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简介: 本书从程序设计技术和视觉传达设计的角度向读者讲述了Web开发的知识。主要技术涉及XHTML、CSS、JavaScript、DOM、DHTML、HTTP、Perl、CGI,展示其在Web开发实践活动中起到的促进作用。 本书主要特征包括:介绍Web设计原理与方法,为设计功能性强、逻辑合理、易用、高效和吸引受众的网站提供各方面知识,如信息体系结构、视觉传达设计、色彩与图形、视觉层次、对称与平衡、统一与变化,还有设计工具,如编码、图像处理、模板生成、网站集成、测试与调试;讲解Web设计集成化方法;提供程序设计实例和练习。本书辅以网站www.sofpower.com/wdp,提供在线图表、可运行实例、实验包和团队项目指导等丰富的教学辅助资源。 本书适用于高等院校工科各专业本科Web开发类课程,对相关Web设计与编程人员也有很好的参考价值。 The Web is a new communication medium that is growing rapidly. The Web will soon affect, directly or indirectly, most people's daily lives. It is already beginning to revolutionize how business, commerce, government, and education are conducted. Perhaps most important, the Web is bridging the gaps between peoples and cultures, and increasing mutual understanding and goodwill. This can only support global peace and prosperity for the human race. The need for well-trained Web developers, already great, is on the rise. To meet demand, colleges, universities, and companies are creating curricula and training courses in this new and rapidly advancing arena. Research, development, and education in Web- and Internet-related areas will continue to increase and expand. The market offers many books about using the Web, but few are textbooks. This college text focuses on the art and science of Web site development. It is one of the very first texts to combine computer programming with artistic design in an integrated approach. The Web may be many things, but the two most basic elements of site development remain programming technologies and visual communication design. We present theory and practice of both so that students will gain a fundamental understanding and the applicable skills at the same time. We have worked together since the mid-1990s to develop a Web Design and Programming (WDP) curriculum at the undergraduate level at Kent State University. Kent's Department of Computer Science and the School of Visual Communication Design has fostered the collaboration. We've developed a sequence of three courses and are establishing a minor in WDP. The nature of the Web as a medium requires both programming and artistic design. We firmly believe it is best to study Web development by being introduced to both in an integrated manner. With an overall view and understanding, an individual can then decide to specialize in one or more aspects of the whole process, and it will take more than one course to become an expert in any sub-area. Open Technologies The spirit of the Web and the Internet is their openness. It is a critical factor for the popularity and success of the Web. The World Wide Web Consortium (W3C) is a nonprofit organization leading the way for developing open Web standards. This text introduces a complete set of open technologies for Web development: *XHTML-The up-and-coming HTML standard for Web page markup. *CSS-The standard language for controlling the presentation style of Web pages. *JavaScript-A standard language for client-side scripting. *DOM-The W3C document object model for cross-platform access and manipulation of Web documents. *DHTML-Combines JavaScript, CSS, and DOM for dynamic and interactive effects on the client side. *HTTP-The Hypertext Transfer Protocol used by the Web. *Perl-An open scripting language for server-side programming to support HTML forms and page generation. *CGI-The Common Gateway Interface for Web servers to interact with external programs. We provide sufficient and well-structured coverage of these technologies. More important, we show how they combine to enable serious Web development in practice. We give an abundance of realistic examples to illustrate techniques that are applicable in many situations. Design Principles and Methodology Simply applying technologies will not produce good Web sites. On the contrary, incorporating programming features without a good design will produce awful sites. We cover the complete Web site creation process, from requirements and initial concepts to the deployed site. To help make a site functional, logical, easy to use, efficient, and attractive, we present concepts and principles of information architecture, visual communication design, color and graphics, fonts, layout, visual hierarchy, symmetry, balance, unity, and variation. We also describe tools for design, coding, image processing, template generation, site integration, testing, and debugging. Chapter 11, Graphics and Site Production, ties the many aspects of Web site creation together. An Integrated Approach Our central topic is how to develop Web sites that are highly functional and attractive. The theme is the integration of programming with artistic design. We integrate information and artistic design aspects with technological and programming contents to show how ideas and designs can be implemented and what design space the available technologies provide. Design guides, implementation, and programming help realize the design, and that's the way we wrote Introduction to Web Design and programming. Perhaps not everyone can master both artistic design and computer programming. But a broad exposure at first is important. True masters of the Web medium will necessarily be those who have a good command of both design and technology. Histories and Summaries We also include brief history sections in many chapters in an effort to show how the different subjects presented are interrelated, have evolved through time, and are embedded in the larger picture of Web development. Chapter-ending summaries help review the material we present in each chapter and highlight the most important ideas covered. We encourage readers to pay attention to these sections because they not only put Web design and programming in context but also show where they are headed in the future. Examples and Exercises The text offers many interesting and realistic examples to demonstrate programming techniques and design concepts. Programming examples show how XHTML, CSS, JavaScript, and Perl/CGI constructs work individually and in combination to achieve well-defined Web site goals. XHTML and CSS examples pass W3C validation. All programming examples are ready to run and are labeled with "Ex: ExampleName" so they correlate easily with the online versions. Design examples use figures and screen shots to illustrate the main points. Implementation examples show how designs, graphics, and styles are realized in code. Many examples can be applied readily in Web site development projects. Throughout the book, examples are drawn from Web sites, providing a common thread that demonstrates how the concepts and techniques covered are applied to actual Web sites. Review questions and assignments for application of knowledge for each chapter reinforce the material covered. Web Site The WDP Web site www.sofpower.com/wdp provides a wealth of supplemental materials for readers of this textbook. The Web site offers reference listings, useful resources, online versions of the diagrams (in full size and color, of course), ready-to-run examples cross-referenced with in-text descriptions, hands-on experiments, and an example package ready to download. The site also offers a complete guide for conducting team projects. Information includes team organization and operation, project milestones, report preparation, and project evaluation. ACM Curriculum Recommendations According to the ACM Computing Curricula 2001 Computer Science Report (December 15, 2001): Today, networking and the Web have become the underpinning for much of our economy. They have become critical foundations of computer science, and it is impossible to imagine that undergraduate programs would not devote significantly more time to this topic. At the same time, the existence of the Web has changed the nature of the educational process itself. Modern networking technology enhances everyone's ability to communicate and gives people throughout the world unprecedented access to information. We hope this textbook will make it easier to introduce a course in the Net-centric area that is fulfilling both to teach and learn. And the WDP Web site will provide the Web-enhanced education that we all hope will be more widely available. Flexible Usage The text is designed for a one-semester course to introduce Web design and programming. It is ideal at the undergraduate level for computer science, computer engineering, and computer technology students. Instructors of Web development are modern pioneers. It takes hard work and dedication to tackle a topic that is wide ranging and rapidly advancing. Most CS curricula lag behind despite the clear curriculum recommendation from ACM and IEEE to include Net-centric courses. This text can be used at the undergraduate or beginning graduate level. It is also suitable for custom training courses for industry or for independent study by IT professionals. A shorter course may omit chapters 10 to 13, as appropriate. A CS instructor may elect to focus more on programming chapters and cover the art materials together with students. In an advanced course, the instructor may proceed at a faster pace, assigning Chapter 1 and parts of Chapter 2 for reading, and selecting more substantial programming projects from the exercises. Instructors of a two-semester sequence on Web development may use this text and add some other server-side topics in the second semester. Acknowledgments The textbook is the result of many years of joint course development work by the authors, supported by our departments. We are grateful for the institutional support and the students who took the Web Design and Programming (WDP) courses. Special thanks goes to Jim Byrd, who read over many chapters of the initial manuscript and made corrections and suggestions; to the Spring 2003 WDP class in which the draft manuscript went through classroom trial; to Misty Tackett, secretary at the Institute for Computational Mathematics, who helped tremendously, contacting sources and obtaining necessary permissions for screen shots and other images; and to a long list of organizations who granted us permission to use their Web images. The detailed permission list can be found on the Web site. Appreciation also goes to reviewers of the manuscript: Russ Abbott of California State University-Los Angeles, Anselm Blumer of Tufts University, Mary Ann May-Pumphrey of De Anza College, Derek Oyen of Digiknow, and Al Wasco of Cuyahoga Community College-Western Campus, who provided valuable comments and suggestions. To the entire staff of Brooks/Cole, especially Kallie Swanson, thanks for your support and able management of this project. Special thanks goes to Sue Howard for her great help in dealing with copyright and permission issues with the many figures contained in this text. We also want to thank Kelsey McGee (Brooks/Cole) and Merrill Peterson (Matrix Productions) for their able management of the production process, and Arthur Ogawa at TEX Consultants for an excellent job typesetting the manuscript and recreating the figures. We'd like to acknowledge the help and dedication of Aaron Downey at Matrix Productions for bringing everything together on schedule ready for the printer. From Sanda To my friend, Paul Wang for your continued inspiration and focus. Thanks for trusting me to partner with you on this exciting effort. You're amazing. To John Buchanan, Professor, School of Visual Communication Design, Kent State University, for introducing me to Paul Wang. Thanks for playing tennis, John! To J. Charles Walker, Director, School of Visual Communication Design, Kent State University, for giving me my favorite year. Without your support I couldn't have done this! To my best friend, Chris Somosi, for editing the long and tedious first drafts of this book, and for the continuous encouragement and support in all ways. Thanks for taking good care of Emily and Maxim while I was staring at my computer screen. You're the best. To my husband, John Katila, daughter, Emily, and son, Maxim. Thanks for putting up with me through the long days and nights. You're my joy, strength, and hope. From Paul To Sanda, it is indeed my good fortune to work together with you in this cross-disciplinary adventure. I learned so much from you. Finally and most of all, my deep appreciation to my wife, Jennifer, and my children, Laura, Deborah, and David for their support and encouragement. Paul S. Wang Sanda Katila Kent, Ohio
简介:Summary: Publisher Summary 1 This analytical study examines the function of internal auditing from the viewpoint of its role within organizations and within the economics of societies and governments. Swanson and Marsh place internal auditing in the context of the scientific conceptual framework of Living Systems Theory. Publisher Summary 2 This analytical study examines the function of internal auditing from the viewpoint of its role within organizations and within the economics of societies and governments. Swanson and Marsh place internal auditing in the context of the scientific conceptual framework of Living Systems Theory, and thus provide a basis for a systematic theoretical framework and a theory based on observable, measurable entities. They identify the advantages of using this system to advance the knowledge and understanding of organizations, and also propose a higher level of internal audit functions that can advance modern societies.
简介: Swede escape! Calista Swanson has begun her study abroad semester in Stockholm, Sweden, and she couldn?t be happier! There?s finally some distance between her and the constant piano-playing of her annoying sister Suzanne. Calista and Suzanne are twins, but the only thing they have in common is their birth date. Suzanne is a focused and gifted pianist, but a social dud. Calista isn?t at all focused, but she always has her friends, and a boyfriend, by her side. And that goes for her time in Sweden, as well. Jonas, who?d been an exchange student at her high school in Wisconsin, lives in Stockholm. He?s the main reason Calista is studying in Sweden, and she knows he?ll be in tow as she explores everything Sweden has to offer, from visiting Swedish castles to learning more about the Viking era, to sampling treats from a sm?rg?sbord, to strolling the cobblestone streets of Stockholm?s Gamla Stan. Calista loves Sweden from the moment she arrives, but . . . why hasn?t Jonas called?
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