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简介：　　this norton critical edition again features the 1900 doubleday, page text of the novel. the text is fully annotated to reveal the author's use of actual persons and places in both chicago and new york. the novel is preceded by "a note on the ext," which discusses the relationship between this edition's text and that of the pennsylvania edition ( 1981 ), and by the "textual appendix," which provides a generous sampling of the cuts dreiser and his friend arthur henry made in the typescript version of sister carrie. 　　 "backgrounds and sources" reprints, as in the last edition, gener-ous excerpts from dreiser's autobiographies and elsewhere that per sonally link the author to his novel. a docmnentary account, drawn largely from dreiser's correspondence with frank norris, arthur henry, walter h. page, and e. n. doubleday, discusses the leg-endary supposed "suppression" of sister carrie by its first publisher. 　　 "criticism" includes thirteen essays that principally seek to iden-tify dreiser's distinctive literary naturalism, the novel's relationship to american culture, dreiser's narrative technique, the role of women in sister carrie, and the novel's gender and class issues. 　　 new to the third edition are essays byamy kaplan, alan trachten-berg, kevin r. mcnamara, blanche h. gelfant, donald pizer, andchristina ruotolo. 　　 a chronology and selected bibliography are also included. 　　作者简介：donald pizer is pierce butler professor of english emer-itus at tulane university. he is the author of the novels of theodore dreiser, realism and naturalism in nineteenth-century american literature, and the novels of frank nor-ris. he is the editor of the norton critical editions of mcteague and the red badge of courage as well as numer-ous volumes of the works of theodore dreiser, frank nor-ris, stephen crane, jack london, john dos passos, and hamlin garland.

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简介：Includes writings by Washington Irving, James Kirke Paulding, Frances Trollope, Fanny Kemble, Philip Hone, Charles Dickens, Henry David Thoreau, Nathaniel Parker Willis, Edgar Allan Poe, James Fenimore Cooper, Margaret Fuller, George G. Foster, Grant Thorburn, Walt Whitman, Herman Melville, George Templeton Strong, Frederick Law Olmsted, Ernest Duvergier de Hauranne, Fanny Fern, Mark Twain, James D. McCabe, Wong Chin Foo, Jose Marti, William Dean Howells, Jacob Riis, Stephen Crane, Abraham Gahan, Theodore Dreiser, George W. Plunkett and William L. Riorden, Maxim Gorky, Henry James, O. Henry, James Weldon Johnson, James Huneker, Sara Teasdale, Djuna Barnes, Edna St. Vincent Millay, Willa Cather, Claude McKay, Marianne Moore, Paul Rosenfeld, Edmund Wilson, Vladimir Mayakovsky, Hart Crane, Stephen Graham, Al Smith, Helen Keller, Paul Morand, Lincoln Steffens, Dawn Powell, Louis-Ferdinand Celine, Christopher Morley, F. Scott Fitzgerald, Edith Wharton, Thomas Wolfe, Damon Runyon, Henry Miller, Charles Reznikoff, A.J. Liebling, Langston Hughes, Elizabeth Bishop, John McNulty, Irwin Shaw, Mary McCarthy, Zora Neale Hurston, Red Smith, David Schubert, Weldon Kees, E.B. White, Bernard Malamud, Anzia Yezierska, William Carlos Williams, Malcolm Cowley, Alfred Kazin, Joseph Mitchell, William S. Burroughs, Bernardo Vega, Frank O'Hara, Loren Eiseley, Robert Moses, John Cheever, Ned Rorem, Jane Jacobs, James Merrill, Edwin Denby, Amiri Baraka (LeRoi Jones), George Oppen, James Baldwin, Harvey Shapiro, Gay Talese, Louis Auchincloss, Mario Puzo, Tom Wolfe, Joan Didion, Isaac Bashevis Singer, Jimmy Cannon, James Schuyler, Allen Ginsberg, Elizabeth Hardwick, Lewis Mumford, Kate Simon, Edward Rivera, Joyce Johnson, Lionel Abel, E.L. Doctorow, Ralph Ellison, Oscar Hijuelos, and Vivian Gornick.

珍妮姑娘zhen ni gu niang

作者：  (美)德莱塞(Theodore Dreiser)著;潘庆舲译

出版社：中国书籍出版社,2005

简介：本书为《世界文学名著文库》中的一本，全译插图本。小说《珍妮姑娘》是美国极富争议的作家德莱塞的作品，这位坚持“生活就是悲剧”的作家在该小说中，描写了穷姑娘珍妮和富家子弟莱斯特相爱，后来孤独死去的惨状。作品结构及情节安排独具匠心，具有鲜明的艺术特色，具有较高的艺术价值。被称为是德莱塞的第一部小说《嘉莉妹妹》(1900)的姊妹篇。 　　《珍妮姑娘》和《嘉莉妹妹》(均为德莱塞的作品)同时跻身于美国《现代文库》所评选出的“20世纪100本最佳英文小说”之中。 　　著名评论家詹姆斯·胡尼克称《珍妮姑娘》是，一部伟大的小说，令他想起俄国的最伟大的作品，并称此小说有力地表现了人性。 　　德莱塞是20世纪美国最杰出的现实主义作家之一，也是美国文坛自然主义的先驱，被称为继惠特曼、马克·吐温之后的又一位现实主义大师，《先驱时报》、《内务报》等媒体将德菜塞视为美国的左拉。美国评论家将他与海明威、福克纳并称为美国现代小说的三巨头。

珍妮姑娘zhen ni gu niang

作者：  (美)西奥多·德莱塞(Theodore Dreiser)著;何湘红译

出版社：广州出版社,2008

简介：　　 《珍妮姑娘》是德莱塞的第二部长篇小说。小说描写了出身卑微的贫 　　家女珍妮，天生丽质，美丽过人，迫于生活的压力，屈服于参议员布兰德 　　的诱惑。不久，布兰德暴死，给她留下了遗腹子，为她的命运埋下了悲剧 　　的种子。她遇到富家子弟莱斯特后，又重蹈覆辙，与他同居几年之久，最 　　后被莱斯特抛弃。小说以珍妮的悲惨遭遇为主要线索，描写了美国大城市 　　中日趋严重的失业和贫困现象，着务刻画了资产阶级上流社会奢侈无度、 　　荒淫糜烂的生活，昭示给人贫富之间不可逾超的鸿沟。一方面，歌颁了劳 　　动人民勤劳、正直和勇于自我牺牲的优秀品质；另一方面，鞭答了物欲横 　　流、金钱万能的社会中的种种罪恶现实。整篇小说构思新颖、精巧，情节 　　安排自然合理、紧凑，毫无人工雕琢之嫌。人物形象的塑造趋于典型化。 　　珍妮是集贫穷、善良、吃苦耐劳和自我献身精神于一身的美丽化身，对人 　　世间满怀着情爱，却得不到半点的回报。在她身上充分体体现出资本主义 　　制度是劳动人民生活悲剧的深刻根源。德莱塞早年的坎坷经历，使他对下 　　层人民的生活体察入微，因而对小说人物的塑造入木三分，栩栩如生，人 　　物形象跃然纸上。 　　

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简介：In Modernism, Mass Culture and Professionalism Thomas Strychacz argues that modernist writers need to be understood both in their relationship to professional critics and in their relationship to an era and ethos of professionalism. In studying four modernist writers--Henry James, Theodore Dreiser, John Dos Passos and Nathanael West--Strychacz finds that contrary to what most studies suggest, modernist writers (in the period of 1880-1940) are thoroughly caught up in the ideas and expressive forms of mass culture rather than opposed to them. Despite this, modernist writers seek to distinguish their ideas and styles from mass culture, particularly by making their works esoteric. In doing so, modernist writers are reproducing one of the main tenets of all professional groups, which is to gain social authority by forming a community around a difficult language inaccessible to the public at large. While their modernism arises out of the nature of their encounter with mass culture, that encounter frequently overturns commonly-held notions of the nature of modernism. Finally Strychacz explores his own world of academia and observes that the work of professional critics in the university reproduces the strategies of modernist writers.

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简介：This Companion examines the full range and vigor of the American novel. From the American exceptionalism of James Fenimore Cooper to the apocalyptic post-Americanism of Cormac McCarthy, these newly commissioned essays from leading scholars and critics chronicle the major aesthetic innovations that have shaped the American novel over the past two centuries. The essays evaluate the work, life and legacy of influential American novelists including Melville, Twain, James, Wharton, Cather, Faulkner, Ellison, Pynchon and Morrison, while situating them within the context of their literary predecessors and successors. The volume also highlights less familiar, though equally significant writers such as Theodore Dreiser and Djuna Barnes, providing a balanced and wide-ranging survey of use to students, teachers and general readers of American literature.

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简介：louis adamic/conrad aiken/nelson algren/hervey allen/sherwood anderson/gertrude atherton/mary austin/djuna barnes/margaret ayer barnes/john peale bishop/maxwell bodenheim/james boyd/thomas boyd/kay boyle/louis bromfield/pearl s buck/ w r burnett/james branch cabell/abraham cahan/erskine/ caldwell/robert cantwell/gladys hasty carroll/willa cather/ walter van tilburg clark/roert m coates/thomas b costain/james gould cozzens/ clyde brion davis/ h l davis/floyd dell/august derleth/bernard de voto/pietro de donato/john dos passos/theodore dreiser/ walter d edmonds/john erskine/james t farrel/howard fast/william faulkner/kenneth fearing/edna ferbe/rachel field/dorothy canfield fisher/ bardis fisher

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简介：Examining the novels of Frank Norris, Theodore Dreiser, Jack London, and other writers, June Howard presents a study of American literary naturalism as a genre. Naturalism, she states, is a way of imagining the world and the relation of the self to the world, a way of making sense -- and making narrative -- out of the comforts and discomforts of its historical moment. Howard believes that naturalism accomodates the sense of perilousness, uncertainty, and disorder that many Americans felt in the late nineteenth and early twentieth centuries. She argues for a redefinition of the form which allows it to be seen as an immanent ideology responding to a specific historical situation. Working both from accepted definitions of naturalism and from close analysis of the literary texts themselves, Howard consructs a new description of the genre in terms of its thematic antinomies, patterns of characterization, and narrative strategies. She defines a range of historical and cultural reference for the ideas and images of American naturalism and suggests that the form has affinities with such contemporary ideologies as political progressivism and criminal anthropology. In the process, she demonstrates that genre criticism and historical analysis can be combined to create a powerful method for writing literary history. Throughout Howard's study, the concept of genre is used not as a prescriptive straitjacket but as a category allowing the perception of significant similarities and differences among literary works and the coordination of textual analysis with the history of literary and social forces. For Howard, naturalism is a dynamic solution to the problem of generating narrative from the particular historical and cultural materials available to the authors. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Financier

作者：  Theodore Dreiser[著]

出版社：中国对外翻译出版公司,2011

简介： 《金融家》是德莱塞《欲望三部曲》的第一部。这部三部曲的历史背景是19世纪末叶，美国资本主义走向帝国主义阶段的时期，写的是金融巨头柯帕乌的个人发迹史。《金融家》主要描述柯帕乌从一个银行职员的儿子成为金融家的经过，以及他在费城金融界的罪恶活动。当柯帕乌在费城的投机欺诈正一帆风顺时，芝加哥的一场大火顿时使他陷入绝境，此后一连串的事态发展，如财政局长斯坦纳因事不在市内，使他无法筹款应急；他出于无奈向巴特勒承认挪用公款以求得“三巨头”的帮助；他和爱玲通奸事发等，终于造成他破产并锒铛入狱。小说通过对柯帕乌跟市财政局长斯坦纳狼狈为奸、营私舞弊，为了致富和地位，不惜采取任何手段的描写，揭示不道德的利己主义掠夺式的嘴脸，从而揭穿了资本主义的罪恶本质。

珍妮姑娘zhen ni gu niang

作者：  (美)德莱塞(Theodore Dreiser)著;潘庆舲译

出版社：华夏出版社,2008

简介：贫困的珍妮姑娘为生活所迫，与参议员布兰德同居。一直到他死后两人都没有正式结婚。珍妮带着他们的孩子迁居别处。她遇到阔少爷莱斯特，与他同居，但是不能见容于他的亲属。后来为了让他能继承遗产，珍妮坚决与他断绝了关系。与作者的另一部作品《嘉莉妹妹》不同是的，作者在贫困的珍妮姑娘为生活所迫，与参议员布兰德同居。一直到他死后两人都没有正式结婚。珍妮带着他们的孩子迁居别处。她遇到阔少莱斯特，与他同居，但是不能见容于他的亲属。后来为了让他能继承遗产，珍妮坚决与他断绝了关系。与作者的另一部作品《嘉莉妹妹》不同的是，作者在本书中塑造了一个近乎圣女的形象。

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简介：After its heyday in the late nineteenth and early twentieth century, naturalism, a genre that typically depicts human beings as the product of biological and environmental forces over which they have little control, was supplanted by modernism, a genre in which writers experimented with innovations in form and content. In the last decade, the movement is again attracting spirited scholarly debate.The Oxford Handbook of American Literary Naturalismtakes stock of the best new research in the field through collecting twenty-eight original essays drawing upon recent scholarship in literary and cultural studies. The contributors offer an authoritative and in-depth reassessment of writers from Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London to Kate Chopin, Edith Wharton, Ernest Hemingway, Richard Wright, John Steinbeck, Joyce Carol Oates, and Cormac McCarthy. One set of essays focus on the genre itself, exploring the historical contexts that gave birth to it, the problem of definition, its interconnections with other genres, the scientific and philosophical ideas that motivate naturalist authors, and the continuing presence of naturalism in twenty-first century fiction. Others examine the tensions within the genre-the role of women and African-American writers, depictions of sexuality, the problem of race, and the critique of commodity culture and class. A final set of essays looks beyond the works to consider the role of the marketplace in the development of naturalism, the popular and critical response to the works, and the influence of naturalism in the other arts.

珍妮姑娘

作者：  [美]西奥多 德莱塞（Theodore Dreiser） 著，潘庆龄　译

出版社：湖南文艺出版社 2014-5-1

简介：　　《珍妮姑娘》以珍妮的悲惨遭遇为主要线索，塑造了勤劳、纯洁、爽直和富有自我牺牲精神的珍妮的形象，是美国现实主义文学中的一部重要小说。贫困孝顺的少女珍妮为生活所迫，投靠了关心她的年长的参议员布兰德，不幸没等到两人结婚，参议员突然去世，留下了遗腹子。珍妮后来遇到了与她真心相爱的阔少莱斯特，但是他们的关系始终不被家族承认。于是，在金钱与爱情的较量中，珍妮离开了莱斯特。

Jennie gerhardt

作者：  (美)德莱塞(Theodore Dreiser)著;潘庆舲译

出版社：外国文学出版社,1987

简介：西奥多·德莱塞（1871——1945）是美国二十世纪现实主义小说家的杰出代表，以对社会的深刻揭露而著称，本书为其重要作品这一，女主人公珍妮·格哈特的父母是潦倒的德国称民，为了解救家庭连遭的厄运，她先失身于参议员布兰德，后又成为富商子弟莱斯特的情妇，忍辱负重地度过一悲惨的一生。作家以栩栩如生的人物和多彩的背景画面，为我们提供了罪恶渊薮何在的已见。

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简介：Theodore Dreiser is one of the most penetrating observers of the greatest period of social change the United States ever saw. Writing as America emerged as the world's wealthiest nation, Dreiser chronicled industrial and economic transformation and the birth of consumerism with an unmatched combination of detail, sympathy, and power. The specially commissioned essays collected in this volume are written by a leading team of scholars of American literature and culture. They establish new parameters for both scholarly and classroom discussion of Dreiser. This Companion provides fresh perspectives on the frequently read classics, Sister Carrie and An American Tragedy, as well as on topics of perennial interest, such as Dreiser's representation of the city and his prose style. The volume investigates topics such as his representation of masculinity and femininity, and his treatment of ethnicity. It is the most comprehensive introduction to Dreiser's work available. - Publisher.

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简介：　　this edition of the rise of silas lapham reprints the text established by walter j. meserve and david j. nordloh for a selected edition of w. d. howells. extensive published by indiana university press in 1971 and bearing the seal of the mla center for editions of american authors. the copy-text used by meserve and nordloh was the novel as it was serialized in the century illustrated magazine in ten installments between october 8, 1884, and july 11, 1885. decisions to emend the serial text were based on study of the seven other american and english editions over which howells may have had sone control; of howells' correspondence; and of records of the publishing houses and copyright depositories. to this text extensive historical annotations have been added to the text of this norton critical edition. 　　the process of composition is followed through howells?initial sketches and letters. analysis of the contemporary stereotypes and myths that howells parodied in his novel is provided by robert falk, clark w. bryan, theodore dreiser, and robie macauley, and by letters from roswell smith to howells. 　　contemporary responses by friends and readers, and by critics, illustrate the misunderstanding and hostility with which realistic fiction was sometimes greeted in howells? time. critical essays by donald pizer, william r. manierre ii, john e. hart, harold h. kolb, george n. bennett, everett carter, and g. thomas tanselle represent a variety of ways in which the novel has engaged the attention of critics as well as a broad selection of the critical methods that have been applied to it. as one of the primary documents of american literary realism, the novel raises questions as to the meaning and utility of realism as an aesthetic ideal. these questions are treated in essays by c. hugh holman, henry james, larzer ziff, edwin h. cady, robert m. figg, charles l. campbell, and howells himself. 　　

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简介："Provocative... Riveting.. You will turn the pages until dawn. And you will not be disappointed." - - Chicago Tribune "Scott Turow’s second novel proves beyond any reasonable doubt that his hugely successful first was no fluke... His linear forebears are not the manufacturers of assembly-line entertainments but the likes of Theodore Dreiser and James Gould Cozzens... Surely nothing is more wholly accomplished in this fine novel than its exceptionally subtle, knowing exploration of the 更多>>

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简介：　　Novel by Theodore Dreiser, published in 1925. It is a complex and compassionate account of the life and death of a young antihero named Clyde GRIFFITHS. The novel begins with Clyde's blighted background, recounts his path to success, and culminates in his apprehension, trial, and execution for murder. The book was called by one influential critic "the worst-written great novel in the world," but its questionable grammar and style are transcended by its narrative power. Dreiser's intricate speculations on the extent of Clyde's guilt are countered by his searing indictment of materialism and the American dream of success. -- The Merriam-Webster Encyclopedia of Literature 　　A tremendous bestseller when it was published in 1925, An American Tragedy is the culmination of Theodore Dreiser's elementally powerful fictional art. Taking as his point of departure a notorious murder case of 1910, Dreiser immersed himself in the social background of the crime to produce a book that is both a remarkable work of reportage and a monumental study of character. Few novels have undertaken to track so relentlessly the process by which an ordinary young man becomes capable of committing a ruthless murder, and the further process by which social and political forces come into play after his arrest. 　　In Clyde Griffiths, the impoverished, restless offspring of a family of street preachers, Dreiser created an unforgettable portrait of a man whose circumstances and dreams of self-betterment conspire to pull him toward an act of unforgivable violence. Around Clyde, Dreiser builds an extraordinarily detailed fictional portrait of early twentieth-century America, its religious and sexual hypocrisies, its economic pressures, its political corruption. The sheer prophetic amplitude of his bitter truth-telling, in idiosyncratic prose of uncanny expressive power, continues to mark Dreiser as a crucially important American writer. An American Tragedy, the great achievement of his later years, is a work of mythic force, at once brutal and heartbreaking.　　

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简介：Summary: Publisher Summary 1 Reinterprets Stendhal's metaphor and tracks the different worlds of an array of twentieth-century writers ranging from realists to wildly inventive postwar writers. This book puts forward an argument that fiction yields rich insight into its subject, and that literature can also be a form of historical understanding.   Publisher Summary 2 In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a na茂ve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society.In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, G眉nter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel Garc铆a M谩rquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers.Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.  

An American tragedy

作者：  (美)德莱赛(Theodore Dreiser)原撰;钟宪民节译

出版社：国际文化服务社,1951

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简介："Emphasizing the influence of the physical environment on individual and collective perception, Buell's book provides the theoretical underpinnings for an eco-criticism now reaching full power. Writing for an Endangered World offers a conception of the physical environment - whether built or natural - as simultaneously found and constructed, and treats imaginative representations of it as acts of both discovery and invention. A number of the chapters develop this idea through parallel studies of figures identified with either "natural" or urban settings: John Muir and Jane Addams; Aldo Leopold and William Faulkner; Robinson Jeffers and Theodore Dreiser; Wendell Berry and Gwendolyn Brooks. Focusing on nineteenth- and twentieth-century writers, but ranging freely across national borders, Buell reimagines city and country as a single complex landscape."--BOOK JACKET.