共找到 107 项 “Nathaniel Hawthorne” 相关结果
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作者: 刘爱萍[等]编著
出版社:中国科学技术大学出版社,2007
简介:前言 Unit 1 Benjamin Franklin (1706—1790) The Autobiography Unit 2 WashingtonIrving(1783—1859) Rip Van Winkle Unit 3 Edgar Allan Poe(1809—1849) The Fall of the House of Usher Unit 4 Ralph Waldo Emerson(1803—1882) Self-Reliance(Excerpt) Unit 5 Nathaniel Hawthorne(1804—1864) Chapter XXⅢ The Revelation of the Scarlet Letter Unit 6 Herman Melville(1819—1891) Moby-Dick Chapter cxxxv The Chase—Third Day Unit 7 19th-Century American Poets (1819—1892) Walt Whitman(1819—1892) Emily Dickinson(1830 1886) Unit 8 Mark Twain(1835—1910) The Adventures of Huckleberry Finn Unit 9 TheodoreDreiser(1871 1945) The Way of the Beaten: A Harp in the Wind Unit 10 JackLondon(1876—1916) The Law of Life Unit 11 Ernest Hemingway(1899—1961) A Farewell to Arms Unit 12 Francis Scott Fitzgerald(1896—1940) The Great Gatsby Unit 13 John Ernest Steinbeck(1902—1968) The Grapes of Wrath Unit 14 William(Cuthbert)Faulkner(1897—1962) Dry September Unit 15 Eugene(Gladstone) O’Nei11(1888—1953) Long Day''s Journey Into Night Unit 16 Joseph Heller(1923—1999) Catch-22 Unit 17 Flannery O’Connor(1925 1964) A Goocl Man Is Hard to Find Unit 18 Saul Bellow(1915—2005) Seize the Day Unit 19 Allen Ginsberg(1926—1997) Howl Unit 20 Alice Walker(1944—) Everyday Use Bibliography
作者: (美)纳撒尼尔·霍桑(Nathaniel Hawthorne)著;李映珵译
出版社:长江文艺出版社,2008
简介: 纳撒尼尔·霍桑,19世纪美国文学经典作家,实践并发展了罗曼司体 裁,擅长象征主义手法和心理分析,其艺术之花得益于新英格兰历史和清 教主义的滋养,一直被视为美国本土文学的代表,亨利·詹姆斯甚至以“ 地方性”来形容他的创作。然而,他的作品既是本土的,也是国际性的, 融合了欧洲多元文化传统,他的目光既是回溯性的,也根植于坚实的现在 ,他致力于建构一个联结“现实与幻境”、“真实与想象”的晦暗不明的 “中间地带”,以一种曲折隐秘的方式传达他对美国历史、当代社会、政 治、宗教、艺术和道德等诸多问题的见解。他的作品,因其深邃的思想与 精湛的艺术技巧,散发出持久的艺术魅力,是当之无愧的美国文学的典范 。 本书为他的作品《七个尖角阁的老宅》。全书借用家族诅咒这一古老 的哥特传统,描写了品钦家族因祖上谋财害命而使后代遭到报应的故事。
作者: 尚晓进 著
出版社:上海大学出版社 2015年10月
简介: 尚晓进编*的《原罪与狂欢--霍桑保守主义研究》是对纳撒尼尔·霍桑(Nathaniel Hawthorne,1804—1864)创作的整体性研究,采用语境化的研究策略,尤其聚焦作家的保守主义思想,在文本解析的基础上,试图厘清作家保守主义立场的形成、保守主义思想的内核及其发展流变的轨迹。传统上,霍桑研究偏重清教主义遗产和他对新英格兰历史的书写,近年来,学界多聚焦其作品的时代语境,探索他对时代思潮和问题的回应,一般也将他指认为一个保守主义者。但这一理解大多基于这样的思路:霍桑受清教传统影响,信奉原罪观,因而是个保守主义者。但这样的思路既遮蔽了霍桑保守主义的复杂性,也阻止了进一步追问的动力。或许,也正因为如此,学界对霍桑保守主义思想的生成、发展以及具体内涵仍缺乏系统研究。鉴于此,本书并不一来上就将霍桑指认为一个保守主义者,而是回到历史的现场,追索其创作倚重的欧洲文化元素,在此基础上,力求呈现其保守主义思想丰富而多变的面貌。
作者: (美)[纳撒尼尔·霍桑]Nathaniel Hawthorne著
简介: 《红字(美文学名著导读详注本之3)》主要内容:霍桑生于马萨诸塞州萨莱姆镇一个破落的贵族世家,全家信奉基督教,深受清教道德观念的影响。霍桑早年不幸:四岁时生父死于海难,九岁时摔伤,终身腿残;家境的败落和家乡激烈的宗教派别争斗使他性格抑郁,但亦激发了他学习文学的欲望。 1821年,霍桑入博多因学院学习。这所乡村学院规模虽然不大,霍桑却在那里感受到了活跃的自由思想,呼吸到了浓厚的艺术空气,还结识了几位后来载入史册的政治家和文人,如美国第14任总统富兰克林?皮尔斯和诗人朗费罗等人。不过,他的学习在当时并不出众,然读 书甚广,且以作文见长。毕业时,他自费出版了处女作《范肖》,旋即自觉笔力不济将其销毁。此后,他为建立其语言特色、行文风格、写作题材而苦苦探索,将自己囚于室内、游离于主流社会之外达十数年之久。他在幽居生活中先后写出了《三个山丘的洞穴》和《一个老妇人的故事》,于.1832年匿名发表了自认为最出色的短篇小说《我的亲戚莫里纳少校》和《罗杰·马尔文的葬礼》,然公众对这些作品却少有反响。直到:1837年第一部署名小说《重述一遍的故事》面市后,他才声誉渐起。于是,霍桑决定从事专业写作。
简介:内容简介 书中讲述的是发生在北美殖民时期的恋爱悲剧。 女主人公海丝特·白兰嫁给了医生奇灵渥斯,他们之 间却没有爱情。在孤独中白兰与牧师丁梅斯代尔相恋并 生下女儿珠儿。白兰被当众惩罚,戴上标志“通奸”的 红色A字示众。然而白兰坚贞不屈,拒不说出孩子的 父亲。最终丁梅斯代尔不堪良心的谴责,公开认罪, 死在了白兰的怀里。奇灵渥斯却沦为魔鬼的奴隶,成 为真正的罪人。
作者: [(美)纳撒尼尔·霍桑(Nathaniel Hawthorne)著];张勤,唐艳芳主编
出版社:武汉大学出版社,2003
简介: 可读性;如果原文太难,读者就会失去信心;如果原文太易,读者又会一无所获。本丛书的读者对象是广大的大中专学生、外语教师和中等水平的英语爱好者。 知识性;本丛书所选作品包括美英两国八位文学大师的短篇小说、中长篇小说(节选)、戏剧(片断)、报告文学、历史传记、诗歌、儿童诗、散文、游记、评论等,可谓内容丰富,题材广泛,分别是比较全面地反映了这八位作家的创作思想和写作特点。 趣味性;为了能够帮助广大读者达到玩学习的目的,圆满完成我们编写该丛书的目标,我们在选编原文时尽量注意了内容的趣味性。 丰富性;为了照顾到广大读者的不同兴进取和要求,我们在这里选编了八位作家的作品。 代表性;英美文学纷繁庞录,各类作品的风格各有千秋。 画龙点睛;为了能帮助广大读教师晚好地理解原文,欣赏佳作,我们在所选编的每一篇作品的前面均加上了一篇1500-2500字的“导读”,介绍了所选作品的写作背景、主要内容、相关情况,并对该作品进行科学的评价和分析。 难点注解;主要解释英语原文中的语言难点并介绍相关的文化背景。通过注释,变异析疑,既增强了本书书的趣味性和知识性,又能帮助读者更好地理解原文。 文学翻译;为了帮助读者更好地理解作品的丰富的主题内容和深刻的思想意义,我们把全书都采用英汉对照的形式,并在每段英语原文和中文译文前用数字做了标号。
作者: (美)Nathaniel Hawthorne著;(英)John Escott改写;周小敏译
出版社:外语教学与研究出版社,2006
简介:胸前佩戴着红字的这个女人是个没有任何朋友的罪人。人们对她指指点 点,那些受人尊重的人都唾弃她,牧师们用尖锐的言辞抨击她。耻辱不分日 夜地追随着她。 故事发生在17世纪的新英格兰。当时,清教徒们飘洋过海来到美洲,建 立了新的城镇,同时也带来了自己国家的宗教和习俗。在早期马萨诸塞州的 波士顿,教会的势力非常强大——非常冷酷无情。任何违背教会和上帝训诫 的人都会受到惩罚。 但是对于赫斯特·普林,这个生下私生子的女人来说,她并不是唯一的 罪人。那谁是孩子的父亲呢?他为什么不大胆地公开自己的身份?为什么赫斯 特要承受胸佩红字的耻辱,而她的情人却可以逃脱惩罚?他不是也同样有罪 吗?
作者: (美)纳撒尼尔·霍桑(Nathaniel Hawthorne)著;盛世教育西方名著翻译委员会译
出版社:上海世界图书出版公司,2011
简介: 纳撒尼尔·霍桑编著的《红字》内容介绍:要学语言、读好书,当读名著原文。如习武者切磋交流,同高手过招方能渐明其间奥妙,若一味在低端徘徊,终难登堂入室。积年流传的名著,就是书中“高手”。然而这个“高手”,却有真假之分。初读书时,常遇到一些挂了名著名家之名改写改编的版本,虽有助于了解基本情节,然而所得只是皮毛,你何曾真的就读过了那名著呢?一边是窖藏了50年的女儿红,一边是贴了女儿红标签的薄酒,那滋味,怎能一样?“朝闻道,夕死可矣。”人生短如朝露,当努力追求真正的美。
作者: [(美)纳撒尼尔·霍桑](Nathaniel Hawthorne)[著];王静注释
出版社:青岛出版社,2004
简介: The Scarlet Letter , by Nathaniel Hawthorne , is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics : All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works. America’s first psychological novel, Nathaniel Hawthorne’s The Scarlet Letter is a dark tale of love, crime, and revenge set in colonial New England. It revolves around a single, forbidden act of passion that forever alters the lives of three members of a small Puritan community: Hester Prynne, an ardent and fierce woman who bears the punishment of her sin in humble silence; the Reverend Arthur Dimmesdale, a respected public figure who is inwardly tormented by long-hidden guilt; and the malevolent Roger Chillingworth, Hester’s husbanda man who seethes with an Ahab-like lust for vengeance. The landscape of this classic novel is uniquely American, but the themes it explores are universalthe nature of sin, guilt, and penitence, the clash between our private and public selves, and the spiritual and psychological cost of living outside society. Constructed with the elegance of a Greek tragedy, The Scarlet Letter brilliantly illuminates the truth that lies deep within the human heart. Nancy Stade is trained as a lawyer and has worked in the federal government and the private sector. She currently lives in Mexico, where she is working on a novel.
作者: (美)霍桑(Nathaniel Hawthorne)著;姚乃强译
出版社:华夏出版社,2008
简介: 海丝特·白兰是一个善良、美丽的英国姑娘,不 幸嫁给了一个畸形、伪善的老人而断送了青春。故 事开始的两年前,她由阿姆斯特丹移居马萨诸塞州 的波士顿。途中,她的丈夫被掳失踪,在寡居生活 中,海丝特·白兰与牧师丁梅斯代尔相爱并生下一 女。事发后,政教合一的加尔文教政权将她作为训 诫罪恶的一个标本,罚她胸戴红A字(即英文通奸 Adultery一词的第一个字母)忍辱含垢度过一生。小 说通过一个受不合理婚姻束缚的少妇海丝特·白兰 因犯“通奸”罪被监禁、示众和长期隔离的故事,暴 露了社会的冷酷虚伪,探讨了有关罪恶和人性的道 德、哲理问题。
简介: With these words, Washington Irving expresses the dilemma of every American artist in the nineteenth century. The Sketch-Book (1820-1) looks simultaneously towards audiences on both sides of the Atlantic, as Irving explores the uneasy relationship of an American writer to English literary traditions. He sketches a series of encounters with the cultural shrines of the parent nation, and in two brilliant experiments with tales transplanted from Europe creates the first classic American short stories, 'Rip Van Winkle' and 'The Legend of the Sleepy Hollow'. The result was not only a hugely successful travel book; it exerted a strong formative influence on American writers from Nathaniel Hawthorne and Edgar Allan Poe to Henry James, and is well worth rediscovery in its own right today. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader. In her introduction, Susan Manning suggests that the author forged a new idiom, the 'Literary Picturesque', to accommodate and turn to advantage his dilemma of dual literary allegiances. --This text refers to the Paperbackedition.
作者: (美)霍桑(Nathaniel Hawthorne)著;侍桁等译
出版社:上海译文出版社,1996
简介:本书是美国作家霍桑所著的传奇小说。介绍的美国民主党总统波尔克任命霍桑担任海关检查官。后来,泰勒总统撤了霍桑的职务,反映了资本主义社会的黑暗,丑恶的面目,值得一阅。
简介:Reading imaginative literature -- Fiction: Elements of fiction, Reading fiction, Writing about fiction, Plot, Character, Setting, Point of view, Symbolism, Theme, Style, tone, and irony, Combining the elements of fiction; Approaches to fiction, Study of Nathaniel Hawthorne, Study of Flannery O'Connor, Critical case study, William Faulkner's "Barn Burning", Cultural case study, James Joyce's "Eveline", Thematic case study, the literature of the South, Thematic case study, the nature of storytelling, Collection of stories, Album of contemporary stories, Stories for further reading -- Poetry: Elements of poetry, Reading poetry, Writing about poetry, Word choice, word order, and tone, Images, Figures of speech, Symbol, allegory, and irony, Sounds, Patterns of rhythm, Poetic forms, Open form, Combining the elements of poetry; Approaches to poetry Study of Emily Dickinson, Study of Robert Frost, Study of Langston Hughes, Critical case study, T.S. Eliot's "The Love Song of J. Alfred Prufrock", Two thematic case studies, the love poem and teaching and learning; Anthology of poems, Album of contemporary poems, Thematic case study, Border Crossings, Collection of poems -- Drama: Study of drama, Reading drama, Writing about drama, Study of Sophocles, Study of William Shakespeare, Modern drama, Critical case study, Henrik Ibsen's A Doll House, Cultural case study, David Henry Hwang's M. Butterfly; Collection of plays, Plays for further reading -- Critical thinking and writing: Critical strategies for reading; Reading and writing; Literary research paper; Taking essay examinations -- Glossary of literary terms.
作者: (美)霍桑(Nathaniel Hawthorne)著;侍桁译
出版社:上海译文出版社,2002
简介:世界文学名著普及本。经典篇目,完整版本,一流译文。 《红字》是美国著名作家霍桑的代表作。伤口描写的是三个主要人物的命运。少女海丝特·白兰犯通奸罪,但是她拒绝说出她的情人是谁,于是加尔文教政教合一机关惩罚她带着红色A字(英语“通奸”一字Adultery的首字母)示众。在受罚的过程中,她对其他不幸的人表示出深切的同情,她的许多善行逐渐使她赢得人们的尊敬。海丝特的同犯,年轻的清教徒牧师丁梅斯代尔深受良心谴责,最后鼓起勇气承认了自己的罪责,并死在海丝特的怀里,获得了道德上的自新;海丝特的丈夫则因被复仇的烈火所围困,变得如魔鬼般疯狂,在道德上完全堕落,也毁掉了自己的生活。作者通过这个故事探讨法律上的罪恶和道义上的罪恶之间的关系,提出了“罪恶在哪里?”“谁是真正的罪人”这样的道德问题。
作者: 赫尔曼·梅尔维尔
出版社:译林出版社 2017年10月
简介:
This classic story of high adventure, manic obsession, and metaphysical speculation was Melville's masterpiece. The tale of Captain Ahab's frantic pursuit of the cunning and notorious white whale Moby Dick, is packed with drama, and draws heavily on the author's own experiences on the high seas. This edition includes passages from Melville's correspondence with Nathaniel Hawthorne, in which the two discussed the philosophical depths of the novel's plot and imagery.
【目录】
Note on the Text
Select Bibliography
A Chronology of Herman Melville
MOBY DICK
Appendix: Melville’s Letters to Nathaniel Hawthorne
Explanatory Notes
【免费在线读】
MOBY DICK;
or, THE WHALE.
CHAPTER 1. Loomings.
Call me Ishmael. Some years ago—never mind how long precisely—having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people’s hats off—then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs—commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land.
Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?—Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these
are all landsmen; of week days pent up in lath and plaster—tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets
and avenues—north, east, south, and west. Yet here they all unite.
Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries—stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region.
Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
But here is an artist. He desires to paint you the dreamiest, shadiest, quietest, most enchanting bit of romantic landscape in all the valley of the Saco. What is the chief element he employs? There stand his trees, each with a hollow trunk, as if a hermit and a crucifix were within; and here sleeps his meadow, and there sleep his cattle; and up from yonder cottage goes a sleepy smoke. Deep into distant woodlands winds a mazy way, reaching to overlapping spurs of mountains bathed in their hill-side blue. But though the picture lies thus tranced, and though this pine-tree shakes down its sighs like leaves upon this shepherd’s head, yet all were vain, unless the shepherd’s eye were fixed upon the magic stream before him. Go visit the Prairies in June, when for scores on scores of miles you wade knee-deep among Tiger-lilies—what is the one charm wanting?—Water—there is not a drop of water there! Were Niagara but a cataract of sand, would you travel your thousand miles to see it? Why did the poor poet of Tennessee, upon suddenly receiving two handfuls of silver, deliberate whether to buy him a coat, which he sadly needed, or invest his money in a pedestrian trip to Rockaway Beach? Why is almost every robust healthy boy with a robust healthy soul in him, at some time or other crazy to go to sea? Why upon your first voyage as a passenger, did you yourself feel such a mystical vibration, when first told that you and your ship were now out of sight of land? Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother of Jove? Surely all this is not without meaning.
And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.
Now, when I say that I am in the habit of going to sea whenever I begin to grow hazy about the eyes, and begin to be over conscious of my lungs, I do not mean to have it inferred that I ever go to sea as a passenger.
For to go as a passenger you must needs have a purse, and a purse is but a rag unless you have something in it. Besides, passengers get sea-sick—grow quarrelsome—don’t sleep of nights—do not enjoy themselves much, as a general thing;—no, I never go as a passenger; nor, though I am something of a salt, do I ever go to sea as a Commodore, or a Captain, or a Cook. I abandon the glory and distinction of such offices to those who like them. For my part, I abominate all honourable respectable toils, trials, and tribulations of every kind whatsoever. It is quite as much as I can do to take care of myself, without taking care of ships, barques, brigs, schooners, and what not.
And as for going as cook,—though I confess there is considerable glory in that, a cook being a sort of officer on ship-board—yet, somehow, I never fancied broiling fowls;—though once broiled, judiciously buttered, and judgmatically salted and peppered, there is no one who will speak more respectfully, not to say reverentially, of a broiled fowl than I will. It is out of the idolatrous dotings of the old Egyptians upon broiled ibis and roasted river horse, that you see the mummies of those creatures in their huge bake-houses the pyramids.
“Grand Contested Election for the Presidency of the United States.
“WHALING VOYAGE BY ONE ISHMAEL. “BLOODY BATTLE IN AFFGHANISTAN.”
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The Scarlet letter / Bantam classic ed.
简介: The Scarlet Letter, published in 1850, is an American romance novel written by Nathaniel Hawthorne; it is generally considered to be his masterpiece. Set in Puritan New England in the 17th century, the novel tells the story of Hester Prynne, who gives birth after committing adultery, refuses to name the father, and struggles to create a new life of repentance and dignity. Throughout, Hawthorne explores the issues of grace, legalism, and guilt. Publisher Comments: Hailed by Henry James as "the finest piece of imaginative writing yet put forth in the country," Nathaniel Hawthorne's The Scarlet Letter reaches to our nation's historical and moral roots for the material of great tragedy. Set in an early New England colony, the novel shows the terrible impact a single, passionate act has on the lives of three members of the community: the defiant Hester Prynne; the fiery, tortured Reverend Dimmesdale; and the obsessed, vengeful Chillingworth. With The Scarlet Letter, Hawthorne became the first American novelist to forge from our Puritan heritage a universal classic, a masterful exploration of humanity's unending struggle with sin, guilt and pride. From AudioFile In the early days of Puritan Boston Hester Prynne braves the stigma of adultery by wearing the embroidered scarlet "A" on her clothing. Hill's reading captures the story's pathos and gives the reader empathy for the characters while clarifying Hawthorne's views. Hill distinctly portrays each character and reads the narration clearly and swiftly. The pace conveys a sense of urgency and breathlessness. After hearing this novel, readers will understand why it continues to be a classic. P.A.J.
简介:陈世丹、屈晓丽主编的《美国文学史(上下超越概念高等院校英语专业系列教材)》选择Washington Irving,James Fenimore Cooper,William Cullen Bryant Edgar Allan Poe,Ralph Waldo Emerson,Henry David Thoreau,Nathaniel Hawthorne,Herman Melville和Henry Wadsworth Longfellow为19世纪浪漫主义时期美国文学的代表作家;Walt Whitman。Emily Dickinson,Harriet Beecher Stowe,Mark Twain,Henry James,Edith Wharton,Jack London.Theodore Dreiser和Willa Cather为19世纪现实主义时期美国文学的代表作家;Ezra Pound,Wallace Stevens.T.S.Eliot.Ernest Hemingway,William Faulkner和Eugene O’Neill为20世纪现代主义时期美国文学的代表作家;Robert Frost,F.Scott Fitzgerald和Arthur Miller为20世纪现代主义文学繁荣时期仍坚持现实主义文学创作的代表作家。第二……
Selected short stories of Nathaniel Hawthorne / 1st Ballantine Books ed.
作者: edited with an introd. by Alfred Kazin.
简介:From the author who gave us The Scarlet letter end The House of theSeven Gables, here is a comprehensive selection of his best shortstories, including:The Minister’s Black Veil;The Maypole of Merry Mount;Wakefield;The Prophetic Pictures;Dr. Heidegger’s Experiment;Endicott and the Red Cross;The Birthmark;Young Goodman Brown;Rappaccini’s Daughter;Feathertop;Roger Malvin’s Burial;Earth’s Holocaust;The Artist of the Beautiful;Ethan Brand;My Kinsman, Major Molineux.更多>>
Birthmark:selected short stories of Nathaniel Hawthorne
作者: 白岸杨,王岩,廖嵘君撰
出版社:华东理工大学出版社,2010
简介: 《胎记:霍桑短篇小说(评注本)》精选美国著名作家纳撒尼尔·霍桑精短短篇小说12篇,包括霍桑最负盛名的短篇《年轻的布朗先生》《牧师的黑面纱》《我的堂叔,莫利纳上校》《胎记》《海德格医生的实验》《拉帕西尼的女儿》《创造超凡之美的艺术家》《温柔男孩》等一系列名篇。 《胎记:霍桑短篇小说(评注本)》提供最地道的英文,最优美的译文,在每一篇小说之前,特别提供精彩独特的“导读”,旨在提供当时的社会语境及其与作者其他作品的内在联系,同时又表达出编撰者的强烈的阅读感受,做到与读者交流的目的。此外,原文中的注释,也就是注疑释典,是很见功力的工作。注释与导读比较起来,一个是放大镜,一个是显微镜,互为补充,相得益彰,让我们看到了作品的全貌。
简介:这本《101 Classic Short Stories:经典小说101篇》按全英文版出版,西方流行口袋本。共收集了欧?亨利、杰克?伦敦、霍桑、契诃夫等数十位西方著名短篇小说家的代表作与经典名篇,全书共101篇。读者可以通过书上指定的网址,通过微盘免费下载配套的英文朗读文件,边听边读,感受地道英语文学之乐趣。对于英语学习者来讲,这是一本优秀的英语文学精读手册。 This outstanding collection features 101 short stories by great writers from America, the United Kingdom, Russian, and other countries. Ranging from the 19th to the 20th centuries, writers include O. Henry, Jack London, Nathaniel Hawthorne, Mark Twain, Edgar Allen Poe, Anton Chekhov, James Joyce , Ambrose Bierce, Franz Kafka, and other major writers of world literature. Such a wonderfully wide-ranging and enjoyable anthology! Invest just a few minutes in a great short story and you may be rewarded with a lesson or memory that lasts a lifetime. And it’s not just the short stories; the authors can also surprise you. We hope that you will return to this collection again and again; to re-read these classic favorites and train your literature mind.


































