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简介：With works ranging thematically and stylisshy;tically fromThe Universal Baseball AssociationtoThe Public Burning,fromPricksongs and DescantstoSpanking the Maid,Robert Coover emerges as one of the most vibrant writers from a remarkable avant-garde that in the midshy;-1960s mounted serious assault on traditional ideas of form and content in world literature. 聽 Lois Gordon here defines Coover's novels, short stories, and plays in terms of his conshy;temporaries: among Americans, Donald Barshy;thelme, William Gass, John Hawkes, and others; among Europeans, Julio Cortazar, Robert Pinget, and Italo Calvino, to name a few. These writers dismiss the conventions of traditional form-linear plot, character development, definable theme, Aristotle's unities of time and space-as no longer apshy;propriate in the modern world. 聽 Coover writes in a dazzling variety of forms and styles; in each he demonstrates a diversity of the style and manipulates the trappings of every conventional form-from Old Comedy to theater of the absurd. He also translates or transposes techniques associated with other art forms, such as film montage or operatic interlude. In Coover's hands, any of these forms are fair game for parody. Gordon notes: "Coover's method, more specifically is this: at the same time that he maintains a strong narrative line he counshy;terpoints it (his musical term is 'descants') with numerous mythic, legendary, or symshy;bolic levels... which serve to explode any final meaning or resting point." Nothing is static-personality, event, human values. Coover writes about a continual flux in which everything is constantly qualified and dramatically altered. He portrays the public and private rituals that man construes "to barter inner and outer disorder."

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简介：Roman encyclopedique et oulipien dans lequel l'auteur retrace les evenements qui ont ponctue, sur une periode de pres d'un siecle, l'histoire d'un immeuble parisien et de ses habitants. Selon Italo Calvino, il s'agit du "dernier grand evenement dans l'histoire du roman" (dans ##Lecons americaines##, 1989, p. 190). Prix Medicis 1978. [SDM]

Italo Calvino and the compass of literature /

作者：  Eugenio Bolongaro.

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简介：Summary: Publisher Summary 1 Criticism of the well known Italian writer, especially in English, is dominated by postmodern approaches, both in the selection of works examined and in the elements of them highlighted, says Bolongaro (Italian studies, McGill U.). He allows as how that might be all well and good, but he wants to point out how Calvino's fictional and critical work reveal a lifelong commitment to writing as intervention into a particular social and historical situation, and to taking an ethical and political stance. Annotation (c) Book News, Inc., Portland, OR (booknews.com)   Publisher Summary 2 Looking at five of Italo Calvino's often neglected early novels: The Young People of Po, The Cloven Viscount,The Baron in the Trees, The Non-Existent Knight, and The Watcher, Eugenio Bolongaro argues that these works, written between 1948 and 1963, contain a sustained meditation on the role of the intellectual and on the irreducible ethical and political dimension of literature. This meditation provides an insight into a crucial moment in Calvino's development as a writer, and allows Bolongaro to lay the groundwork for a more 'political' reading of Calvino's later work.Italo Calvino and the Compass of Literaturefirmly situates Calvino within his historical context 鈥?the cultural revival of post-World War II Italy 鈥?by relating these early novels to Calvino's political and critical writings which played an important role in the cultural debates of the time. This approach provides a key to understanding Calvino's work in a new light, ably demonstrating that Calvino's full literary significance cannot be understood in isolation from the politics and cultural movements of the period. One of the few book-length English-language works on Calvino's early writings, Italo Calvino and the Compass of Literaturwill prove to be an indispensable tool to Italianists and literary studies scholars.  

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简介：The eminent cultural historian H. Stuart Hughes examines the works of Italo Svevo, Alberto Moravia, Carlo Levi, Primo Levi, Natalia Ginzburg, and Giorgio Bassani--six Italian prose writers of Jewish or part-Jewish origin--and gracefully shows how these writers combine in various measures their ancestral Jewish heritage with recent experiences of antisemitic persecution.

Sotto il sole giaguaro

作者：  伊塔罗·卡尔维诺(Italo Calvino)著;倪安宇译

出版社：时报文化出版企业股份有限公司,2011

简介：　　卡爾維諾最後遺作 　　極致短篇故事集　描寫人類嗅、味、聽三覺 　　最奇特，想像力無法揣度， 　　不斷替小說尋找新邊疆的小說家 　　卡爾維諾逝世時仍在書寫的精采作品 　　附卡爾維諾年表資料，是研究這位大師生平軌跡的珍貴資料。 　　我正在寫一本談五感的書，以彰顯現代人已經失去了這方面的能力。我寫這本書的困難之處在於我的嗅覺不太發達，聽覺不夠專注，我不是老饕，我的觸覺很不敏感，而且我還有近視眼。 我必須很努力才能掌握每一感一定程度的感覺和之間的細微差異。我不知道自己是否能辦到，不過這次跟以往一樣，我的目的不在於寫書，而是改變我自己，我想這應該是每個人類行為的目標吧。 　　在《在美洲虎太陽下》書中，卡爾維諾要把人的五感：視覺、聽覺、嗅覺、味覺、觸覺，藉小說呈現。可惜的是，因為驟逝，他只寫完嗅、味、聽三覺，留下了無可彌補的遺憾。 　　（名字 鼻子），花花公子、史前人類和被毒品腐蝕的音樂家，他們都在尋找一個迷人的女性香味。 　　（在美洲虎太陽下），一對關係陷入困境、在墨西哥度假的夫妻，由異國食物和佐料以及早期活人獻祭的儀式，推論出愛慾的本質。 　　（傾聽的國王），宮殿變成了一個巨大耳朵，國王因「害怕被背叛」不肯片刻離開王座，並且隨時以聽覺監視大家的思想。可是為了聽到一位女子真誠的愛之歌，國王心思暫時離開了大殿，遇上政變被迫下台，而走出了困坐的大殿，重獲自由。　　

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简介：From one of our most passionately engaged global literary citizens comes Writing with Intent, the largest collection ever assembled of Margaret Atwood's nonfiction, spanning 1983-2005. The fifty-eight essays compiled here are written in a bracing voice that is provocative, witty, often colloquial, and always accessible. Comprised of autobiographical essays, cultural commentary, book and film reviews, eulogies, introductions written for great works of literature, and literary excursions that explore the writing of several of her own novels, this is Atwood's first essay collection in more than two decades, showing that whether writing fiction or nonfiction, she is one of the most probing thinkers in the world of letters today. Compiled here are the Booker Prize-winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, Gabriel Garcia Marquez, Elmore Leonard, Angela Carter, Beryl Bainbridge, Dashiell Hammett, Ursula K. Le Guin, and Alice McDermott, as well as essays in which she recalls reading Virginia Woolf's To the Lighthouse at age nineteen, and a piece that examines the influence of George Orwell's work on The Handmaid's Tale. Here is Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller in 2004, a look back at a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable selections in Writing with Intent remind readers again why Margaret Atwood is one of the most admired writers of our time, and serve as a testament to her vigorous engagement in the world of letters and ideas.

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简介：Summary: Publisher Summary 1 The first collection of nonfiction work by the author in more than two decades features fifty-seven essays and reviews on a wide range of topics, including John Updike, Toni Morrison, grunge, September 11th, and Gabriel Garc隆a M聽rquez, among others. Reprint.   Publisher Summary 2 The first collection of nonfiction work by the author in more than two decades features fifty-seven essays and reviews on a wide range of topics, including John Updike, Toni Morrison, grunge, September 11th, and Gabriel Garc芒ia M芒arquez, among others.   Publisher Summary 3 From one of the world’s most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood’s nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood’s worldview as the world around her changes. Included are the Booker Prize–winning author’s reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf’s To the Lighthouseat age nineteen, and discusses the influence of George Orwell’s 1984 on the writing of The Handmaid’s Tale.Atwood’s New York Times Book Reviewpiece that helped make Orhan Pamuk’s Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her “Letter to America,” written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood’s career, reminding readers why she is one of the most esteemed writers of our time.   Publisher Summary 4 From one of the world's most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize–winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.   Publisher Summary 5 From one of the world's most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes.   Publisher Summary 6 From one of the world's most passionately engaged literary citizens comes Writing with Intent,the largest collection to date of Margaret Atwood's nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize鈥搘inning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouseat age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale.Atwood's New York Times Book Reviewpiece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her 鈥淟etter to America,鈥?written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.   Publisher Summary 7 From one of the world’s most passionately engaged and acclaimed literary citizens comes Writing with Intent, the largest collection to date of Margaret Atwood’s nonfiction, ranging from 1983 to 2005. Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces to great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood’s worldview as the world around her changes.  

The Little Prince 小王子 ISBN 9780156012195

作者：  Antoine de Saint-Exupery　著

出版社：Houghton Mifflin Harcourt 2000年05月

简介：　　Antoine de Saint-Exupéry first published The Little Prince in1943, only a year before his Lockheed P-38 vanished over theMediterranean during a reconnaissance mission. More than a halfcentury later, this fable of love and loneliness has lost none ofits power. The narrator is a downed pilot in the Sahara Desert,frantically trying to repair his wrecked plane. His efforts areinterrupted one day by the apparition of a little, well, prince,who asks him to draw a sheep. "In the face of an overpoweringmystery, you don't dare disobey," the narrator recalls. "Absurd asit seemed, a thousand miles from all inhabited regions and indanger of death, I took a scrap of paper and a pen out of mypocket." And so begins their dialogue, which stretches thenarrator's imagination in all sorts of surprising, childlikedirections.　　The Little Prince describes his journey from planet to planet,each tiny world populated by a single adult. It's a wonderfullyinventive sequence, which evokes not only the great fairy tales butalso such monuments of postmodern whimsy as Italo Calvino'sInvisible Cities. And despite his tone of gentle bemusement,Saint-Exupéry pulls off some fine satiric touches, too. There's theking, for example, who commands the Little Prince to function as aone-man (or one-boy) judiciary:　　I have good reason to believe that there is an old rat livingsomewhere on my planet. I hear him at night. You could judge thatold rat. From time to time you will condemn him to death. That wayhis life will depend on your justice. But you'll pardon him eachtime for economy's sake. There's only one rat.　　The author pokes similar fun at a businessman, a geographer, anda lamplighter, all of whom signify some futile aspect of adultexistence. Yet his tale is ultimately a tender one--a heartfeltexposition of sadness and solitude, which never turns into PeterPan-style treacle. Such delicacy of tone can present real headachesfor a translator, and in her 1943 translation, Katherine Woodssometimes wandered off the mark, giving the text a slightly woodenor didactic accent. Happily, Richard Howard (who did a finenip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999)has streamlined and simplified to wonderful effect. The result is anew and improved version of an indestructible classic, which alsorestores the original artwork to full color. "Trying to be witty,"we're told at one point, "leads to lying, more or less." ButSaint-Exupéry's drawings offer a handy rebuttal: they're fresh,funny, and like the book itself, rigorously truthful. --JamesMarcus

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简介：At the heart of this important new book is the tension between literacy and the open acknowledgement of discrepancies within social and linguistic fields on the one hand, and what Sussman terms the resolving function, the utopian picture of harmony depicted by the state and large organizations, on the other. After discussing some examples of the resolving function--Barthes's notion of the myth, Kundera's fictional treatment of kitsch, and contemporary television--Sussman draws on a line of theoretical inquiry extending from Saussure to Derrida in order to put forth a differential model of literacy in which the skills necessary to participate productively in culture are more disjunctive than associative in nature. Awareness of the discrepancies set into play by language is necessary, he argues, for both the individual and the society to understand the complex and sometimes contradictory web of socioeconomic, political, and semiological relations in which they are involved. Combining literary theory with close textual readings of works by Hawthorne, Melville, Wallace Stevens, Ezra Pound, William Carlos Williams, and Italo Calvino, this book is the first to explore the socio-political correlatives to literary studies--the mass media's ambivalence toward the linguistic apprehensions and skills that make them possible.

烟云 阿根廷蚂蚁

作者：  伊塔洛·卡尔维诺(Italo Calvino)[著]

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简介：《烟云》写于1958年，惊人的预言了上升到疯狂高度的对污染的关注。《阿根廷蚂蚁》是一部有调侃语气的关于难以平息的恐惧的杰作，形象的写出了人类面对一个太微小又无处不在，以至无法征服的敌人时的失败。

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简介：Includes short stories by Washington Irving, Nathaniel Hawthorne, Edgar Allan Poe, Herman Melville, Leo Tolstoy, Mark Twain, Henry James, Sarah Orne Jewett, Guy de Maupassant, Kate Chopin, Joseph Conrad, Charles Chesnutt, Anton Chekhov, Charlotte Perkins Gilman, Edith Wharton, Stephen Crane, Sherwood Anderson, James Joyce, Virginia Woolf, Franz Kafka, D.H. Lawrence, Katherine Mansfield, Katherine Anne Porter, Isaac Babel, F. Scott Fitzgerald, William Faulkner, Ernest Hemingway, Jorge Luis Borges, John Steinbeck, Issac Bashevis Singer, R.K. Narayan, Eudora Welty, Naguib Mahfouz, John Cheever, Tillie Olsen, Bernard Malamud, Ralph Ellison, Doris Lessing, Grace Paley, Italo Calvino, Nadine Gordimer, James Baldwin, Kobo Abe, Flannery O'Connor, Yukio Mishima, Clarice Lispector, Gabriel Garcia Marquez, Chinua Achebe, John Barth, Donald Barthelme, Alice Munro, John Updike, Elena Poniatowska, Gerald Vizenor, Chen Rong, Bessie Head, Joyce Carol Oates, Raymond Carver, Margaret Atwood, Toni Cade Bambara, Amos Oz, Bharati Mukherjee, Bobbie Ann Mason, John Edgar Wideman, Isabel Allende, Sergio Ramirez, James Alan McPherson, Alice Walker, Robert Olen Butler, Tobias Wolff, Tim O'Brien, Ann Beattie, Leslie Marmon Silko, Jamaica Kincaid, Haruki Murakami, Gloria Naylor, Alberto Alvaro Rios, Gary Soto, Amy Tan, Sandra Cisneros, Louise Erdrich, Elizabeth Tallent, Reginald McKnight, and David Leavitt.

Architecture and urbanism of Tokyo

作者：  团纪彦(Norihiko Dan)等编著;陈岳夫，吴介桢等译

出版社：田园城市文化事业,2008

简介： 首度三國語言出版－－亞洲建築師們群力剖析複雜至極又極具魅力的都市：東京這本英文書名為《Architecture and Urbanism of Tokyo》，中文與日文書名均為《東京論》的著作，是一本從內部（日本人）與外部（非日本人）的角度來理解亞洲城市之一的東京之初試之作。為了用中文、英文與日文三種語言來表達記述這本書的內容，前後花費了兩年的時間編輯才得以出版。在此，我由衷地感謝所有協助本書完成的作家與提供作品刊載的建築師們。－－團紀彥東京的形成為了要理解這複合多種文化與迥異於周邊國家的大都市，東京，就得從它的開發源頭開始溯起，江戶時期的發展被稱為微地形，東京其實就是藉由這些微細的地形或風景為開端發展而來的。之後又經歷明曆時代的大火、關東大地震、二次世戰的東京大空襲等災害後，造成了都市反覆的擴張與再生，這也是東京無法被嘗試營造成如同歐美或中國一般，可體驗到大尺度都市空間之理由。與其說東京是一個被統合化的大都市，倒不如說是一個由許多小村落集合而成的大村落來得容易讓人理解。從江戶時期開始、明治時期、戰前與戰後，到各時期主政者的都市營造與建築方針，也就是說由江戶時期的風水思想與木造寺院建築、明治時代的歐化政策與歐風建築、戰前在軍國主義體制下所建造的帝冠樣式建築、或是戰後基於民主主義所整備的道路及鐵路網絡等現代建築，集結各個時代的遺跡與拼湊沒有被燒掉的地圖斷片，才造就出東京現在的姿態。馬可波羅看東京有關都市的論述本來就是充滿了矛盾與挖苦的言語。如果想要知道都市是藉由什麼論點發展生成的，就要主動地從內部的視點來剖析；相對地如果是站在理解或閱讀都市的立場而言，那就得被動地從外部的旅人觀點來看了。對住在這東京裡，還要同時用旅人的觀點來解讀的話，是相當困難的一件事。因為長久居住在東京的人所寫的都市論述，雖然在政治或學識上頗具深度，但是閱讀起來卻不太有趣不是嗎？義大利作家伊塔羅?卡爾維諾(Italo Calvino)的「看不見的城市」就是在描寫旅人馬可波羅對忽必烈皇帝敘述自己曾經旅行過的城鎮之對話，這小說的構想原出於「馬可波羅遊記」，在這本書裡描述了許多虛構、想像的城鎮，是一本兼具多元性與普遍性且評價相當高的文學作品。從馬可波羅的觀點來閱讀，有時候也許比從東京人的角度來看，會獲得更豐碩、更有意涵的內容與感觸。東京的街道與建築東京常被大家視為是沒有大街(AVENUE)存在的都市。的確；東京很少有如巴黎的香榭麗舍大道（Avenue des Champs-élysées）、巴塞隆納的拉蘭布拉大道(La Ramblas)，或是北京的長安大街般的大道，當你走其中時，可輕易知道自己身處何地，且可感受到都市整體的尺度感。東京也常被認為街道的方向感令人難以判斷，但是只要一抄近路或走進巷弄裡，卻也有不少令人驚喜的發現。以上這些經驗都是來自於經常走訪東京之外或異邦城市的朋友以及海外友人。這反而讓我想到，這些也許就是東京的空間特徵吧！東京在江戶時期建造了將近兩百個小富士山丘。原因跟定都為東京的德川家康出身於富士山附近的駿河(Suruga)有關，人民將富士山視為信仰的對象而建造的。以被建造出來的小富士山丘為近景，遠遠地眺望富士山成為江戶市民們的一種生活樂趣。雖然這些人為建造而成的富士山丘大多已經被毀壞殆盡，但在東京仍殘留許多名為「富士見町」（Fujimi Chyo）的地名。現在我們可能無法理解為何這些小山丘前面的小路是彎彎曲曲的，因為原有的地形已經埋沒於摩天大樓之間，根本就看不到富士山。但我想這點可以幫助我們了解不易一眼看透的東京之構成。雖然東京沒有基於西方概念所作成的的AVENUE或BOULEVARD等街道，但對市民生活及商業活動而言，它提供重要場域的意義是不變的。東京的表參道，原本是由祭祀明治天皇的明治神宮前之參道整治而成。在原本寬九公尺的道路兩旁增設寬闊的人行步道，並種植蒼鬱美麗的櫸木。在這條路上羅列著各種世界知名精品的旗艦店，在東京算是少有的林蔭大道AVENUE景觀，其實表參道本身並不長，大約到丹下健三(Tange Kenzo)先生的代代木(Yoyogi)奧林匹克綜合運動館為止。另外，從日本橋到銀座的中央通也是東京街道中不可忽視的街道之一。日本橋常被視為江戶時期的產物，而銀座則被認為是明治時期的產物，這條大道也可說是橫貫了江戶與明治時代的象徵。代官山Hillside Terrace在現代建築語彙中是街道空間的佳作先例，建築家槙文彥(Maki Fumihiko)與業主朝倉(Asakura)先生有著很大的貢獻。東京現在呈現一種回歸都心的現象，連暫住都外衛星城區的人也開始有回流都心居住的現象。我想除了考量到交通的便利性之外，也顯示了想要在市中心享受生活樂趣的人正持續不斷增加中。最近六本木Hills與Tokyo Midtown陸續完成，六本木地區也持續起了巨大的變化。其實在三十年前地鐵車站完成之前，這個區域並沒受到多大的注目，因為周圍有許多大使館，漸漸地發展成以外國人為對象的花街柳巷，之後因再度開發而聚集更多都心型態的辦公室大樓與住宅區，而成了現在的規模。從另一方面來看，各地區對於都市景觀、街道景觀以及環境相關議題也不斷地高漲中，今後東京市民對於街道空間（Machinami，街並）的形成與周邊環境的保護與整備，所給予的關心與期望也會愈來愈高吧！在這本書中，將針對東京的幾個街道空間以及賦予其特徵的主要建築做介紹。

Fantastic Tales：Visionary and Everyday 卡尔维诺 《幻想故事》

作者：  Italo

出版社：Penguin 2009年05月

简介：

　　From fabulous enchantments and supernatural horrors tosubtler, more psychological terrors, the best of nineteenth-centuryfantastic literature is collected here by Italo Calvino. Thesemysterious and macabre tales include Hoffmann's nightmarish "TheSandman", Poe's terrifying "The Tell-Tale Heart" and Dickens'chilling ghost story "The Signal-Man", and relatively unknown worksfrom celebrated writers including Honore de Balzac, Henry James,Sir Walter Scott, Guy de Maupassant and Robert Louis Stevenson,alongside lesser-known contributors. Each story comes with afascinating introduction by Calvino.

　　'Describes imaginary worlds with the most extraordinaryprecision and beauty' - Gore Vidal 'One of the most playful,intelligent and inventive minds in the whole of European fiction' -Philip Hensher, Mail on Sunday

作者：  

出版社：

简介：This work contains selected papers from the 14th International Conference on Historical Linguistics, held in Vancouver, 9-13th August 1999. It covers such topics as recent advances in the reconstruction of the proto-Munda verb and alternation according to person in Italo-Romance.

卡尔维诺自传

作者：  (意)伊塔罗·卡尔维诺(Italo Calvino)著;倪安宇译

出版社：时报文化出版企业公司,1998

简介：

树上的男爵[海外中文图书]

作者：  (意)伊塔罗·卡尔维诺(Italo Colvino)著;纪大伟译

出版社：时报文化出版企业公司,1998

简介：

不存在的骑士[海外中文图书]

作者：  (意)伊塔罗·卡尔维诺(Italo Colvino)著;纪大伟译

出版社：时报文化出版企业公司,1998

简介：

分成两半的子爵[海外中文图书]

作者：  (意)伊塔罗·卡尔维诺(Italo Colvino)著;纪大伟译

出版社：时报文化出版企业公司,1998

简介：

实用主义研究 第一辑

作者：  刘放桐

出版社：人民出版社 2017年11月

简介：
本书以杜威哲学为切入口，从宏观和微观上对杜威哲学及美国实用主义作了学理上的深度探讨，包括以下两个部分：一是关于实用主义的一般研究，由五篇文章组成：刘放桐从实用主义与马克思主义比较研究的角度出发，对实用主义进行了再评价；江怡从历史和现状方面分析美国实用主义哲学的主要特征，特别是新老实用主义之间的区别；Richard Shusterman从伦理和美学的角度考察了实用主义与身体美学的关系；Anton Leist从学理上探讨了实用主义和怀疑主义的关系；Roberto Frega则考察了实用主义为社会哲学提供的两个资源。二是“杜威研究”专题，由九篇文章组成：Larry A. Hickman探讨了杜威晚期思想中的命题概念；Arild Pedersen以新的视角重新考察了杜威的宗教哲学；Jim Garrison探讨了创造性的自我表达在杜威式教育观中的关键位置；Italo Testa在杜威的语境下提出了一种基于习惯的社会本体论；孙宁在历史的语境下重新定位了杜威提出的探究逻辑；孙斌从个人与行动的角度重新考察了杜威的民主；董山民辨析了杜威式社会民主的若干问题；徐陶考察了杜威哲学与中国的关系；杨兴凤对杜威的工具主义与罗伊斯的*主义作了比较研究。

Why Read the Classics ISBN=9780141189703

作者：  Italo

出版社：Penguin 2009年05月

简介：