Masterpieces of British modernism /

作者：  Marlowe A. Miller.

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简介：Presents a critical introduction to seven classic literary works by six authors of the Modernist period in British literature including Joseph Conrad, E.M. Forster, James Joyce, D.H. Lawrence, T.S. Eliot, and Virginia Woolf.

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简介：Includes fiction by Kate Chopin, Gail Godwin, Edgar Rice Burroughs, Faulkner, Grace Paley, Dickens, Melville, Hawthorne, Eudora Welty, Hemingway, Alice Munro, Chekhov, Joyce Carol Oates, Colette, Ralph Ellison, Katherine Anne Porter, Stephen Crane, Joseph Conrad, Garcia Marquez, Tillie Olsen, Mark Twain, Poe, Flannery O'Connor, Toni Cade Bambara, John Cheever, Joyce, Kafka, Jamaica Kincaid, D.H. Lawrence, Katherine Mansfield, Updike, Yukio Mishima, Louise Erdrich, Fitzgerald, Elizabeth Bowen, Vladimir Nabokov, Gore Vidal, E.L. Doctorow, Ursula K. Le Guin, and others. others. Includes poems by Marge Piercy, Robert Hayden, Elizabeth Bishop, Philip Larkin, E.E. Cummings, Mary Oliver, John Donne, Nikki Giovanni, Emily Dickinson, Randall Jarrell, Maxine Kumin, Robert Herrick, Andrew Marvell, Richard Wilbur, Edna St. Vincent Millay, Thomas Hardy, David R. Slavitt, Gwendolyn Brooks, Stevie Smith, Jane Kenyon, William Carlos Williams, Adelaide Crapsey, Walt Whitman, Theodore Roethke, Matthew Arnold, H.D., William Blake, Wilfred Owen, Margaret Atwood, Robert Lowell, Mark Strand, Richmond Lattimore, Anne Bradstreet, Dylan Thomas, Sylvia Plath, Wordsworth, Robert Graves, May Swenson, Robert Frost, Poe, Edwin Arlington Robinson, Stephen Crane, W.D. Snodgrass, Richard Eberhart, D.H. Lawrence, Louise Bogan, Robert Browning, Ezra Pound, Leonard Cohen, Galway Kinnell, Richard Armour, Robert Southey, Gerard Manley Hopkins, Lewis Carroll, Jean Toomer, Pope, Yeats, A.E. Housman, Ben Jonson, Dorothy Parker, Tennyson, Richard Lovelace, Shakespeare, Basho, Seamus Heaney, Shelley, George Herbert, Allen Ginsberg, Denise Levertov, Carolyn Forche, Sharon Olds, Keats, W.H. Auden, Robert Bly, Rupert Brooke, Robert Burns, Byron, Coleridge, Countee Cullen, Lucille Clifton, James Dickey, T.S. Eliot, Donald Hall, Langston Hughes, Ted Hughes, X.J. Kennedy, Audre Lord, Archibald MacLeish, Claude McKay, Christopher Marlowe, Milton, Ogden Nash, Marianne Moore, Howard Nemerov, John Crowe Ransom, Anne Sexton, Delmore Schwartz, Leslie Marmon Silko, Wallace Stevens, Anna Akhmatove, Claribel Alegria, Baudelaire, Garcia Lorca, Czeslaw Milosz, Pablo Neruda, Octavio Paz, Rilke, Sappho, Amy Clampitt, Robert Creeley, Rita Dove, and others. Includes drama and writings on drama by Sophocles, Aristotle, Muriel Rukeyser, Jean Anouilh, Maurice Sagoff, Shakespeare, Samuel Johnson, Freud, Moliere, Henrik Ibsen, Anton Chekhov, David Mamet, Samuel Beckett, Martin Esslin, Harold Pinter, Tennessee Williams, Arthur Miller, Wole Soyinka, James Gibb, Caryl Churchill, August Wilson, David Henry Hwang, Owen Davis, Susan Glaspell, Eric Bentley, David Savran, Susan Sontag, Judith Fetterley, Annette Kolodny, and others.

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简介：This is the first book to consistently read English Modernist literature as testimony to trauma of the First and Second World Wars. Focusing upon T.S. Eliot and D.H. Lawrence, it examines the impact of war upon聽their lives and their strategies to resist it through literary innovation.

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简介：This unique collection gathers texts from today's leading ecocritics as well as esteemed figures from literature and philosophy thought to have contributed a green approach to cultural production and examination. Coupe (English, Manchester Metropolitan U.) includes extracts from William Wordsworth, Henry David Thoreau, John Ruskin, William Morris, Virginia Woolf, D.H. Lawrence, Theodor Adorno, Martin Heidegger, Raymond Williams, Theodore Roszak, Claude Levi-Strauss, Jean-Francois Lyotard, Jonathan Bate, Kate Soper, Gary Snyder, Terry Gifford, Louise Westling, Richard Kerridge, and Jhan Hochman. Annotation c. Book News, Inc., Portland, OR (booknews.com)

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简介：Summary: Publisher Summary 1 This unique collection gathers texts from today's leading ecocritics as well as esteemed figures from literature and philosophy thought to have contributed a green approach to cultural production and examination. Coupe (English, Manchester Metropolitan U.) includes extracts from William Wordsworth, Henry David Thoreau, John Ruskin, William Morris, Virginia Woolf, D.H. Lawrence, Theodor Adorno, Martin Heidegger, Raymond Williams, Theodore Roszak, Claude Levi-Strauss, Jean-Francois Lyotard, Jonathan Bate, Kate Soper, Gary Snyder, Terry Gifford, Louise Westling, Richard Kerridge, and Jhan Hochman. Annotation c. Book News, Inc., Portland, OR (booknews.com)  

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简介：The need to attribute disputed utterance constantly arises, sometimes as a matter of legal urgency (contested 'confessions' or other documents), sometimes as the focus of fierce scholarly debate (was that new story just discovered really by D.H. Lawrence? QSUM finds not), sometimes as a popular diversion (whose words were on the 'Royal Tapes'?) It is in such situations that a scientific method of attribution - one which is objective - becomes desirable. The cumulative sum technique for authorship attribution (Cusum or QSUM, as the analytic procedure is now known) is just such a method. Invented in 1988 by Andre Q. Morton, long recognised as the foremost authority on the subject, QSUM is fully explained with copious illustrations. The technique works cross time and genre, and has already been used to solve several attribution problems. It has obvious uses in legal work, past and present (did Derek Bentley really make that confession? - again, QSUM finds not).

Lady Chatterley’s Lover

作者：  (英)D.H. Lawrence原著;张文锦改写;方华文翻译

出版社：陕西人民出版社,2004

简介：《查特莱夫人的情人(英汉对照读物)(珍藏版)》内容简介：提高文化素质的最佳途径是读书，不少成名作家都是在读书中成长起来的。作者喜欢文学，幼时特别爱读长篇小说。开始是在父亲单位的图书室像，像《西游记》、《三国演义》、《水浒传》等，作者在二十一岁时就统统读过。后来图书室的书不够看了，恰好新华书店开展租书业务，作者便把不多的零用钱换了书来读。作者看过全套的《沫若文集》、《巴金文集》、《茅盾文集》等，虽然是囫囵吞枣，但总觉得兴味无穷。这期间，作者读的主要是中国的各种名著。 中国人读名著首先是通过中译本来实现的，但这些中译本很多无法解决的问题。如有的译本不是用原著来译的，而是通过其他语种转译过来的，这就影响了作者们去更好地理解原著。加之有些译者外语水平不高，有些译者中文根底不深，同样译文也达不到原著同样的效果。记得作者在外语学院上翻译课时，老师拿出三个《海燕》的译本让作者们比较，通过认真的分析，大家一致认为，还是瞿秋白先生的译文最接近原文，最生动，最贴切。 《查特莱夫人的情人(英汉对照读物)(珍藏版)》以英汉对照的方式，让读者们从阅读中领略文学大师的艺术底蕴和精湛的语言功夫。我们希望通过《查特莱夫人的情人(英汉对照读物)(珍藏版)》，架起一座语言的桥梁，让读者们通过这座桥梁，进而进入读原著那座圣洁的殿堂，去吸取世界优秀文化的营养，去培养新一代中国人驾驭外语的能力。

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简介：Any discourse based on Lacan is not for the postmodern feint hearted, but armed with a basic understanding of his theories this collection of 10 essays (and a guiding light of an introduction) reflects well on the nearly disembodied notions that characterize the psychoanalyst's work. The contributors proceed from the thesis that a literary work mirrors a reader's ego, linking language and unconscious to produce a kind of psychic schemata. They demonstrate this intricate interplay through the analysis of five 20th century writers: D.H. Lawrence, Ernest Hemingway, Albert Camus, Roland Barthes, and Alain Robbe-Grillet a particularly virulent male group whose large egos can survive even a deconstructionist's dissection. Annotation c. by Book News, Inc., Portland, Or.

The English novel : an introduction /

作者：  Terry Eagleton.

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简介：Summary: Publisher Summary 1 In his introduction to the English novel, Eagleton (cultural theory, U. of Manchester) leads his students on a march through Britain's canonical writers, beginning with Daniel Defoe and Jonathan Swift and ending with Virginia Wolf. As he did in his popular introduction to literary theory, Eagleton summarizes the arguments of prominent theorists succinctly and cogently. He explains his choice of authors by stating that they are the novelists students will most likely encounter, but in his conclusion, Eagleton contends that England's era of major literary achievement ended after the First World War along with the collapse of major liberal ideals, such as reason, progress and civility. He sees in their place a narrowing of interest among authors to the individual and parochial. Annotation 漏2004 Book News, Inc., Portland, OR (booknews.com)   Publisher Summary 2 Written by one of the world's leading literary theorists, this book provides a wide-ranging, accessible and humorous introduction to the English novel from Daniel Defoe to the present day. Covers the works of major authors, including Daniel Defoe, Henry Fielding, Samuel Richardson, Laurence Sterne, Walter Scott, Jane Austen, the Bront毛s, Charles Dickens, George Eliot, Thomas Hardy, Henry James, Joseph Conrad, Virginia Woolf, D.H. Lawrence and James Joyce. Distils the essentials of the theory of the novel. Follows the model of Eagleton's hugely popular Literary Theory: An Introduction(Second Edition, 1996).  

Modernism : a short introduction /

作者：  David Ayers.

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简介：Summary: Publisher Summary 1 This short introduction to Modernism analyses the movement from the perspective of English and American literature. Provides a critical overview of some of the central texts of literary Modernism. Covers both established works and those that have only recently come to critical attention. Includes detailed discussion of major authors, including T.S. Eliot, Virginia Woolf, D.H. Lawrence, Wallace Stevens and H.D.  

Vicar’s garden adn other stories

作者：  (英)D.H. 劳伦斯(D.H. Lawrence)著;胡全红译

出版社：文化艺术出版社,2010

简介：　　 本书是英国文学上的“异类”——D.H.劳伦斯1907—1917年间的短篇 　　小说合集。所选作品依据作者原始手稿加以整理，保留原始语言风格，收 　　录了同一个作品的不同修改版本，重现劳伦斯写作历程。集中展示劳伦斯 　　1907—1914年间创作的短篇小说，同时收录了作者1918年创作、与已出版 　　版本完全不同的《瞎子》，1919年创作、在国内属首次完整版发表的《冬 　　孔雀》。 　　 在本书中，劳伦斯描绘出一个又一个平凡生活中的女性，她们的悲欢 　　，她们的离愁，她们对爱情的小心思。她们在幸福中隐藏着无奈，在平凡 　　的生活中追求着真正的自我。 　　 我们捡拾那些人们未曾有机会见面的原作，一窥这个处于争议中心的 　　人——D.H.劳伦斯不断变化的创作历程。 　　

Rainbow

作者：  (英)D.H. Lawrence[著]

出版社：中央编译出版社,2011

简介：本部小说以前所未有的深度和热情探索了厄休拉和古兰迪姐妹俩的情感问题。作为艺术家的妹妹古迪兰遇上矿主的独生子杰拉德，原始的欲望点燃了爱的激情；然而在狂暴的激情过后，失望和痛苦的她又与另一位艺术家陷入了爱的狂欢。作为中学教师的姐姐厄休拉温柔美丽，在与督学伯基的相爱中，她一心要让对方成为爱情的囚鸟，而对方却希望在灵与肉的交融中保持彼此心灵上的距离.....

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简介：Explores the way in which linguistic techniques can be applied to the study of fiction, both in providing a framework for the general structure of fiction and a method of analysis for practical criticism of texts. Illustrates his approach with reference to a wide range of novelists including D.H. Lawrence.

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简介：Includes poems by Sir Thomas Wyatt, Edmund Spenser, Sir Walter Ralegh, Sir Philip Sidney, John Lyly, George Peele, Henry Constable, Samuel Daniel, Michael Drayton, Christopher Marlowe, William Shakespeare, Thomas Campion, Sir Henry Wotton, John Donne, Ben Jonson, Thomas Heywood, George Wither, Robert Herrick, Francis Quarles, Henry King, Thomas Carew, Edmund Waller, John Milton, Sir John Suckling, Richard Lovelace, Andrew Marvell, John Dryden, John Wilmot Earl of Rochester, Matthew Prior, William Congreve, John Gay, Henry Carey, William Cowper, William Blake, Robert Burns, William Wordsworth, Sir Walter Scott, Walter Savage Landor, Thomas Campbell, Thomas Moore, George Gordon Lord Byron, Percy Bysshe Shelley, John Clare, John Keats, Thomas Hood, William Barnes, Ralph Waldo Emerson, Elizabeth Barrett Browning, Edgar Allan Poe, Alfred Lord Tennyson, Robert Browning, Emily Bronte, Walt Whitman, Matthew Arnold, Coventry Patmore, Dante Gabriel Rossetti, George Meredith, Emily Dickinson, Christina Rossetti, William Morris, Algernon Charles Swinburne, Wilfrid Blunt, Thomas Hardy, Alice Meynell, A.E. Housman, W.B. Yeats, Arthur Symons, Ernest Dwson, Edwin Arlington Robinson, Hilaire Belloc, Robert Frost, D.H. Lawrence, Ezra Pound, Edward Thomas, John Crowe Ransom, Edna St. Vincent Millay, and Hart Crane.

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简介：The virtual suppression of explicit ethical and evaluative discourse by current literary theory can be seen as the momentary triumph of a sceptical post-Enlightenment reflective tradition over others vital to a full account of human and literary worth. In Ethics, theory and the novel, David Parker brings together recent developments in moral philosophy and literary theory. He questions many currently influential movements in literary criticism, showing that their silences about ethics are as damaging as the political silences of Leavisism and New Criticism in the 1950s and 1960s. He goes on to examine Middlemarch, Anna Karenina, and three novels by D.H. Lawrence, and explores the consequences for major literary works of the suppression of either the Judeo-Christian or the Romantic-expressivist ethical traditions. Where any one tradition becomes a master-narrative, he argues, imaginative literature ceases to have the deepest interest and relevance for us. Overall, this book is an essay in a new evaluative discourse, the implications of which go far beyond the particular works it analyses.

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简介：     Pursuing art and adventure across Europe, Katherine Mansfield lived and wrote with the Furies on her heels; but when she died aged only thirty-four she became one of the most influential writers of the twentieth century. Sexually ambiguous, craving love yet quarrelsome and capricious, she glittered in the brilliant circles of D.H. Lawrence and Virginia Woolf, her beauty and recklessness inspiring admiration, jealousy, rage and devotion. Claire Tomalin's biography brings us nearer than we have ever been to this courageous, greatly gifted, haunted and haunting writer.

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简介：At once glamorous and loathsome, vampires are among the most memorable figures in the literature and film of the horror genre. These undead beings, possessed of supernatural powers of metamorphosis and hypnotism, stalk the night for the blood of the living. They have fascinated and terrified generations of writers and readers. Here are 18 bone-chilling tales of these bloodsucking creatures of the night, written by some of the most distinguished writers of the genre. From premier writers including Anne Rice and Bram Stoker, the stories in this collection represent some of the finest horror writing spanning the past two centuries. Here are gothic melodramas set in Russia and Germany, as well as more modern twists on the vampire legend that take place in contemporary England and the United States. These are tales of decadence, lust, and loathing; they capture the dark side of the human psyche, dead and undead. Making few concessions to the squeamish, the tales in this collection will keep readers awake at night. Stories include: • "Dracula's Guest" by Bram Stoker • "Phantoms" by Ivan Turgenev • "The Lovely Lady" by D.H. Lawrence • "The Master of Rampling Gate" by Anne Rice • "The Undead" by Robert Bloch Each of these finely-crafted tales is guaranteed to leave readers with goosebumps. A foreward from the late actor Peter Cushing, who starred in numerous vampire and horror films, is a fitting introduction to this collection of horrifying and captivating tales. Prepare to be terrified as you enjoy some of the best vampire stories ever written ... if you dare.

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简介：When Bill Moyer's PBS special on Robert Bly, "A Gathering of Men," aired in the winter of 1990, it brought forth an unprecedented flood of calls and letters from both men and women attesting to the pain and confusion experienced by many contemporary men. Iron John is Robert Bly's long-awaited book on male initiation and the role of the mentor, the result of ten years' work with men to discover the truths about masculinity that get beyond the stereotypes of our popular culture. In the tradition of Blake, Yeats, and D.H. Lawrence, Bly has turned to the most ancient stories and legends to remind men and women of welcome image long forgotten, images of a vigorous masculinity both protective and emotionally centered. Bly takes as the frame for his book the tale of "Iron John." Which the Grimm brothers collected in the early nineteenth century, but which in its themes and motifs goes back thousands of years, In the story, an ancient "hairy man" - Iron John - becomes mentor to a young boy, and each event or adventure is regarded as a stage of male growth. As Bly retells the story, he stops at times to reflect on initiation rituals for men which still go on in some parts of the world or are still remembered in epics such as The Odyssey. As the book progresses, it brings together a rich and coherent picture of what it meant through time to pass from boyhood into manhood. Throughout that long history of initiation the role of the older man has been central. Yet in our own time, the young men Bly observes are hungering for the father and the mentor as intensely as they hunger for food. Some stay stuck in the "tough guy" mode. Others linger in the na茂vet茅 that destroys relationships, so doubtful of themselves that they can be life preserving ... but not life giving. Such men in recent times have been directed toward some form of "higher" consciousness, or perhaps "higher" achievement. Bly offers instead the way of descent, in which the psyche learns to grieve. As "Iron John" and so many other stories show us, grief - the time of ashes - is the door to feelings. Iron John also points the way toward developing what Bly calls the "inner warrior," whose task is not hostility and aggression but a steady resolve to know and to defend what one lives. This initiatory path, which is long, begins by getting in touch with the "Wild Man" who reconnects us to the earth and who helps us, in the terms given by the story, "steal the key from under the mother's pillow." But unlike Freud, Bly does not "blame the mother" for the boy's problems. The initiatory process as Bly presents it honors the feminine and involves partnership with the feminine. This book returns responsibility to the older males for bringing the boy into the world of men. Iron John is at the same time a new vision and a very ancient vision of adult manhood, one that has depth, vividness, and solidarity. It reconfirms the power of ancient stories to guide, to heal, and to convey the deepest truths, and it will be read by men and women for decades. - Dust jacket.

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简介：Includes poems by Chaucer, William Dunbar, Sir Thomas Wyatt, Sir Philip Sidney, Edmund Spenser, Sir Walter Ralegh, Chidiock Tichborne, Robert Southwell, Christopher Marlowe, Michael Drayton, Shakespeare, Thomas Nashe, Thomas Campion, John Donne, Ben Jonson, John Cleveland, James Shirley, Robert Herrick, Thomas Carew, Richard Lovelace, Sir John Suckling, Edmund Waller, Andrew Marvell, George Herbert, Richard Crashaw, Henry Vaughan, Thomas Traherne, John Milton, John Dryden, John Wilmot Earl of Rochester, Alexander Pope, Samuel Johnson, William Colliins, Thomas Gray, Christopher Smart, William Cowper, Robert Burns, William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, John Keats, Walter Savage Landor, Thomas Love Peacock, John Clare, George Darley, Thomas Lovell Beddoes, William Cullen Bryant, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Edgar Allan Poe, Jones Very, Henry David Thoreau, Julia Ward Howe, Walt Whitman, Herman Melville, Emily Dickinson, Tennyson, Edward Fitzgerald, Robert Browning, Matthew Arnold, Gerard Manley Hopkins, Dante Gabriel Rossetti, Christina Rossetti, William Morris, Algernon Swinburne, Emily Bronte, Elizabeth Barrett Browning, Edward Lear, Lewis Carroll, George Meredith, Rudyard Kipling, William Butler Yeats, Lionel Johnson, Ernset Dowson, Thomas Hardy, Robert Bridges, D.H. Lawrence, A.E. Housman, Wilfred Owen, Edward Thomas, Isaac Rosenberg, Edwin Arlington Robinson, Stephen Crane, Trumbull Stickney, Robert Frost, Wallace Stevens, William Carlos Williams, Ezra Pound, Elinor Wylie, H.D. (Hilda Doolittle), Robinson Jeffers, Marianne Moore, T.S. Eliot, John Crowe Ransom, Conrad Aiken, Edna St. Vincent Millay, Louise Bogan, John Brooks Wheelwright, Leonie Adams, Allen Tate, and Hart Crane.

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简介：To indicate some parameters for a distinctively British perspective on ecocriticism, and to correct some prevailing misconceptions in Britain and elsewhere about what ecocritical work entails, English, US, and Irish scholars present 15 studies, most from conferences in Swansea, Wales, in 1997 and Bath in 1998. Among the theoretical approaches they describe are ecofeminism, and a post-pastoral view of British poetry. The historical approaches include early modern poetry, and the sense of place in D.H. Lawrence. Annotation c. Book News, Inc., Portland, OR (booknews.com)