement. Chapter 2 presents international conventions on ship safety management. Chap-ter 3 exams domestic laws and regulations of ship safety management. Chapter 4 introducesthe ship safety administration and superintendence ashore. Chapter 5 and 6 make a full elabo-ration on shipboard safety management and shipboard contingency plan. Chapter 7 concen-trates on the topic of marine casualties and incidents. This book is to be used as a textbook for the course of ship safety management in nauti-cal colleges, also it could be used by mariner as a general reference, in order to obtain a bet-ter understanding of ship safety management whether on board or on shore. 《船舶安全管理(英文版)》是一本交通运输安全类教材。
Lessons from Singapore in the financial crises:Shanghai international financial center construction
作者: 李豫等著
出版社:企业管理出版社,2010
简介:《金融危机下的新加坡国际金融中心》内容简介:1998年我在中国人民银行总行工作,有幸受总行委派接受日本东海银行(The Tokai Bank,Limited)邀请到日本东海银行新加坡分行学习国际金融业务数月。日本东海银行新加坡分行是持有新加坡金融管理局(MAS)颁发的离岸许可证(Off shore license)、以离岸金融业务为主的银行,对我的学习非常重视和支持,制定了详细的计划,准备了详实的资料。在日本东海银行新加坡分行各业务部门、各个岗位业务人员结合实务的悉心辅导下,我在短短数月中系统学习了该行的所有离岸金融业务。当时又值亚洲金融危机之时,我也从离岸银行角度,较系统了解了新加坡金融管理局在金融危机下的监管理念、要求和具体做法以及新加坡建设国际金融中心的历史沿革。所有这些都使我受益匪浅、感触很深,并萌发了研究新加坡有关经验供国内借鉴的想法,为此回国时携带的有关资料超重40公斤。
出版社: 2011-1-1
简介: "After Dark" is a short, sleek novel that features variousencounters set in the witching hours of Tokyo between midnight anddawn, and is every bit as gripping as Murakami's masterworks "TheWind-Up Bird Chronicle" and "Kafka on the Shore."
作者: 赵毅衡著
出版社:知识出版社,2003
简介:本书主要写20世纪上半期中西文化交流史上的人物——西方人来中国,中国人到西方,看到了什么,学到了些什么。为什么集中写上半期?因为下半期这种交流相当少,虽然因此而神游者反而越来越多,例如萨特神游文化革命的中国。
Son:The final book in the Quartet Giver [Hardcover] 儿子:记忆传授者四部曲最终篇 ISBN 9780547887203
作者: Lois Lowry 著
出版社:Houghton Mifflin Harcourt 2012年10月
简介: “They called her Water Claire.” When the young girl washed up on their shore, no one knew she hadbeen a Vessel. That she had carried a Product. That it had beencarved from her belly. Stolen.Claire had had a son. She was supposed to forget him, but that wasimpossible. When he was taken from their community, she knew shehad to follow. And so her journey began.But here in this wind-battered village Claire is welcomed as one oftheir own. In the security of her new home, she is free and loved.She grows stronger. As tempted as she is by the warmth of morehuman kindness than she has ever known, she cannot stay. Her son isout there; a young boy by now. Claire will stop at nothing to findher child . . . even if it means trading her own life.With Son, the two-time Newbery Medal–winning Lois Lowry has spunanother mesmerizing tale in this thrilling and long-awaitedconclusion to The Giver. “Claire’s story stands on its own, but as the final volume inthis iconic quartet, it holistically reunites characters, reprisesprovocative socio-political themes, and offers a transcendingmessage of tolerance and hope.”—Kirkus Reviews, starred review
作者: (美)於梨华著
出版社:江苏文艺出版社,2009
简介:《彼岸》主要内容是:年近中年瓦解的婚姻,让何洛笛无忧的移居生活戛然而止。目睹父母勃谿,幼女尚晴在自暴自弃中过早踏入成人的生活,接踵而至的早婚、产子、离异、贫寒等重重打击几欲摧毁了她的人生。母亲尚晴的失常令女儿楚眉的童年蒙阴,而洛笛的悉心抚育却让两人形成了笃厚的祖孙情。再婚老伴离世,洛笛不得不在寂寥中住进了养老院。她时常牵挂着人近中年而事业、婚姻无着的尚晴,又惦念着在爱情中跌打滚爬的楚眉,却意外发现自己患上了不治之症,面对不舍的亲情、面对病痛的折磨,她究竟会做出怎样的抉择……
简介:Summary: Publisher Summary 1 HVDC and FACTS Controllers: Applications of Static Converters in Power Systemsfocuses on the technical advances and developments that have taken place in the past ten years or so in the fields of High Voltage DC transmission and Flexible AC transmission systems. These advances (in HVDC transmission and FACTS) have added a new dimension to power transmission capabilities. The book covers a wide variety of topics, some of which are listed below: -Current Source and Voltage Source Converters, -Synchronization Techniques for Power Converters, -Capacitor Commutated Converters, -Active Filters, -Typical Disturbances on HVDC Systems, -Simulation Techniques, -Static Var Compensators based on Chain Link Converters, -Advanced Controllers, -Trends in Modern HVDC. In addition to EHV transmission, HVDC technology has impacted on a number of other areas as well. As an example, a chapter dealing with HVDC Light applications is included providing recent information on both on-shore and off-shore applications of wind farms.
Diagnostic medical parasitology
作者: (美)Lynne Shore Garcia主编;张进顺[等]主译
出版社:人民卫生出版社,2010
简介: 本书全面系统地介绍了全球人体寄生虫感染和寄生虫病及其有关诊断及 检验的最新知识和技术。全书共36章,分为两篇:第一篇包括第一至第二十 五章,主要按器官、系统介绍各种寄生虫及其临床重要性;第二篇包括第二 十六至第三十六章,介绍寄生虫感染和寄生虫病的诊断方法。书中有寄生虫 绘图和照片995幅,流程图28幅,表273个,可为寄生虫的发现、鉴别及临床 正确诊断提供重要参考。
作者: 李存忠
简介:
这是一本集结了作者本人在教育孩子成长之路的精华私房手册,作者是加州大学的企管硕士,他利用自己的管理经验,独家创造出了适合孩子学好英语的有效方法,同时,他的亲子教育理念很接地气,本着边学边玩边成长的思路,他们在经历了前期的不断探索后,终于找到了适合家长同孩子学习的有效途径。作者在线上同各位爸妈分享了共学之路的各种磨合,挽救了上万名教学无助的爸妈。
本书主张一个教育理念就是:英语单词千万不要背!带着这个理念,作者独创的“一三五七九”法则,帮助了众多爸妈们解决了在家和孩子共学的难题。告别了传统的“老师”角度,以真正的“爸妈”的身份出发,让亲子互动零压力,真正把学习融入到日常生活中去。
书中搭配了兼具可爱功能的插图,大大减少孩子对记忆单词的抗拒力,更有免费音频文件,扫码就可听。只要跟着音频一起练习,爸妈再也不用担心发音不准,孩子也不用怕没有和爸妈陪练的机会了。【目录】
Part 1 父母才是孩子*好的启蒙老师
◆一个原则:单词千万不要背
◆三个目标:英语启蒙,从听说、读、写开始
◆想要孩子开口说,掌握这简单的六个原则
◆不记规则,让孩子跟着“发音”就对了
◆在非母语的环境,给孩子*接近母语的氛围
Part 2 孩子英文没学好,是因为中文比较弱
◆ 有助学习的五种有效工具
◆ 帮助孩子学好英语的七个小诀窍
◆ 80/20 法则
◆ 让孩子学单词像学汉语一样轻松
Part 3 陪孩子重拾英语,重在生活中的点滴教育和培养
◆九步让孩子脱口说英文的“马步法”
◆在家一样能营造双语环境
◆坚持和孩子一起重温学校知识
◆好好玩才是学好英语的王道
◆让孩子从小就有爱护环境的意识
◆成为单词小能手,要懂得“善变”哦【免费在线读】
一个原则:单词千万不要背
对,爸爸妈妈没看错,单词千万不要背,只有这样才能更有效记忆单词。
虽然听来很不符合逻辑,但从孩子的生活经验、语言能力及学习方式来看,去背一个完全没有感觉、没有印象,就像大人看韩语、希腊语的复杂符号一样,既痛苦又没有效果。
语言学习贵在自然吸收,然后慢慢内化,一旦内化了就不会忘记了。
回想一下,孩子学习中文时,认字并不是靠背的,而是靠不断从生活中接触而记得的。因为在小学前,就算不会写汉字,但是由于在日常生活中已经频繁使用,并且看得懂也听得懂,所以一旦进入小学后学写字,速度就非常快了。
英文的学习不应该也是如此吗?
对于以英文为母语的外国孩子来说,有些人数学不好,有些人音乐不行,但对我们中国人来说,他们每个中文口语表达能力都应该是棒棒哒!
这就是因为学习语文是不用背的,而是从实际生活中内化得来的。
就像武侠小说里的武功一样,武功高强的人必须要有深厚的内力(就是对单词听得懂、说得出,也看得懂),然后再修炼复杂的招式(就是学拼写),这样武功才能练成,不会因为内功不足驾驭不来而走火入魔。
本章节要教给各位爸爸妈妈的方法,就是如何在非母语的环境下,给予孩子*接近母语的学习语境。让孩子先建立深厚的单词内力,再搭配一些技巧性的学习方法,孩子的单词学习之路就可以愉快多了,也很快就能变成单词武功的高手。
三个目标:英语启蒙,从听说、读、写开始
孩子的学习效果如何,我们建议爸爸妈妈可以在孩子小学毕业前,制定一个具体可行的目标,然后依照本书所提到的诀窍及各种练习方法认真执行,验证学习成果,相信可以让孩子在上初中之前,奠定一个好的英文基础。
这个目标是什么呢?我们打破传统的观念,不认为会“背”单词才算是会,而是会“用”单词才算是会一个单词。
英文重在使用及沟通,所以学习词汇就要能够用英文进行会话交流、阅读书籍及写作。所以我们就可以从这三个方面开始,会话→阅读→写作。这三点才是学好英文的三大方向。
*优先
是能够会话,就要能听得懂、说得出单词。
第二优先
是能够阅读,就要能看得懂单词在文章里的意义。
第三优先
是能够写作,就要能拼写出单词来。
其中拼写*难,看得懂次之,而能够听得懂又说得出来对孩子是相对容易的。
但是现在学习方法中把*难的(拼写)放在*前面,其实拼写应该等孩子上初中,或是小学高年级后在开始练习英文写作的时候才要加强加速。反而是*重要的听说一个单词的能力,孩子普遍缺乏反复练习及使用。这样的扭曲颠倒的结果,造成了孩子背单词很辛苦,用不到又很容易忘,导致简单的对话却听不懂,更不敢开口说英文!
所以,在小学毕业前,我们建议给孩子要制定单词学习的三大目标是:听说、读、拼写
目标一:听说的目标
【小学毕业前】
低标1000~1500单词
能够听得懂1200个单词,*迟在三秒内能说出正确答案。
高标2000~4000单词
能够听得懂衍生单词,达到2000个的单词理解能力,甚至能够挑战4000个听得懂的目标。
目标二:读的目标
【小学毕业前】
低标1000~1500单词
能够看得懂1000个单词,*迟在五秒内能说出正确答案。
高标1500~2000单词
能够看得懂衍生单词,达到1500的单词理解能力,甚至能够挑战2000个读得懂的目标。
目标三:拼写的目标
【小学毕业前】
低标500~1000单词
能够正确拼写600个基本英文单词。
高标1000~1500单词
能够正确拼写基本英文单词,提前掌握初中英语学习目标,甚至能够挑战衍生相关单词1500个的目标。
熟读26个字母,以此练习发音
使用自然拼读法,就要从根本,也就是26个字母的发音开始学习。不用特别记忆什么规律,只要爸妈与孩子不断地、清楚地念出26个字母的发音,就能为发音学习奠定良好的基础。
通过26个字母的排列组合,元音辅音组合成的音节形成一个单词。可以让孩子具体去想像:一个单词就像一栋房子,每个音节就是一层楼,元音就是每一层楼的钢筋,而辅音就是每一层楼的水泥。
元音的发音有许多不同的规律,以英文字母a, e, i, o, u及一些组合字母(au,ou,ea,ee...)为核心。元音是每个音节的骨干,一旦掌握了元音发音的规律,就很容易念出单词的发音,进而就可牢记在心。(我们在下面的章节会为爸妈整理出一百多种元音发音规律)
辅音的发音规律虽然很多,但只要引导孩子记住26个字母中辅音字母的发音,再记住几个特别的发音规律,就已经够用了。例如:
B: baby 宝贝 、 boy 男孩 、book 书、
before 在……之前
C: cat 猫、cake 蛋糕、 call 呼叫 、 clear 清楚的
CH: chair 椅子、chalk 粉笔、chance 机会、cheap 便宜的
D: desk 桌子、decide 决定 、duck 鸭子、dry 干的
F: fail 失败、 far 远的、fork 叉子、Friday 星期五
G/
GH:
garbage 垃圾、glass 玻璃杯、goat 山羊、gray 灰色的
ghost 鬼
GH
词尾 :
laugh 笑、rough 粗糙的、enough 足够的
H: half 一半的 、ham 火腿、head 头、heart 心脏
J: jog 慢跑、join 加入、June 六月、July 七月
K: key 钥匙、keep 保持、kiss 亲、kitchen 厨房
L: lake 湖、large 大的、lamp 灯、listen 倾听
M: mail 邮件、mask 面具、milk 牛奶、mistake 错误
N: nail 指甲、next 下一个、notice 注意、number 号码
P: paper 纸、page 页、parent 父母、pear 梨
PH: photo 照片、philosophy 哲学
Q: quarter 四分之一、queen 皇后、quick 快的、quiz 小测验
R: read 读、real 真正的、rest 休息、robot 机器人
S: sail 航行、same 相同的、school 学校、season 季节
SH: shore 海岸、shop 店、fi sh 鱼
T: taste 味道、 toe 脚趾、trash 垃圾、trouble 麻烦
TH: think 想、throat 喉咙、thin 薄的、thick 厚的
V: vest 背心、visit 拜访、very 非常地、vegetable 蔬菜
W: wall 墙壁、want 想要、welcome 欢迎、winter 冬天
Y: yes 是的、year 年、yellow 黄色的、you 你
Z: zoo 动物园、zero 零、zebra 斑马Around the world in eighty days /
作者: Jules Verne ; translated by George Mokepeace Towle.
简介: Around the World in Eighty Days (French: Le tour du monde en quatre-vingts jours) is a classic adventure novel by the French writer Jules Verne, first published in 1872. In the story, Phileas Fogg of London and his newly-employed French valet Passepartout attempt to circumnavigate the world in 80 days on a £20,000 wager set by his friends at the Reform Club. Publisher Comments: Jules Verne Great excitement and awe greeted its publication in 1873, and today Around the World in Eighty Days remains Jules Verne’s most successful novel. A daring wager by the eccentric and mysterious Englishman Phileas Fogg that he can circle the globe in just eighty days initiates this marvelous travelogue and exciting suspense story. Together with his manservant, Passepartout, Fogg makes a breathless world tour, overcoming wild misadventures and finding time to rescue a beautiful Indian maharani from a burning funeral pyre—all the while restlessly pursued by a bumbling detective called Mr. Fix. Realistically utilizing nearly every means of transportation known in the 1870s, Around the World in Eighty Days generated enchantment with scientific progress—and its delightful mixture of fantasy, comedy, and dazzling suspense has kept it a perennially superb entertainment. From School Library Journal Grade 6 Up?To most modern kids, classics may be great, worthy, even exciting stories, but they were written in and for their own times and the context can sometimes be obscure. Using the visually irresistible printing techniques popularized by the "Eyewitness" series, these two books, when prominently displayed, will probably attract more impulse readers than some of the dustier editions. But do they accomplish their stated aim? Direct textual illustration is plentiful, lively, and useful. The reproductions of prints, photographs, and maps that pepper each page and are intended to enhance readers' grasp of the times, however, are a mixed success. There is a sameness to them and an arbitrary feel to their use. Pirate buffs will find Treasure Island's variety of ship drawings, details of sailing minutiae, and photographs of pieces of eight or guns and swords quite satisfying. Verne's work is less enhanced by its graphics. This episodic travelogue would be best served by lots of clear maps with the route well marked. But the few maps shown are so small that the legends are unreadable and country and city names are blurred. Limitations aside, the initial appeal of this fresh approach may serve to attract some new readers to these enduring stories that have managed without any help for this long.?Sally Margolis, formerly at Deerfield Public Library, IL From AudioFile On a wager with his chums at the Reform Club, Phileas Fogg attempts the trip described in the title of this classic adventure novel. Burton does a fine job reading this skillful abridgment, changing voices effectively and pacing himself well. Classical music is used as an effective bridge between chapters. Superior liner notes include a chapter outline, a brief biographical sketch of Verne and a list of the music used in the program. P.B.J. About the Author Jules Verne was born into a family with a seafaring tradition in Nantes, France in 1828. Verne was sent to Paris to study law, but once there, he quickly fell in love with the theater. He was soon writing plays and opera librettos, and his first play was produced in 1850. When he refused his father's entreaties to return to Nantes and practice law, his allowance was cut off, and he was forced to make his living by selling stories and articles. Soon he was turning out imaginative stories such as Five Weeks in a Balloon (1863), Journey to the Center of the Earth (1864), and From the Earth to the Moon (1865), which were immensely popular all over the world. His ability to envision the next stage in man's technological progress produced 20,000 Leagues Under the Sea (1870) and Michael Strogoff (1876). His biggest success came with Around the World in Eighty Days (1872). Verne's books made him famous and rich. In 1876, he bought a large steam yacht in which he could write more comfortably than on shore. His books were widely translated, dramatized, and later filmed. He died in Amiens in 1905. Book Dimension Height (mm) 176 Width (mm) 110
简介:"Invent! leads you through a technique Sidney Shore calls Constructive Discontent and shows you how this can develop a way of critical thinking that unleashes a flood of ideas. He adds thinking tools like Crazy Criteria and a wonderful checklist called The Ten Commandments for Increasing Creativity. There are hundreds of ideas for stimulating innovation. Along the way he shares his experiences of invention and creativity."--Cover
作者: by F. Scott Fitzgerald ; introduction and notes by Guy Reynolds.
简介:弗?司各特?菲茨拉德(F.Scott Fitzgerald ,1896——1940)是二十世纪美国著名作家,"迷惘一代"的代表作家,短暂一生中只写有为数不多的几部作品,《了不起的盖茨比》是作家最具代表性的作品。 Book Description The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles. This novel is a summary of the "roaring twenties", and a devastating expose of the "Jazz Age". Through the narration of Nick Carraway, it explores the superficially glittering world of mansions on the Long Island shore, and his encounter with Jay Gatsby and the mystery that surrounds him. Synopsis: "He talked a lot about the past and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was . . ." The Great Gatsby (1925), F. Scott Fitzgerald's masterpiece, stands among the greatest of all American fiction. Jay Gatsby's lavish lifestyle in a mansion on Long Island's gold coast encapsulates the spirit, excitement, and violence of the era Fitzgerald named 'the Jazz Age'. Impelled by his love for Daisy Buchanan, Gatsby seeks nothing less than to recapture the moment five years earlier when his best and brightest dreams - his 'unutterable visions' - seemed to be incarnated in her kiss. A moving portrayal of the power of romantic imagination, as well as the pathos and courage entailed in the pusuit of an unattainable dream, The Great Gatsby is a classic fiction of hope and disillusion. This edition is fully annotated with a fine Introduction incorporating new interpretation and detailing Fitzgerald's struggle to write the novel, its critical reception and its significance for future generations. Amazon.com In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream. It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem. From AudioFile Christopher Reeve's smooth rhythm and soft-spoken tone accentuate Fitzgerald's flowing, elegant style. Since his character is an onlooker to events which take place in Gatsby's glittering but superficial world, Reeve also projects an appropriate distant quality. However, his vocal attempts to make each character well-defined seem to be an overwhelming task for one reader. Occasionally, it is hard to tell which character is speaking. Nonetheless, Reeve's ability to accurately evoke the emotions of the characters transcends this flaw. As a result, he delivers a noteworthy performance. M.P.T. About Author F. Scott Fitzgerald was born in St. Paul, Minnesota, in 1896, attended Princeton University, and published his first novel, This Side of Paradise, in 1920. That same year he married Zelda Sayre and the couple divided their time between New York, Paris, and the Riviera, becoming a part of the American expatriate circle that included Gertrude Stein, Ernest Hemingway, and John Dos Passos. Fitzgerald was hailed early on as a major new voice in American fiction; his other novels include The Beautiful and Damned and Tender Is the Night. He died of a heart attack in 1940 at the age of forty-four, while working on The Love of the Last Tycoon. Book Dimension : length: (cm)19.8 width:(cm)12.6 点击链接进入中文版: 伟大的盖茨比
作者: (美)麦尔维尔著;张庆注释
出版社:文化艺术出版社,2001
简介: Call me Isheael. Some year ago-never mind how long precisely-having little or no interest me on shore ,I thought I would .It is a way I have of driving off the spleen ,and regulating the circulation.Whenever I find myself growing grim about the mouth;whenever it is a damp,drizzly November in my soul.
作者: 赫尔曼·梅尔维尔
出版社:译林出版社 2017年10月
简介:
This classic story of high adventure, manic obsession, and metaphysical speculation was Melville's masterpiece. The tale of Captain Ahab's frantic pursuit of the cunning and notorious white whale Moby Dick, is packed with drama, and draws heavily on the author's own experiences on the high seas. This edition includes passages from Melville's correspondence with Nathaniel Hawthorne, in which the two discussed the philosophical depths of the novel's plot and imagery.
【目录】
Note on the Text
Select Bibliography
A Chronology of Herman Melville
MOBY DICK
Appendix: Melville’s Letters to Nathaniel Hawthorne
Explanatory Notes
【免费在线读】
MOBY DICK;
or, THE WHALE.
CHAPTER 1. Loomings.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land.
Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these
are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets
and avenues—north, east, south, and west. Yet here they all unite.
Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region.
Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning.
And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger.
For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don’t sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honourable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not.
And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls;—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.
“Grand Contested Election for the Presidency of the United States.
“WHALING VOYAGE BY ONE ISHMAEL. “BLOODY BATTLE IN AFFGHANISTAN.”
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