Italo Calvino and the compass of literature /

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作   者:Eugenio Bolongaro.

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ISBN:9780802087638

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Summary: Publisher Summary 1 Criticism of the well known Italian writer, especially in English, is dominated by postmodern approaches, both in the selection of works examined and in the elements of them highlighted, says Bolongaro (Italian studies, McGill U.). He allows as how that might be all well and good, but he wants to point out how Calvino's fictional and critical work reveal a lifelong commitment to writing as intervention into a particular social and historical situation, and to taking an ethical and political stance. Annotation (c) Book News, Inc., Portland, OR (booknews.com)   Publisher Summary 2 Looking at five of Italo Calvino's often neglected early novels: The Young People of Po, The Cloven Viscount,The Baron in the Trees, The Non-Existent Knight, and The Watcher, Eugenio Bolongaro argues that these works, written between 1948 and 1963, contain a sustained meditation on the role of the intellectual and on the irreducible ethical and political dimension of literature. This meditation provides an insight into a crucial moment in Calvino's development as a writer, and allows Bolongaro to lay the groundwork for a more 'political' reading of Calvino's later work.Italo Calvino and the Compass of Literaturefirmly situates Calvino within his historical context 鈥?the cultural revival of post-World War II Italy 鈥?by relating these early novels to Calvino's political and critical writings which played an important role in the cultural debates of the time. This approach provides a key to understanding Calvino's work in a new light, ably demonstrating that Calvino's full literary significance cannot be understood in isolation from the politics and cultural movements of the period. One of the few book-length English-language works on Calvino's early writings, Italo Calvino and the Compass of Literaturwill prove to be an indispensable tool to Italianists and literary studies scholars.  

目录

Acknowledgments p. ix
Introduction p. 3
Calvino and Post-war Italy p. 4
Calvino and Genre p. 8
Italy at the Crossroads, 1943-1963 p. 12
The Italian Resistance and the Shaping of the Post-war Italian Intellectual p. 13
Il Politecnico 1945-1947: Culture vs Politics p. 18
Officina 1955-1959: The Poetical Potential of Politics p. 28
Il Menabo 1959-1967: Commitment at Sunset p. 36
Italo Calvino: from Neo-Realism to the Fantastic p. 47
Calvino and Neo-realism p. 47
I giovani and the Limits of Neo-realism p. 54
The Cloven Viscount and the Resources of the Fantastic p. 62
The Baron in the Trees: The Utopian Moment in Calvino's Fantastic Trilogy p. 81
Cosimo's Utopia p. 83
A Finer Fantastic p. 95
Engaging the Socio-cultural Moment p. 109
The Non-Existent Knight: Obstinacy Without Illusions p. 131
Agilulfo and Ethical Subjectivity p. 133
Pessimism of the Intellect, Optimism of the Will p. 148
The Watcher: The Intellectual in the Labyrinth p. 161
The Language of Paralysis p. 164
Hamlet and the Minotaur p. 171
Exorcizing the Labyrinth's Lure p. 181
Conclusion: Literature as an Ethical Project p. 191
What Is Literature Good For? p. 192
Calvino and the Parable of Contemporaneity p. 195
Notes p. 197
Bibliography p. 221
Index p. 235

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