简介
Summary:
Publisher Summary 1
D.H. Lawrence often wrote for newspapers in his last years not only because he needed the money, but because he enjoyed producing short articles at the prompting of editors. He also wrote substantial essays such as the contentious introduction to his own volume of Paintings and the highly controversial Pornography and Obscenity. Written between 1926 and Lawrence's death in 1930, all thirty-nine articles are collected and edited in this volume, including two previously unpublished autobiographical pieces.
Publisher Summary 2
Essays and articles written by D. H. Lawrence between 1926 and 1930, including work never before published.
目录
General editor's preface p. vii
Acknowledgements p. ix
Prefatory note p. x
Chronology p. xi
Cue-titles p. xvi
Introduction p. xix
Lawrence: journalist and essayist p. xix
Reception p. xxxiv
Late Essays and Articles p. 1
Note on the texts p. 3
Mercury p. 7
[Return to Bestwood] p. 13
Getting On p. 25
Which Class I Belong To p. 33
Making Love to Music p. 41
[Autobiographical Fragment] ('[Newthorpe in 2927]') p. 49
The "Jeune Fille" Wants to Know (When She Asks 'Why?') p. 69
Laura Philippine p. 75
That Women Know Best (Women Always Know Best) p. 81
All There p. 86
Thinking about Oneself p. 90
Insouciance (Over-Earnest Ladies) p. 94
Master in his Own House (Deserted Battlefields) p. 98
Matriarchy (- And If Women Were Supreme...) p. 102
Ownership p. 107
Autobiography p. 111
Women Are So Cocksure p. 115
Why I don't Like Living in London (Dull London!) p. 119
Cocksure Women and Hen-sure Men p. 123
Hymns in a Man's Life p. 128
Red Trousers (Oh! for a New Crusade) p. 135
Is England Still a Man's Country p. 139
Sex Appeal (Sex Locked Out) p. 143
Do Women Change (Women Don't Change) p. 149
Enslaved by Civilisation (The Manufacture of Good Little Boys) p. 155
Give Her a Pattern (Woman in Man's Image) p. 160
Introduction to Pictures p. 166
Myself Revealed (Autobiographical Sketch) p. 175
Introduction to These Paintings p. 182
The State of Funk p. 218
Making Pictures p. 225
Pornography and Obscenity p. 233
Pictures on the Wall (dead pictures on the walls) p. 254
The Risen Lord p. 265
Men Must Work and Women as Well (Men and Women) p. 274
Nottingham and the Mining Countryside p. 285
We Need One Another p. 295
The Real Thing p. 303
Nobody Loves Me p. 311
Appendixes p. 321
Early draft of 'The "Jeune Fille" Wants to Know' p. 321
Vanity Fair version of 'Do Women Change' p. 327
'Mushrooms': an autobiographical fragment p. 333
Explanatory notes p. 337
Textual apparatus p. 377
Line-end hyphenation p. 424
A note on pounds, shillings and pence p. 425
Acknowledgements p. ix
Prefatory note p. x
Chronology p. xi
Cue-titles p. xvi
Introduction p. xix
Lawrence: journalist and essayist p. xix
Reception p. xxxiv
Late Essays and Articles p. 1
Note on the texts p. 3
Mercury p. 7
[Return to Bestwood] p. 13
Getting On p. 25
Which Class I Belong To p. 33
Making Love to Music p. 41
[Autobiographical Fragment] ('[Newthorpe in 2927]') p. 49
The "Jeune Fille" Wants to Know (When She Asks 'Why?') p. 69
Laura Philippine p. 75
That Women Know Best (Women Always Know Best) p. 81
All There p. 86
Thinking about Oneself p. 90
Insouciance (Over-Earnest Ladies) p. 94
Master in his Own House (Deserted Battlefields) p. 98
Matriarchy (- And If Women Were Supreme...) p. 102
Ownership p. 107
Autobiography p. 111
Women Are So Cocksure p. 115
Why I don't Like Living in London (Dull London!) p. 119
Cocksure Women and Hen-sure Men p. 123
Hymns in a Man's Life p. 128
Red Trousers (Oh! for a New Crusade) p. 135
Is England Still a Man's Country p. 139
Sex Appeal (Sex Locked Out) p. 143
Do Women Change (Women Don't Change) p. 149
Enslaved by Civilisation (The Manufacture of Good Little Boys) p. 155
Give Her a Pattern (Woman in Man's Image) p. 160
Introduction to Pictures p. 166
Myself Revealed (Autobiographical Sketch) p. 175
Introduction to These Paintings p. 182
The State of Funk p. 218
Making Pictures p. 225
Pornography and Obscenity p. 233
Pictures on the Wall (dead pictures on the walls) p. 254
The Risen Lord p. 265
Men Must Work and Women as Well (Men and Women) p. 274
Nottingham and the Mining Countryside p. 285
We Need One Another p. 295
The Real Thing p. 303
Nobody Loves Me p. 311
Appendixes p. 321
Early draft of 'The "Jeune Fille" Wants to Know' p. 321
Vanity Fair version of 'Do Women Change' p. 327
'Mushrooms': an autobiographical fragment p. 333
Explanatory notes p. 337
Textual apparatus p. 377
Line-end hyphenation p. 424
A note on pounds, shillings and pence p. 425
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