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作者: Alan Bisbort.
简介:This fascinating volume offers an overview of the most influential and notorious media scandals, from newspaper publisher John Peter Zenger's groundbreaking 1735 trial for "printing and publishing false, scandalous, malicious and seditious statements" to Dr. Phil McGraw's 2008 thwarted attempt to force his television cameras inside Britney Spears' hospital room, from the attempts to ban literature by the likes of D.H. Lawrence, James Joyce, Henry Miller, and Allen Ginsberg to the excesses of gossip mongers like Walter Winchell, Hedda Hopper, Geraldo Rivera, and Matt Drudge. It delves into the tabloid press and walks through the minefields of political opinion shapers, the shouters, the muckrakers and whistleblowers.
简介:Includes fiction by Kate Chopin, Gail Godwin, Edgar Rice Burroughs, Faulkner, Grace Paley, Dickens, Melville, Hawthorne, Eudora Welty, Hemingway, Alice Munro, Chekhov, Joyce Carol Oates, Colette, Ralph Ellison, Katherine Anne Porter, Stephen Crane, Joseph Conrad, Garcia Marquez, Tillie Olsen, Mark Twain, Poe, Flannery O'Connor, Toni Cade Bambara, John Cheever, Joyce, Kafka, Jamaica Kincaid, D.H. Lawrence, Katherine Mansfield, Updike, Yukio Mishima, Louise Erdrich, Fitzgerald, Elizabeth Bowen, Vladimir Nabokov, Gore Vidal, E.L. Doctorow, Ursula K. Le Guin, and others. others. Includes poems by Marge Piercy, Robert Hayden, Elizabeth Bishop, Philip Larkin, E.E. Cummings, Mary Oliver, John Donne, Nikki Giovanni, Emily Dickinson, Randall Jarrell, Maxine Kumin, Robert Herrick, Andrew Marvell, Richard Wilbur, Edna St. Vincent Millay, Thomas Hardy, David R. Slavitt, Gwendolyn Brooks, Stevie Smith, Jane Kenyon, William Carlos Williams, Adelaide Crapsey, Walt Whitman, Theodore Roethke, Matthew Arnold, H.D., William Blake, Wilfred Owen, Margaret Atwood, Robert Lowell, Mark Strand, Richmond Lattimore, Anne Bradstreet, Dylan Thomas, Sylvia Plath, Wordsworth, Robert Graves, May Swenson, Robert Frost, Poe, Edwin Arlington Robinson, Stephen Crane, W.D. Snodgrass, Richard Eberhart, D.H. Lawrence, Louise Bogan, Robert Browning, Ezra Pound, Leonard Cohen, Galway Kinnell, Richard Armour, Robert Southey, Gerard Manley Hopkins, Lewis Carroll, Jean Toomer, Pope, Yeats, A.E. Housman, Ben Jonson, Dorothy Parker, Tennyson, Richard Lovelace, Shakespeare, Basho, Seamus Heaney, Shelley, George Herbert, Allen Ginsberg, Denise Levertov, Carolyn Forche, Sharon Olds, Keats, W.H. Auden, Robert Bly, Rupert Brooke, Robert Burns, Byron, Coleridge, Countee Cullen, Lucille Clifton, James Dickey, T.S. Eliot, Donald Hall, Langston Hughes, Ted Hughes, X.J. Kennedy, Audre Lord, Archibald MacLeish, Claude McKay, Christopher Marlowe, Milton, Ogden Nash, Marianne Moore, Howard Nemerov, John Crowe Ransom, Anne Sexton, Delmore Schwartz, Leslie Marmon Silko, Wallace Stevens, Anna Akhmatove, Claribel Alegria, Baudelaire, Garcia Lorca, Czeslaw Milosz, Pablo Neruda, Octavio Paz, Rilke, Sappho, Amy Clampitt, Robert Creeley, Rita Dove, and others. Includes drama and writings on drama by Sophocles, Aristotle, Muriel Rukeyser, Jean Anouilh, Maurice Sagoff, Shakespeare, Samuel Johnson, Freud, Moliere, Henrik Ibsen, Anton Chekhov, David Mamet, Samuel Beckett, Martin Esslin, Harold Pinter, Tennessee Williams, Arthur Miller, Wole Soyinka, James Gibb, Caryl Churchill, August Wilson, David Henry Hwang, Owen Davis, Susan Glaspell, Eric Bentley, David Savran, Susan Sontag, Judith Fetterley, Annette Kolodny, and others.
简介:"On a blind date in Greenwich Village set up by Allen Ginsberg, Jack Kerouac met Joyce Glassman. This unique book, containing the many letters the two of them wrote to each other whenever Jack was in transit, reveals a surprising side of Kerouac - his capacity for forming a tender bond with a woman who shared his passion for writing. It also gives us a vivid and immediate picture from the female perspective of what it took to be young and Beat in the Cold War fifties, to participate in the formation of a defiant new bohemia in downtown Manhattan, and to fall deeply in love with a man who "could behave unforgivably but whom you would ultimately have to forgive.""--BOOK JACKET.
简介:Summary: Publisher Summary 1 The San Francisco Renaissance is the first review of this major American literary movement. Publisher Summary 2 Though the term "San Francisco Renaissance" is usually associated with the Beat movement, it was in reality a collage of different communities, often at odds with one another, whose agendas were social and political as much as aesthetic. These subcommunities provided important contexts for subsequent counterculture developments such as gay liberation, feminism, and the New Left long before those movements attracted widespread public attention. In his study of these various impulses Michael Davidson devotes chapters to central figures such as Kenneth Rexroth, Robert Duncan, William Everson, Allen Ginsberg, Jack Kerouac, Michael McClure, Gary Snyder, Philip Whalen, and Jack Spicer. He also examines the important but largely neglected context of women writers in a period dominated by misogynistic views. His final chapter brings things up to date by looking at developments in the Bay Area since the death of Jack Spicer.
简介:One of America's leading poets and critics offers a major interpretation of the poetry and poets of modern America, from the radical bohemians at the turn of the century through the leftist poets of the twenties, the reactionaries of the thirties and forties, the gradual emergence of the San Francisco school after the Second World War, to the more recent poetry of Allen Ginsberg, Philip Whalen, Gary Snyder. It is a work of re-experiencing the poems themselves, and in the process Kenneth Rexroth provides a controversial new look at the standard authors and boldly redefines the value of such poets as Levertov, Moore, and Lowell. This new paperback edition has been supplemented by a complete index of poets and a list of suggested readings. --back cover.
简介:From the Objectivists to e-poetry, this thoughtful and innovative book explores the dynamic relationship between the ethical imperative and poetic practice, revitalizing the study of the most prominent post-war American poets in a fresh, provocative way. Contributing to the "turn to ethics" in literary studies, the book begins with Emmanual Levi... more 籲as? philosophy, proposing that his reorientation of ontology and ethics demands a social responsibility. In poetic practice this responsibility for the other, it is argued, is both responsive to the traumatized semiotics of our shared language and directed towards an emancipatory social activism. Individual chapters deal with Charles Olson?s The Maximus Poems (including reproductions of previously unpublished archive material), Gary Snyder?s environmental poetry, Allen Ginsberg?s Beat poetics, Jerome Rothenberg?s ethnopoetics, and Bruce Andrew?s Language poetry. Following the book?s chronological and contextual approach, their work is situated within a constellation of poetic schools and movements, and in relation to the shifting socio-political conditions of post-war America. In its redefinition and extension of the key notion of "poethics" and, as guide to the development of experimental work in modern American poetry, this book will interest and appeal to a wide audience. ?less
简介:"Allen Ginsberg once declared that "the best teaching is done in bed," but most university administrators would presumably disagree. Many universities prohibit romantic relationships between faculty members and students, and professors who transgress are usually out of a job. In Romance in the Ivory Tower, Paul Abramson takes aim at university policies that forbid relationships between faculty members and students. He argues provocatively thatthe issue of faculty-student romances goes beyond the seemingly trivial matter of who sleeps with whom and engages our fundamental constitutional rights." "By what authority, Abramson asks, did the university become the arbiter of romantic etiquette among consenting adults? Do we, as consenting adults, have a constitutionalright to make intimate choices as long as they do not cause harm? Abramson contends that we do, and bases this claim on two arguments. He suggests that the Ninth Amendment (which states that the Constitution's enumeration of certain rights should not be construed to deny others) protects the "right to romance." And, more provocatively, he argues that the "right to romance" is a fundamental right of conscience - as are freedom of speechand freedom of religion." "Campus romances happen. The important question is not whether they should be encouraged or prohibited but whether the choice to engage in such a relationship shouldbe protected or precluded. Abramson argues ringingly that our freedom to make choices - to worship, make a politicalspeech, or fall in love - is fundamental. Rules forbiddingfaculty-student romances are not only unconstitutional butset dangerous precedents for further intrusion into rightsof privacy and conscience."--BOOK JACKET.
简介:Summary: Publisher Summary 1 Lawlor (English, U. of Wisconsin-Stevens Point) first considers the appropriate place for the artistic counterculture in the literary canon and curriculum and surveys teaching practices at various schools. Then he cites print and online resources for specific authors and publishers associated with the movement, including of course the triumvirate William Burroughs, Allen Ginsberg, and Jack Kerouac. Annotation c. by Book News, Inc., Portland, Or. Publisher Summary 2 Discusses the appropriate place for the Beats in the literary canon and curriculum and provides an overview of teaching practices at schools and universities throughout the United States.
简介:This definitive collection showcases thirty years of work by one of the most significant American poets of the twentieth century, bringing together verse that originally appeared in eight acclaimed books of poetry ranging fromHello: A Journal(1978) toLife & Death(1998) andIf I were writing this(2003). Robert Creeley, who was involved with the publication of this volume before his death in 2005, helped define an emerging counter-tradition to the prevailing literary establishment--the new postwar poetry originating with Ezra Pound, William Carlos Williams, and Louis Zukofsky and expanding through the lives and works of Charles Olson, Robert Duncan, Allen Ginsberg, Denise Levertov, and others.The Collected Poems of Robert Creeley, 1975-2005will stand together withThe Collected Poems of Robert Creeley, 1975-2000as essential reading for anyone interested in twentieth-century American poetry.
简介:Summary: Publisher Summary 1 The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.
简介:"It is thrilling to watch the drama develop!" Allen Ginsberg So quoth one of the 20th century's most well-known poets - and not about the latest piece of manufactured pop culture suspense, be it from John Grisham or Jerry Bruckheimer, but about the poetic work of John Wieners. Wieners, unknown to so many today, was schooled at the famed Black Mountain College and, taking his cue from contemporaneous poets, focused his art on such themes as drugs, sex, and homosexuality. Considered by many to be a most undeservedly unrecognized genius, in this collection "Wieners' glory is solitary, as pure poet" (Ginsberg). Certainly, Wieners has the capacity, as great poets must, to heighten and change one's consciousness of the world; this collection brings the pains and joys of a unique man, the Weltanschauung of one who has seen more than most, to the willing reader. DAVID ASPELIN died at 16 put a rifle in his mouth, and laid across his bed at night. After he held my hand on the way home and said I will be dead tomorrow. ("A Poem for the Dead I Know")
简介:Summary: Publisher Summary 1 In a series of lively interviews and reminiscences, the acclaimed poet speaks out candidly on his poetry, his literary influences, drug experimentation, his homosexuality, his sexual affair with fellow Beat Jack Kerouac, and his longtime relationship with Peter Orlovsky. Reprint. 15,000 first printing. Publisher Summary 2 From his conversation with the conservative William F. Buckley on PBS to his testimony at the Chicago Seven trial to his passionate riffs on Cezanne, Blake, Whitman, and Pound, the interviews collected in Spontaneous Mind, chronologically arranged and in some cases previously unpublished, were conducted throughout Allen Ginsberg's long career. From the late 1950s to the mid-1990s, Ginsberg speaks frankly about his life, his work, and major events, allowing us to hear once again the impassioned voice of one of the most influential literary and cultural figures of our time.
简介:Includes writings by Washington Irving, James Kirke Paulding, Frances Trollope, Fanny Kemble, Philip Hone, Charles Dickens, Henry David Thoreau, Nathaniel Parker Willis, Edgar Allan Poe, James Fenimore Cooper, Margaret Fuller, George G. Foster, Grant Thorburn, Walt Whitman, Herman Melville, George Templeton Strong, Frederick Law Olmsted, Ernest Duvergier de Hauranne, Fanny Fern, Mark Twain, James D. McCabe, Wong Chin Foo, Jose Marti, William Dean Howells, Jacob Riis, Stephen Crane, Abraham Gahan, Theodore Dreiser, George W. Plunkett and William L. Riorden, Maxim Gorky, Henry James, O. Henry, James Weldon Johnson, James Huneker, Sara Teasdale, Djuna Barnes, Edna St. Vincent Millay, Willa Cather, Claude McKay, Marianne Moore, Paul Rosenfeld, Edmund Wilson, Vladimir Mayakovsky, Hart Crane, Stephen Graham, Al Smith, Helen Keller, Paul Morand, Lincoln Steffens, Dawn Powell, Louis-Ferdinand Celine, Christopher Morley, F. Scott Fitzgerald, Edith Wharton, Thomas Wolfe, Damon Runyon, Henry Miller, Charles Reznikoff, A.J. Liebling, Langston Hughes, Elizabeth Bishop, John McNulty, Irwin Shaw, Mary McCarthy, Zora Neale Hurston, Red Smith, David Schubert, Weldon Kees, E.B. White, Bernard Malamud, Anzia Yezierska, William Carlos Williams, Malcolm Cowley, Alfred Kazin, Joseph Mitchell, William S. Burroughs, Bernardo Vega, Frank O'Hara, Loren Eiseley, Robert Moses, John Cheever, Ned Rorem, Jane Jacobs, James Merrill, Edwin Denby, Amiri Baraka (LeRoi Jones), George Oppen, James Baldwin, Harvey Shapiro, Gay Talese, Louis Auchincloss, Mario Puzo, Tom Wolfe, Joan Didion, Isaac Bashevis Singer, Jimmy Cannon, James Schuyler, Allen Ginsberg, Elizabeth Hardwick, Lewis Mumford, Kate Simon, Edward Rivera, Joyce Johnson, Lionel Abel, E.L. Doctorow, Ralph Ellison, Oscar Hijuelos, and Vivian Gornick.
简介:Summary: Publisher Summary 1 The aim of "The Adhesive Interaction of Cells" has been to assemble a series of reviews by leading international experts embracing many of the most important recent developments in this rapidly expanding field. The purpose of all biological research is to understand the form and function of living organisms and, by comprehending the normal, to find explanations and remedies for the abnormal and for disease conditions. The molecules involved in cell adhesion are of fundamental importance to the structure and function of all multicellular organisms. In this book, the contributors focus on the systems of vertebrates, especially mammals, since these are most relevant to human disease. It would have been equally possible to concentrate on developmental processes and adhesion in lower organisms. A major function of adhesion molecules is to bind cells to each other or to the extracellular matrix, but they are much more than "glue". Adhesions in animal tissues must be dynamic-forming, persisting, or declining in regulated fashion- to facilitate the mobility and turnover of tissue cells. Moreover, the majority of adhesion molecules are transmembrane molecules and thus provide links between the cells and their surroundings. This gives rise to another major function of adhesion molecules, the capacity to transduce signals across the hydrophobic barrier imposed by the plasma membrane. Such signal transduction is crucially important to many aspects of cellular function including the regulation of cell motility, gene expression, and differentiation. The work in this book progresses through four sections. Part I discusses the four major families of adhesion molecules themselves, the integrins (Green and Humphries), the cadherins (Stappert and Kemler), the selectins (Tedder et al.) and the immunoglobulin superfamily (Simmons); part 2 considers junctional complexes involved in cell interactions: focal adhesions and adherens junctions (Ben Ze'ev), desmosomes (Garrod et al.), and tight junctions (Citi and Cordenonsi). The signaling role of adhesion molecules is the focus of part 3, through integrins and the extracellular matrix (Edwards and Streuli), through platelet adhesion (Du and Ginsberg), and in the nervous system (Hemperley). In part 4, the aim is to show how adhesive phenomena contribute to important aspects of cell behavior and human health. Leukocyte trafficking (Haskard et al.), cancer metastasis (Marshall and Hart), cell migration (Paleck et al.), and implantation and placentation (Damsky et al.) are the topics considered in depth. The different sections are, of course, not mutually exclusive: it is both undesirable and impossible to separate structure from function when considering cell adhesion. Each chapter has its unique features, but some overlap is both invevitable and valuable since it provides different perspectives on closely related topics. We hope that the whole contributes a valuable and stimulating consideration of this important topic. Publisher Summary 2 The aim of "The Adhesive Interaction of Cells" has been to assemble a series of reviews by leading international experts embracing many of the most important recent developments in this rapidly expanding field. The purpose of all biological research is to understand the form and function of living organisms and, by comprehending the normal, to find explanations and remedies for the abnormal and for disease conditions. The molecules involved in cell adhesion are of fundamental importance to the structure and function of all multicellular organisms. In this book, the contributors focus on the systems of vertebrates, especially mammals, since these are most relevant to human disease. It would have been equally possible to concentrate on developmental processes and adhesion in lower organisms. A major function of adhesion molecules is to bind cells to each other or to the extracellular matrix, but they are much more than "glue". Adhesions in animal tissues must be dynamic-forming, persisting, or declining in regulated fashion- to facilitate the mobility and turnover of tissue cells. Moreover, the majority of adhesion molecules are transmembrane molecules and thus provide links between the cells and their surroundings. This gives rise to another major function of adhesion molecules, the capacity to transduce signals across the hydrophobic barrier imposed by the plasma membrane. Such signal transduction is crucially important to many aspects of cellular function including the regulation of cell motility, gene expression, and differentiation. The work in this book progresses through four sections. Part I discusses the four major families of adhesion molecules themselves, the integrins (Green and Humphries), the cadherins (Stappert and Kemler), the selectins (Tedder et al.) and the immunoglobulin superfamily (Simmons); part 2 considers junctional complexes involved in cell interactions: focal adhesions and adherens junctions (Ben Ze'ev), desmosomes (Garrod et al.), and tight junctions (Citi and Cordenonsi). The signaling role of adhesion molecules is the focus of part 3, through integrins and the extracellular matrix (Edwards and Streuli), through platelet adhesion (Du and Ginsberg), and in the nervous system (Hemperley). In part 4, the aim is to show how adhesive phenomena contribute to important aspects of cell behavior and human health. Leukocyte trafficking (Haskard et al.), cancer metastasis (Marshall and Hart), cell migration (Paleck et al.), and implantation and placentation (Damsky et al.) are the topics considered in depth. The different sections are, of course, not mutually exclusive: it is both undesirable and impossible to separate structure from function when considering cell adhesion. Each chapter has its unique features, but some overlap is both invevitable and valuable since it provides different perspectives on closely related topics. We hope that the whole contributes a valuable and stimulating consideration of this important topic.
简介:Federico Garc铆a Lorca (1898-1936) had enormous impact on the generation of American poets who came of age during the cold war, from Robert Duncan and Allen Ginsberg to Robert Creeley and Jerome Rothenberg. In large numbers, these poets have not only translated his works, but written imitations, parodies, and pastiches--along with essays and critical reviews. Jonathan Mayhew'sApocryphal Lorcais an exploration of the afterlife of this legendary Spanish writer in the poetic culture of the United States. The book examines how Lorca in English translation has become a specifically American poet, adapted to American cultural and ideological desiderata--one that bears little resemblance to the original corpus, or even to Lorca's Spanish legacy. As Mayhew assesses Lorca's considerable influence on the American literary scene of the latter half of the twentieth century, he uncovers fundamental truths about contemporary poetry, the uses and abuses of translation, and Lorca himself.
简介:Includes writings by Maya Angelou, Ernest Hemingway, Gary Gildner, Jonathan Safran Foer, Margaret Atwood, Jamaica Kincaid, Amanda Holzer, Monica Ware, Kate Chopin, Stephen Dobyns, William Faulkner, John Updike, Katherine Mansfield, Charles Baxter, Sherman J. Alexie, Tillie Olsen, Richard Wright, Edgar Allan Poe, James Joyce, Flannery O'Connor, Tim O'Brien, Shirley Jackson, Alice Walker, Raymond Carver, Nathaniel Hawthorne, Eudora Welty, David Michael Kaplan, D.H. Lawrence, Toni Cade Bambara, T. Coraghessan Boyle, Gabriel García Márquez, Charlotte Perkins Gilman, Joyce Carol Oates, Alberto Alvaro Ríos, Amy Tan, Hisaye Yamamoto, Marianne Moore, Nikki Giovanni, Bob Holman, William Shakespeare, Louis Zukofsky, E.E. Cummings, George Herbert, May Swenson, Greg Williamson, Charles Bernstein, Ian Hamilton Finlay, Reed Altemus and Jim Leftwich, Bob Grumman, Emily Dickinson, Louise Glück, Leonard Adamé, Langston Hughes, Robert Browning, Leslie Marmon Silko, Pat Mora, Janice Mirikitani, Robert Frost, Amy Lowell, Thomas Hardy, Adam Zagajewski, William Wordsworth, Robert Herrick, Robert Browning, Percy Bysshe Shelley, Ariel Dorfman, W.H. Auden, Dudley Randall, Sipho Sepamla, Walt Whitman, William Stafford, Adrienne Rich, Robert Pinsky, Jim Sagel, Wanda Coleman, Mark Halliday, Gwendolyn Brooks, Edmund Spenser, A.E. Housman, Jane Flanders, William Carlos Williams, Ezra Pound, Gary Snyder, Suzanne E. Berger, Lawrence Ferlinghetti, Audre Lorde, Robert Burns, N. Scott Momaday, Sylvia Plath, Randall Jarrell, Marge Piercy, John Donne, David Huddle, Anne Bradstreet, Andrew Marvell, Richard Lovelace, Sonai Sanchez, Allen Ginsberg, Alfred, Lord Tennyson, Ogden Nash, Richard Wilbur, Gerard Manley Hopkins, Galway Kinnell, Robert Francis, Lewis Carroll, John Keats, Billy Collins, Mona Van Duyn, Elizabeth Bishop, Theodore Roethke, Samuel Taylor Coleridge, William Blake, Martin Espada, Matsuo Bashō, Carolyn Kizer, José Juan Tablada, Jack Kerouac, Carl Sandburg, Carolyn Forché, Jim Simmerman, Christina Rossetti, Wole Soyinka, William Meredith, Maxine Kumin, Countee Cullen, William Butler Yeats, T.S. Eliot, Robert Hayden, Edna St. Vincent Millay, Seamus Heaney, Mitsuye Yamada, Dylan Thomas, Joy Harjo, Elizabeth Barrett Browning, Dorothy Parker, Rupert Brooke, Wilfred Owen, Robert Lowell, Denise Levertov, Yusef Komunyakaa, Wislawa Szymborska, Matthew Arnold, George Gordon, Lord Byron, Thomas Campion, Hart Crane, Rita Dove, Paul Laurence Dunbar, Louise Erdrich, H.D. (Hilda Doolittle), Edward Hirsch, Aron Keesbury, Ted Kooser, Archibald MacLeish, Christopher Marlowe, Claude McKay, James Merrill, Pablo Neruda, Sharon Olds, Marge Piercy, Sylvia Plath, Sir Walter Raleigh, Henry Reed, Edwin Arlington Robinson, Wallace Stevens, Phillis Wheatley, Anton Chekhov, Jane Martin, José Rivera, Arlene Hutton, Warren Leight, Susan Glaspell, Henrik Ibsen, August Strindberg, Arthur Miller, Sophocles, August Wilson, and Tennessee Williams.
简介:The novel that launched the beat generation's literary legacy describes the world of Jack Kerouac, Allen Ginsberg, and Neil Cassady. Drafted two months before Jack Kerouac began On The Road, Go is the first and most accurate chronicle of the private lives lived by the Beats before they became public figures. In honest, lucid fictional prose designed to capture the events, emotions, and essence of his experience among the Beats, Holmes describes an individualistic post–World War II New York where crime is celebrated, writing is revered, and parties, booze, discussions, drugs, and sex punctuate life. The most tentative and conservative of the Beats, Holmes's intelligent and sensitive voice also details the pressures and regrets that his lifestyle gave birth to. With portraits of Jack Kerouac, Allen Ginsberg, Neil Cassady, William Burroughs, this first novel about the Beat Generation gives us a peek into what it meant to be a Beat before the term had ever been used. "... still one of the best novels about the Beat Generation ... brilliant and important."—The Los Angeles Free Press " I want to write to you about ... your book. You did the honest thing, the big thing, the good thing."—Jack Kerouac "Go signaled the start of something new in American literature. A generation with a new consciousness had found its voice..."—Ann Charters
简介:Take a wild and rickety ride through the philosophies of the East and West to discover the madmen, dreamers, and unconventional wisdom seekers in the abridged, better-than-ever version of our best-selling cult classic. ESSENTIAL CRAZY WISDOM delivers the most significant, most lunatic, and most compelling insights of the ages. Scoop Nisker patch... more 籩s together the unorthodox teachings that have bubbled up through the words of such crazy visionaries as Rumi, Gautama the Buddha, Mark Twain, Lao Tzu, Albert Einstein, Mahatma Gandhi, Allen Ginsberg, and Lily Tomlin. Discover the common thread in these multiple perspectives and travel on this comedic course to enlightenment! ?less
简介:"New York holds a special place in America's national mythology as both the gateway to the USA and as a diverse, vibrant cultural center distinct from the rest of the nation. From the international atmosphere of the Dutch colony New Amsterdam, through the expansion of the city in the nineteenth century, to its unique appeal to artists and writers in the twentieth, New York has given its writers a unique perspective on American culture. This Companion explores the range of writing and performance in the city, celebrating Herman Melville, Walt Whitman, Edith Wharton, Eugene O'Neill, and Allen Ginsberg among a host of authors who have contributed to the city's rich literary and cultural history. Illustrated and featuring a chronology and guide to further reading, this book is the ideal guide for students of American literature as well as for all who love New York and its writers"--Provided by publisher.


































