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简介:Includes poems by Enheduanna, Queen Hatshepsut, Sappho, Zi Ye (Tzu Yeh), Patacara, Sangha, Sakula, Dantika, Nandutta, Sisupacala, Govindasvamin, Praxilla, Korinna, al-Khansa, Rabia the Mystic, Yeshe Tsogyel, Kassia, Wu Cailuan, Yu Xuanji, Ise Shikibu, Izumi Shikibu, Li Qingzhao, HIldegard of Bingen, Sun Buer, Mahadevi, Zhu Xuzhen, Beatrice of Nazareth, Mechthild of Magdeburg, Muktabai, Hadewijch of Brabant, Wang Qinghui, Marguerite Porete, Saint Catherine of Siena, Lal Ded, Sister Bertken, Vittoria da Colonna, Huang E, Mirabai, Louise Labe, Emilia Lanier, Sor Violante Do Ceu, Anne Bradstreet, Sor Juana Ines de la Cruz, Phillis Wheatley, Annette von Droste-Hulshoff, Wu Zao, Elizabeth Barrett Browning, Bibi Hayati, Charlotte Bronte , Emily Dickinson, Rosalia de Castro, Else Lasker-Schuler, Yosano Akiko, H.D., Marianne Moore, Anna Akhmatova, Nelly Sachs, Alfonsina Storni, Edith Sodergran, Marina Tsvetayeva, Lorine Niedecker, Betti Alver, Therese Plantier, Muriel Rukeyser, Julia de Burgos, Ruth Stone, Anne Hebert, Gwendolyn Brooks, Gloria Fuertes, Mary Ellen Solt, Wislawa Szymborska, Denise Levertov, Ingeborg Bachmann, Anne Sexton, Sylvia Plath, Ingrid Jonker, Lucille Clifton, Bella Akhmadulina, Linda Gregg, Jeni Couzyn, Tess Gallagher, Louise Gluck, Yona Wallach, Linda Hogan, Olga Broumas, Liliana Ursu, Anne Carson, Deborah Digges, Carolyn Forche, Jorie Graham, Joy Harjo, Brenda Hillman, Shu Ding, Anita Endrezze, Amina Said, Rachida Madani, Rosanna Warren, Louise Erdrich, Aliki Barnstone, Lucie Brock-Broido, and others.
简介: His first screen test was a disaster, his features were large and irregular, his left ear outsized the right, yet he would one day be headlined as the Most Handsome Man in the World. And most of his leading ladies—among them, Ingrid Bergman, Jennifer Jones, Audrey Hepburn, Sophia Loren, and Ava Gardner—would not disagree. Irreverent, candid, refreshingly honest, Lynn Haney's carefully researched biography not only charts the remarkable career of the Oscar-winning star but also plumbs Peck's frequently troubling complexity in his off-screen roles as husband, father, lover, and son. About the tough times, Haney minces no words; but the misfortunes by no means eclipse the energy, intensity, and excitement that characterized Peck's five decades of moviemaking. This is a book filled with telling photographs, and a story cast with movie moguls from Louis B. Mayer to Darryl Zanuck, with directors from Hitchcock and Walsh to Huston and Wyler, with nearly every major luminary in Hollywood, and, starring for the first time in toto, Gregory Peck.
简介:Summary: Publisher Summary 1 A collection of outstanding short stories by masterful voices in Southern literature features twenty works by both established authors and new writers, including Russell Banks, Dorsi Betts, William Gay, George Singleton, Kate Small, Romulus Linney, Corey Mesler, and many others, accompanied by a preface by Larry Brown. Original. Publisher Summary 2 Stories by writers with Southern backgrounds deal with the modern problems of life in the South Publisher Summary 3 As Larry Brown explains in this year's preface, This is all that I have, this land called North Mississippi, home of my father, and grand-fathers, and great-grandfathers, and luckily for me, it turns out to be always enough. It's that land and everything around it-the intractable clay soil, the twisting rivers, the air heavy with humidity-that makes the South a character in its own right, and that permeates this year's collection.The stories in the seventeenth volume of New Stories from the South begin with the land or the water or the weather, but it's their depth and richness that take us somewhere altogether new-the South, seen from a wholly new perspective, as if for the first time. From the mountains of Tennessee to the suburbs of New Orleans to a hollowed-out antebellum house to the center of Texas, this year's New Stories from the South turns out to be always enough.Nineteen writers make their mark in this year's volume: Dwight Allen, Russell Banks, Brad Barkley, Doris Betts, William Gay, Aaron Gwyn, Ingrid Hill, David Koon, Andrea Lee, Romulus Linney, Corey Mesler, Lucia Nevai, Julie Orringer, Dulane Upshaw Ponder, Bill Roorbach, George Singleton, Kate Small, R. T. Smith, and Max Steele.Each story is followed by the author's notes about its origin. Readers will also find an updated list of the magazines consulted by Ravenel and a complete list of all the stories selected each year since the series' inception in 1986.
简介:《教父三部曲》是电影史上最伟大的黑帮电影,被誉为男人的圣经,曾获得奥斯卡金像奖的最佳影片、最佳男主角、最佳男配角、最佳导演、最佳编剧、最佳改编剧本、最佳配乐等多项大奖。故事主要讲述黑手党的起源及黑手党家族的三代教父,如何在一个弱肉强食的世界中生存、如何为人处世。整部故事实际上构成了美国20世纪的社会文化史,一个家族的长篇编年史。 精彩花絮:导演随片评论 永垂不朽的传世杰作。 ——Edward Guthmann,《旧金山纪事报》 好莱坞顶尖电影时代的标志。 ——Michael Wilmington,《芝加哥论坛报》 马龙?白兰度: 马龙?白兰度,美国演员,当代最伟大的演员之一。944年开始登上百老汇舞台,三年后以《欲望号街车》的爆炸性演出成为剧坛巨星。40年代后期,他加入大导演伊利亚?卡赞领导的“演员工作室”成为最早的成员之一。1950年以《男儿本色》跃进银幕,接着拍电影版《欲望号街车》令他成为好莱坞巨星。1954年,他以《岸上风云》获得奥斯卡、纽约影评人协会及戛纳电影节影帝三项大奖。1967年后退隐,1973年复出主演的《教父》再度荣获奥斯卡最佳男主角奖,在欧洲拍的《巴黎最后的探戈》则引起极大争议。之后的《超人》、《现代启示录》和《血染的季节》等片,也获得了一致的好评。其中,《血染的季节》又一次让他获得奥斯卡奖的提名。进入90年代后,年迈的白兰度依然演出了颇具水准的影片《唐璜德马科》和《人魔岛》,再一次向人们展示了他那炉火纯青的演技。冯小刚的《大腕》曾计划邀请他出演,但因身体状况未能参与。2004年7月1日,这位一生颇富传奇色彩的好莱坞“教父”与世长辞,享年八十岁。 阿尔?帕西诺: 阿尔?帕西诺,1966年进著名的“演员工作室”进修,1969年因舞台剧《老虎是否戴项链?》获托尼奖。同年演出第一部影片《我,娜塔莉》。后被导演弗朗西斯?福特?科波拉看中,在《教父》中扮演迈克尔,并以此获奥斯卡最佳男配角提名。此后,以《谢皮科》(1973)、《教父续集》(1974)、《炎热的下午》(1975)三片连续获得奥斯卡男主角提名。1992年终以《闻香识女人》夺取第65届奥斯卡影帝。以表演具有爆发力著称。多年来作品不断,佳作迭出。 詹姆斯?凯恩: 詹姆斯?凯恩1963年踏上银幕,在银幕处女作《爱玛姑娘》中充当一个不起眼的角色,打拼了十余年均无大突破,直至1972年在科波拉的名片《教父》中饰演火爆凶猛的教父长子桑尼,身价才扶摇直上,成为独当一面的明星。1980年首执导简推出《傲骨柔情》,但反应平平。凯恩90年代的作品以《米赛丽》和《昨天、今日、永远》中的表现最为出色。曾与Dee Jay Mattis、Sheila Ryan、Ingrid Hajed有过三段婚姻,先后育有一女二子。1995年与现任妻子Linda Stokes再婚,育有两子。近年参演的作品有2000年的《枪之道》和《家族情仇》,2003年的《狗城》和《圣诞精灵》等。
简介:Summary: Publisher Summary 1 This book analyzes a range of texts that seek, in different ways, to represent ?the people.鈥?Ranci猫re approaches these texts as travel narratives or ethnographies whose authors have traveled not to distant or exotic lands but across class lines. In this truly comparative study, he examines Wordsworth's poetry, the utopian discourse of the Saint-Simoniens, the correspondence and theater of B眉chner, Claude Genoux's M茅moires d'un enfant de la Savoie, Michelet's theories of history, the prose and poetry of Rilke, and the performance of Ingrid Bergman in Rossellini's postwar film Europe 51. Ranci猫re examines the various forms of displacement that affect his subjects, enabling each to become foreign to the sites and trajectories commonly known as reality. He argues convincingly that ?the people鈥?have no proper signification in the texts under consideration, instead, they function as points of reality upon which the voyager can drape a conceptual framework shaped by the circumstances not of the other, but of the self. Publisher Summary 2 This book analyzes a range of texts that seek, in different ways, to represent ?the people.鈥?Ranci猫re approaches these texts as travel narratives or ethnographies whose authors have traveled not to distant or exotic lands but across class lines.
简介:Ingrid Bergman - winner of three Academy Awards - tells her own story both onstage and off. The book describes her relationships with the characters she knew and worked with, including Selznick, Garbo, Bogart, Gary Cooper and Ingmar Bergman. Above all, she reveals the story of her personal life - her childhood in Sweden, her marriages (including... more 籬er dramatic and controversial elopement with Roberto Rossellini), and, in more recent years, her battle against cancer. She died in 1982. ?less
简介:Summary: Publisher Summary 1 The first of a projected five-volume series (the other volumes will feature Venice, the northern court cities, Naples, and Florence), this work presents six chronological chapters, each written by a senior scholar in the field, on the art of Rome from 1300-1600. Refreshingly, in a field long characterized by a focus on style, this volume is marked by new research, new methods, and a focus on the broader context of the work of art. The result is a fresh look at Renaissance Rome through discussion of works of painting and sculpture many of them, like Michelangelo's ceiling of the Sistine Chapel, very familiar derived from an analysis of the written sources for the light they shed on many issues, especially the often profound impact of patronage, the influence of ritual and other kinds of use, and trends within the Church, which commissioned much of Rome's art. Ending with an in-depth discussion of the Counter-Reformation, the rich approach employed in this text expands the reader's understanding of the Renaissance beyond the lives of artists and their works. The volume contains a thorough survey of Roman monuments, is written at a level accessible to the beginning undergraduate student, and contains a wealth of excellent (mainly b&w) illustrations, making it suitable for both seminars and lecture courses. The contributors are Meredith Gill (U. of Notre Dame), Steven Ostrow (U. of California, Riverside), Clare Robertson (U. of Reading, UK), Ingrid Rowland (American Academy in Rome), and Hall (Temple U.). Annotation 漏2005 Book News, Inc., Portland, OR (booknews.com) Publisher Summary 2 In the period under study here, Rome lived up to its epithet 'The Eternal City'. This is a comprehensive history of the art of Rome in the Renaissance studies; the architecture, sculpture, painting, and decorative arts together in their social, religious, and historical context. Organized around the patronage of the popes, it tells the story of three centuries, in which the eternal city rose from the ashes of its decline in the fourteenth century, when the papal court was transferred to France and then endured the Great Schism of absent and ascending popes. Miraculously, by the first decade of the sixteenth century, under the visionary guidance of Pope Julius II, the artists he commissioned - Bramante, Raphael, and Michelangelo - and the humanists of the papal court with whom he surrounded himself, Rome had established itself as the Christian reembodiment of the Roman Empire. Publisher Summary 3 Places the arts of the High Renaissance in their social, religious, political and economic context.
简介:Summary: Publisher Summary 1 This introduction provides computer graphics professionals and researchers with the mathematical foundations for understanding and applying wavelets. Some applications include: image editing and compression, automatic level-of-detail control of curves and surfaces, surface reconstruction form contours, and physical simulation for global illumination and animation. The generalized theory in this text stresses intuition over rigor, and accommodates the kinds of objects that commonly arise in computer graphics, including images, open curves, and surfaces of arbitrary topology. Readers must have at least a vague sense of linear algebra; most of the necessary background algebra information is in the appendix. Annotation c. by Book News, Inc., Portland, Or. Publisher Summary 2 This distinctly accessible introduction to wavelets provides computer graphics professionals and researchers with the mathematical foundations for understanding and applying this powerful tool. Wavelets are rapidly becoming a core technique in computer graphics, with applications for * Image editing and compression * Automatic level-of-detail control for editing and rendering curves and surfaces * Surface reconstruction from contours * Physical simulation for global illumination and animation Stressing intuition and clarity, this book offers a solid understanding of the theory of wavelets and their proven applications in computer graphics. Although previous introductions to wavelets have presented an elegant mathematical framework, that framework is too restrictive to apply to many problems in graphics. In contrast, this book focuses on a generalized theory that naturally accommodates the kinds of objects that commonly arise in computer graphics, including images, open curves, and surfaces of arbitrary topology. This book also contains a foreword by Ingrid Daubechies and an appendix covering the necessary background material in linear algebra.
简介: Christian Dior, the legendary French fashion designer, caused a worldwide sensation in 1947, in a Paris still groping to recover from the devastations of wartime occupation. Reintroducing the flowing, ankle-length skirt, Dior gave women back their long-lost sense of freedom, femininity, and joie de vivre. Dior's collection with its pinched waste and generous folds of fabric, was dubbed the "New Look" by the press, especially the American fashion journalists. Dior was crowned "The King of Fashion," and he immediately reestablished Paris as the center of the fashion world. For the next thirty years the House of Dior, with its subdued and refined pearl-gray, velvet covered walls and its gray carpeting, played host to aristocrats, stars of stage and film, and glitterati from around the world--the Duchess of Windsor, Olivia de Havilland, Greta Garbo, Marlene Dietrich, and Ingrid Bergman, to name a few. Dior's daily inspiration emanated from the world of the intellectual and artistic elite, in which he moved with such people as Erik Satie, Francis Poulenc, Henry Suguet, Jean Cocteau, and Raoul Dufy. With elegance, precision, and impeccable research, Marie-France Pochna recreates this one-of-akind world of glamour and luxury and situates Dior's fairy-tale career in the rich tapestry of Paris cultural life.
Concept Shops:Shop Design Aimed at Experience, Emotion and Success
作者: (德)英格丽德·文茨-加勒(Ingrid Wenz-Gahler)著;温海龙译
出版社:大连理工大学出版社,2004
简介: 传统的零售业面临着一种急需改变的挑战,即如果想继续吸引已被过剩的商品和繁杂的服务惯坏了的消费者的话,就必须重新考虑其市场定位和设计概念。在一个半成品越来越相似的市场中,消费者正在寻求额外的价值,比如说一种有趣的体验,故事和生活气息等等,他们希望品牌业和零售业能满足他们的这种需要。 作者英格丽·文茨-加勒在这本书中向读者展示了已有的优秀的和成功的概念性设计。分布在世界各地的40多人专业零售店向读者展示了它们是如何以一种富想像力的方式展现其半产品,并在店中注入活力的;它们是如何给消费者一信息的平台、沟通的平台、一个值得回味的体验和一个梦幻般的经历,由此我们将走向一个全新的商业关系。
简介:Casablanca: easy to enter, but much harder to leave, especially if your name is on the Nazis' most-wanted list. Atop that list is Czech Resistance leader Victor Laszlo (Paul Henreid), whose only hope is Rick Blaine (Humphrey Bogart), a cynical American who sticks his neck out for no one...especially Victor's wife Ilsa (Ingrid Bergman), the ex-lover who broker his heart. So when Ilsa offers herself in exchange for Laszlo's safe transport out of the country, the bitter Rick must decide what's more important - his own happiness or the countless lives that hang in the balance.
简介: Producing a book on fashion in the 1980s is not merely a question of immortalizing one of the most feverish periods of invention, creativity, and variety in our recent history. It also means providing a window on the increasingly pervasive advance of show-business society, and on the origins of the designer "total living" environment in which we are now permanently submerged. Ralph Lauren pillowcases, anyone? How about a sip of Absolut from my Calvin Klein Home champagne glasses? Excess: Fashion and the Underground in the 80schronicles the achievements of the fashion establishment in Italy and the rest of the world via its protagonists and trends. It considers the who, what, where, when, and why of an industry that has become an economic phenomenon, with enormous influence on global culture and communication. It catalogues a world in which fashions by Armani, Versace, Valentino, Gianfranco Ferré, Fendi, Missoni, Moschino, Dolce & Gabbana, Fiorucci, Thierry Mugler, Jean Paul Gaultier, Vivienne Westwood, Katherine Hamnett, Azzedine Ala?a, Calvin Klein, and John Galliano appear in magazines like Vogue, Elle, Donna, Mondo Uomo, Harper's Bazaar, The Face, i-D, Interview, Vanity Fair, GQ,and Visionaire. It features work by 80s hotshot artists like Helmut Newton, Bruce Weber, Cindy Sherman, Nan Goldin, Andy Warhol, Jenny Holzer, Robert Mapplethorpe, Barbara Kruger, Gilbert & George, Pierre et Gilles, and Leigh Bowery. Empirically organized as an index, Excessoffers an indispensable point of reference for fashionistas, critics, and students. Rather than operating chronologically, it functions thematically, under such categories as Career Women, Sexy Women, American Gigolo, Night Clubbing, Wild Boys, Yuppies, and Graffiti. A special section curated by Peter de Potter is dedicated to the Neo ?80s, featuring fashions by Jeremy Scott, Louis Vuitton, Berhard Willhelm, Balenciaga, Veronique Branquinho, and Bottega Veneta, as seen in the pages of Butt, Dazed & Confused, SleazeNation, Spin, Self Service,and Another Magazine. Additionally included are a series of appendices--equally balanced between mainstream and underground--which catalogue the new professions, new words, and new fashions. Edited by Maria Luisa Frisa and Stefano Tonchi. Essays by Stefano Tonchi, Ingrid Sischy, Guy Trebay and Peter De Potter. Paperback, 6.75 x 9.25 in./446 pgs / 700 color.
作者: (法)让-雅克·舒尔(Jean-Jacques Schuhl)著;金龙格译
出版社:译林出版社,2007
简介: 《英格丽·卡文》以小说的形式记述了歌星、影星英格丽·卡文的人生。从1943年她是一个小女孩,为身为纳粹的父亲的军队在圣诞夜献歌开始,以意识流的风格,通过主人公的爱情、生活片段,把种种人物、事件、文化思潮和社会背景收集、辑录、拼贴、衔接在一起,讲述了半个世纪的故事,探讨了艺术的奥秘,表现了记忆的混乱无序和生活的真实面目。《21世纪外国文学大奖丛书:英格丽·卡文》获得2000年龚古尔奖。
作者: (美)罗伯·莱纳(Rob Reiner)导演(美)詹姆斯·凯恩(James Caan), (美)凯西·贝茨(Kathy Bates)主演
出版社:辽宁文化艺术音像出版社,2009
简介: 《危情十日》讲述电影是根据史蒂芬·金原著小说改编的心理惊僳片,题材十分别致,描述书迷与所崇拜的作家之间一段微妙关系。安妮是畅销小说作家保罗的忠实读者,她对他的小说疯狂着迷。一日,保罗遇上交通车祸,幸得安妮相救,并对他悉心照料。但保罗逐渐发现事情有点不寻常,他发现自己好像被安妮软禁一样,伤势很久也没痊愈。原来因为保罗欲专注撰写自传而终止小说创作,让安妮难以接受。精神失常的安妮认为保罗背叛了她,她将保罗捆绑起来加以折磨,逼他销毁自传的手抄本,并将原来的系列小说女主角复活。为了保住性命,保罗尝试一切方法希望能逃出安妮的魔掌…… 导演/演员简介: 凯西·贝茨:1948年生于田纳西州孟菲斯,大学时主修戏剧,毕业后赴纽约谋生。1971年走上银幕,处女作为《逃家》,并为该片主题曲作词。1976年参加外百老汇舞台演出,1983年以《晚安,母亲》获得托尼奖最佳女主角。贝兹浑身戏感,愈是怪异的角色愈勇于尝试。因外形受限,虽有多次演出电影的机会,但始终不能出人头地。直至1990年等到了一个仿如为她量身订造的绝佳角色,在《危情十日》中饰演一个迷恋作家的超级书迷,一举夺下奥斯卡及金球奖双料后冠,自此成为演技派明星。1997年她出演了影片《泰坦尼克号》,这影片成为当年的票房冠军。2002年她又出演了影片《关于施密特》,与杰克·尼克尔森一起成功奉献了这部成功的影片。2004年她在成龙主演的《环游世界八十天》中出演了角色,2005年出演了影片《流言蜚语》。 詹姆斯·凯恩:1940年3月26日生于美国纽约,高中时代曾是运动好手。大学毕业后开始在纽约的剧场登台演出,而后也参演了多部电视剧。1963年踏上银幕,在银幕处女作《爱玛姑娘》中充当一个不起眼的角色,打拼了十余年均无大突破,直至1972年在科波拉的名片《教父》中饰演火爆凶猛的教父长子桑尼,身价才扶摇直上,成为独当一面的明星。1980年首执导简推出《傲骨柔情》,但反应平平。凯恩90年代的作品以《米赛丽》和《昨天、今日、永远》中的表现最为出色。曾与Dee Jay Mattis、Sheila Ryan、Ingrid Hajed有过三段婚姻,先后育有一女二子。1995年与现任妻子Linda Stokes再婚,育有两子。近年参演的作品有2000年的《枪之道》和《家族情仇》,2003年的《狗城》和《圣诞精灵》等。
简介: 十三歲的生日,對白密席家族的人來說,是很特別的一天。大哥在這天發現自己會放電,二哥則是能招來暴風雨。過兩天就是白密席的十三歲生日,她不禁好奇,自己的超能力是什麼? 可惜的是,在她生日的前兩天,爸爸出了車禍,媽媽和大哥趕去醫院。在家的白密席以為自己已經有了超能力,很想利用它來幫助爸爸。於是,她和二哥、弟弟、教會牧師的兩個孩子,偷渡上了一部送聖經的粉紅色校車。 沒想到這部車卻開上了相反方向,這五個個性迥異的孩子,加上懦弱的司機,以及一個在路上因車子故障被司機撿起來的女士,一起踏上了奇異的旅程。一整天處在同一個空間裡,打架、叫罵、互相看不順眼,同時也慢慢認識對方、甚至發現對方的祕密。究竟,白密席的超能力是什麼?爸爸是否安然無恙?這趟旅程又將如何結束?
作者: (瑞典)阿斯特丽德·林格伦(Astrid Lindgren)著;(瑞典)英格丽德·万·尼曼(Ingrid Vang Nyman)绘;李之义译
出版社:中国少年儿童出版社,2012
简介:《长袜子皮皮来了》 长袜子皮皮来了!嘿嘿,这个小姑娘可真神,简直无所不能!两手一使劲,就把一匹马举过了头顶;不费吹灰之力,就把大力士打倒了!哎呀!家里来了两个小偷,不过他们可有点儿自找倒霉。嗬嗬,皮皮还会做饼干、走钢丝,还能站在飞奔的马背上……告诉你个秘密,皮皮还有满满一袋子金币呢! 《长袜子皮皮在南海》 皮皮和她的两个朋友坐着“蹦蹦跳跳”号大船,乘风破浪,来到南海。这是一个黑人岛国,有灿烂的阳光、蔚蓝的大海、友好的黑人小孩,当然还有凶狠的鲨鱼、狡猾的强盗。危险正一步步靠近。哎呀!鲨鱼会把小孩吃掉吗?强盗会把珠宝抢走吗?神勇的皮皮又将有什么惊人之举? 《长袜子皮皮在公园》 皮皮搬家了,搬到了斯德哥尔摩的市中心公园。她听说,这里有成群结队的流氓,专门抢夺财物、欺负游客。警察怎么不管呢?嗨,警察一点儿办法也没有。别着急,别害怕,力大无比、聪明勇敢的皮皮来了,让我们看看她怎么教训这群坏蛋吧! 《长袜子皮皮寻找斯彭克》 长袜子皮皮领着她的两个朋友到处寻找斯彭克。斯彭克是什么?是可爱的小猫小狗?不是;是美味食品?不是;是五金用品?也不是。那么,也许是一种可怕的传染病?更不是了!呵呵,原来它是小路上爬行的一只小甲虫! 《好一个埃米尔》 埃米尔是个5岁的男孩子,在他的家乡,他可是大名鼎鼎。为什么呢?因为他出奇的淘气,他那聪明的小脑瓜里时时刻刻都有新点子。 看,他把妹妹小伊达像国旗一样升到了旗杆顶;他用放大镜当聚焦镜,把牧师夫人的头发点燃了;哎呀,他怎么骑着马闯进了市长的生日宴会厅,使那里人仰马翻,乱成一团? 不过,埃米尔不仅是个淘气包,还是个开心果。他聪明、可爱,总是能给大家带来快乐的笑声。 《埃米尔与汤罐儿的故事》 坏了,坏了,埃米尔把头伸进盛汤的罐子里拔不出来了!一家人慌慌张张赶着马车去看医生。可是刚刚解决了这个问题,大家高高兴兴地回家时,埃米尔又把一枚5分钱的硬币吞进肚子里去了。怎么办?再去找医生呗! 《埃米尔又闯祸了》 埃米尔又闯祸了?对,确实如此。他用老鼠夹子把爸爸的大脚指头夹得流了血;他把一盆猪血扣在了爸爸的头上;他又把一盆土豆丝糊泼在了爸爸的脸上;他还在大雨天把爸爸锁在厕所里……唉,倒霉的爸爸!不过,埃米尔也为此付出了代价——去木工房里反省,在那里削他的木头老头儿。 《埃米尔给丽娜拔牙》 女仆丽娜的牙疼得厉害,她想拔掉这颗牙。埃米尔自告奋勇地来干这个活。呵呵,他的办法可真奇特,估计谁也想不出来这样的高着儿!一计不成再用一计,把丽娜折腾得气喘吁吁,胆战心惊。结果呢,这颗可恨的牙还是结结实实地长在那儿,好像在嘲笑埃米尔……
简介:Qualit盲tsmanagement in Arztpraxen ist eine Innovation, die begeisterte Bef眉rworter und feurige Gegner hat. Dass QM keine Kritik am 盲rztlichen Handeln darstellt, sondern vielmehr eine Hilfestellung f眉r den Arzt im Spannungsfeld von Berufsethos und wirtschaftlichen Zw盲ngen bietet, will dieses Buch aufzeigen. Anhand eines anschaulichen Beispiels aus der (Arzt-)Praxis stellen Ingrid Vogg und Steffen Fle脽a etablierte Systeme des Qualit盲tsmanagements im Gesundheitswesen vor und erl盲utern ihre M枚glichkeiten und Grenzen. Den Schwerpunkt bilden die Forderungen der Norm DIN EN ISO 9001 sowie der f眉r den Leser n眉tzliche Transfer von der Allgemeindarstellung zur Umsetzung in der medizinischen Praxis. Die klar strukturierte Darstellung erleichtert die Entwicklung von QM-Systemen f眉r den eigenen Bedarf. Bei allem wird stets der Bezug zur Patientenzufriedenheit und zur erfolgreichen medizinische Versorgung insgesamt aufrecht erhalten.
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