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简介：A monumental volume, with over a thousand translations by people such as Ezra Pound, Cyril Birch, and Burton Watson sampling over 2,000 years of a venerable literary tradition. Some of the pieces have forms recognizable to westerners lyric verse, prose tales, and the like while others oracles, chronicles, philosophical writings, and hagiographies have not been common for a long time in the west either. The anthology sometimes selects one of the many translations of a piece, but sometimes juxtaposes then, such as the 20 versions of a poem from the arranged chronologically. There is a guide to pronunciation, a conversion table for different transcriptions, and an index of translators. Annotation c. Book News, Inc., Portland, OR (booknews.com)

The Salk Institute

作者：  (美)埃兹拉·斯托勒(Ezra Stoller)编;熊宁译

出版社：中国建筑工业出版社,2001

简介：乔纳斯.萨尔克先生在1960年创立这个以他的姓氏命名的生物学研究中心时，已经因为发明抗脊髓灰质炎疫苗而成为美国的英雄。他以一个人道主义者，一个僧侣般的科学家的精神献身于防治这种疾病中。在建筑师路易斯.康身上，他找到了与自己志同道合的这种精神，于是两人共同创造了现代建筑学中的伟大作品——用萨尔克的话来说，就是“服务于科学工作的艺术作品”。

Peter’s chair

作者：  艾兹拉·杰克·季兹(Ezra Jack Keats)文·图;孙晴峰译

出版社：明天出版社,2008

简介：　　爸爸想把彼得小时候用的高脚椅漆成粉红色，好让妹妹使用；彼得看到连小时候的婴儿床也变成粉红色的，再加上玩积木时被妈妈说要安静点、别吵到小妹妹时，彼得忍不住了。他没有哭闹，而是对狗狗威利说：“我们离家出走！” 　　故事很简单，好像就发生在自己身上——如果我有妹妹的话。但是画面的元素如此新鲜，好像我第一次看《情人》时想，原来小说可以这样写的！这本书让我想，原来图画书可以这样画的！

保罗·鲁道夫设计作品集.上,佛罗里达小住宅

作者：  (美)克里斯托弗·多明(Christopher Domin)，(美)约瑟夫·金(Joseph King)著;(美)以斯拉·斯托勒(Ezra Stoller)摄影;邢成敏，冯铁宏译

出版社：中国建筑工业出版社,2006

简介：　　 尽管已经设计了像耶鲁艺术和建筑大楼那样具有纪念意义的建筑，保罗 　　·鲁道夫早已闻名遐迩，但是他是在设计了一系列能够代表有无限可能性的 　　优雅的美国现代主义建筑之后才开始自己的职业生涯的。 　　 保罗·鲁道夫于1941年来到萨拉索塔，很快就开始发展建立于现代主义 　　基础上的地方主义。首先是与拉尔夫·特威切尔(Raulph Twitchell)合作， 　　之后是自己独立发展，鲁道夫成功地(尽管有时也是颇有争议的)改变了佛罗 　　里达州南部的城市面貌。 　　 本地的建筑师们利用佛罗里达州鲜明的自然地形，率先利用了具有创新 　　意义的建造技术——许多只是建立在简单的当地原材料上——这些住宅将现 　　代主义的建筑形式带到了优雅的亚热带世界。 　　 本书将鲁道夫早期的住宅作品作了编目：从1941年至1962年的超过60件 　　设计作品。鲁道夫杰出的透视图，以斯拉·斯托勒(Ezra Stoller)的图片、 　　克里斯托弗·多明(Christopher Domin)和约瑟夫·金(Joseph King)具有洞 　　察力的素材调查，将鲁道夫早期作品的轻盈、物质性和卓越性清晰地传达了 　　出来。 　　

The Chapel at Ronchamp

作者：  (美)埃兹拉·斯托勒(Ezra Stoller)编;焦怡雪译

出版社：中国建筑工业出版社,2001

简介：　　朗香教堂是现代主义建筑中最具影响力的作品之一，也是著名建筑师勒·柯布西耶的里程碑式作品。自从1945年它首次对公众开放以来，朗香教堂已经成为建筑师、学生和旅游者前来朝圣的圣地。这座著名的建筑坐落在法国东部毗领瑞士边界附近的一座小山顶上，取代了在第二次世界大战中被毁的以前的教堂。 　　朗香教堂以其船头似的外墙和倒转的蟹壳形状的屋顶，引起了建筑界的轰动和负责它的教区的愤怒。由于教学所处的宏伟基址和建筑师自己诗人般的冲动，勒·柯布西耶违背了建筑的传统，设计出一座给人深刻印象的既原始又现代的纪念碑。作为为冥思、反省和启示而设计的具有强烈雕塑力量的场所，这座教堂是勒·柯布西耶的“纯粹的精神创作”。 　　勒·柯布西耶希望参观者把教堂当作一件独立式的雕塑作品，以步行围绕和进入的方式来进行体验。埃兹拉·斯托勒的摄影作品正如建筑师所希望的那样表达了这座建筑。斯托勒的照片最初是1955年为现代艺术博物馆创作的，现在它们已经成为拥有自己版权的作品，并成为朗香教学必不可少的反映最初面貌的资料。

The TWA Terminal

作者：  (美)埃兹拉·斯托勒(Ezra Stoller)编;赵新华译

出版社：中国建筑工业出版社,2001

简介：　　埃罗·沙里宁设计的环球航空公司候机楼是20世纪中期现代设计的典范。候机楼位于纽约的约翰·肯尼迪机场，是1956年委托设计，1962年竣工的。这个像展品一样的建筑形似大鸟，引人注目。它极具表现力的混凝土外部造型和高大的内部空间使公众产生丰富的想象，也使它成为极富魅力的建筑之一。由于长期使用，建筑已陷入反复修缮的状态，已失去了作为一个现代新建筑的典范而具有的雄伟。看着埃兹拉·斯托勒当年以敏锐眼光拍摄的照片，想起候机楼开放时潇洒地在它那壮观的空间中穿行，人们仿佛故地重游。 　　候机楼开放前9个月沙里宁溘然逝世，赞扬和谩骂立即一齐涌来。对一些来说，沙里宁是一个现代设计的大师，他利用先进的现代技术成功地解决了各种各样的设计问题。而在另一些人眼里，他不过是一个美国的小丑，一个在设计上无聊地将风格变来变去的自我宣传者。对环球航空公司候机楼的评价最集中地体现了这两种态度。今天，在1994年环球航空公司候机楼已成为一个标志性建筑，建筑师沙里宁和他设计的候机楼终于得到了应有的肯定。 　　建筑设计师及广大读者。

Preface to Ezra Pound

作者：  (英)Peter Wilson著

出版社：北京大学出版社,2005

简介：　　本书是英国文学名家导读丛书的一本，也是一部学习和研究英国诗人宠德的有用参考书。全书以较多的篇幅详细介绍了庞德这位有争议的诗人的生活和文学、文化、政治背景，并对其鸿篇巨制《诗章》内容的复杂性以及诗人在20世纪诗坛上的地位进行了较为中肯的评述。 　　Provides an introduction to the life and works of Ezra Pound, a major modernist poet, theorist and literary critic. Throughout his life Pound was regarded by many to be a contentious and controversial figure, and since his death in 1972, theoretical, literary, political and biographical comentators have done much to perpetuate this view. Peter Wilson's survey, however, presents a balanced view of his life and work allowing the reader to judge for themselves. The major sections of the book offer introductions to the complex life and work of Pound, outlining the various cultural, political and literary issues which are important to a full understanding of his place in twentieth century English literature. Critical commentaries are then given on all of Pound's major poetry, adopting some analytical techniques from stylistics. Brief biographies of important figures in Pound's career, and in the development of literary modernism are provided. A gazeteer, glossary, and suggestions for further reading complete the book.　　

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简介：陈世丹、屈晓丽主编的《美国文学史(上下超越概念高等院校英语专业系列教材)》选择Washington Irving，James Fenimore Cooper,William Cullen Bryant Edgar Allan Poe，Ralph Waldo Emerson，Henry David Thoreau，Nathaniel Hawthorne，Herman Melville和Henry Wadsworth Longfellow为19世纪浪漫主义时期美国文学的代表作家；Walt Whitman。Emily Dickinson，Harriet Beecher Stowe，Mark Twain，Henry James，Edith Wharton，Jack London．Theodore Dreiser和Willa Cather为19世纪现实主义时期美国文学的代表作家；Ezra Pound，Wallace Stevens．T．S．Eliot.Ernest Hemingway,William Faulkner和Eugene O’Neill为20世纪现代主义时期美国文学的代表作家；Robert Frost，F．Scott Fitzgerald和Arthur Miller为20世纪现代主义文学繁荣时期仍坚持现实主义文学创作的代表作家。第二……

Being zen:bringing meditation to life

作者：  (美)艾兹拉·贝达(Ezra Bayda)著;胡因梦译

出版社：海南出版社,2007

简介：艾兹拉•贝达是一位资深禅师，但他在书中却极少用到“空性”或“不二”等专有名词。他认为修行无法被化约成一种理论或公式，最重要的是安住于当下，活出禅的身心体悟。所谓“平常禅”就是指在日常生活中修行，这是对“至道无痕”的生动体悟。在本书中，艾兹拉•贝达藉由个人往事，指出人们是如何在逃避真实生活，而唯有“活在实修生活里”，才能转化愤怒、恐惧、痛苦及烦恼，开放本觉和与生俱来的慈悲心，真实地“活着”。 　　“平常心禅”是夏绿蒂•净香•贝克在美国本土建立的现代禅宗。净香在60年代曾依止安谷白云及中川宗渊两位日本禅师习禅。1983年正式成为前角"博雄（Hakuyu Maezumi)的第三代传入，并开始担任洛杉矶禅修中心的住持。其修行主旨为不求特殊的开悟境界，不企图达成有别于当下的超常意识状态，不参公案或话头，不借数息、观息或随息来规避当下的情绪活动，更不主张透过专注禅定引发虚假的三眛境界，因为这种充满至福感的定境，仍然存在着微薄的主客二元对立，所以一旦出定回返真实的日常生活，这份至福感势必消散，而行者又会迷失于尘劳之中。 　　换句话说，净香要帮助修行者达到的存在状态，只是平平常常在此时此地过着自己的日子，维持着感官的开放度，留意身心在每个当下的反应及变化，逐渐增强对身体的觉知，愈来愈细微地去发现意识底层的焦虑及紧缩倾向，并学习如何替瞬息万变的思维活动加标签，以勘破那些在早期养成过程中所种下的自我信念，如此方能突破这些根深抵固的制约系统，学会安住于身体上的情绪能量。心理上如果不再企图挣扎抗拒负面的觉受，心量就会因此而拓宽，对空性的体悟也会深化，进而领会苦的真谛，发现我们与生俱来的慈爱与悲心，这才是精神修为最真实而不虚的目的。 　　本书内文由浅入深，逐渐引领读者进入身心实修体证的动力过程。在第一、二、三章中，作者先试图提醒我们不要逃避困境，要把困境视为道途；遭受打击时，必须学会将注意力转向内在，而不要习惯性地归疚于别人。接着他开始阐明实修生活的真义及厘清信念系统的方法。第四章的体证和目睹以及第六章静坐的三个面向，是本书最具有独门见地的方法概论，在其中艾兹拉为我们厘清了一个重要的观念，那就是“体证”与“觉知身体的感受”乃是截然不同的两种实修体悟。通常在身体上进行觉察时，我们可能会经验到前文所提到的三昧或三摩地——一种完全融入于客体的专注状态，但这种专注状态只是修行的初阶境界，因为从“体证”的肉度来看，专注于某个特定目标的定境仍然是非常有限的，所以艾兹拉沿用了3+3的默观练习，来帮助修行人将三种不同面向的感官觉受同时纳入觉察，并配合着呼吸来进行。如果能不断地做这项练习，觉知的范围就会逐渐拓宽，到了某个时刻，我们很可能会突然跳进“纯然目睹”的空间，那时我们就不再认同惯常的自我感了。 　　第八、九、十、十一章则细腻地剖析了转化愤怒、恐惧、痛苦及烦恼障的实修体悟。艾兹拉毫不掩饰地描述了自己所经历的慢性病史中的忧患意识，以及种种用心转化业习性的体证，令人不禁感叹东方的许多禅修导师虽有证量，却往往无法或不愿充分言传实修过程中的挣扎及起伏，只以意会式的含糊语言引人入胜，以致于丧失了禅的平等性和直朴精神，而流于威权操控式的教导。 　　全书结构从介绍禅法修持的基本要点出发，继之以禅法如何对治心念、转化烦恼为抒发主题，最后以觉醒慈悲之心成就圆满修行之功作结，层次井然地盘旋铺叠而上。贝达禅师以三十年实修之功为基础，于本书字里行间所传达的，悉是禅宗心法的要义。他不落传统名相窠臼，在我们日用平常的具体情境中，云淡风清地刻画出禅者绵密的心地功夫，突显了他对“至道无痕”的生动体悟。书末所载贝达禅师个人参与临终照顾的个案纪实，尤其可圈可点，使读者清楚认识到不假修饰地直下承接自己种种不完美的起心动念，才是禅修的真正精神，读来令人欢喜动容。 　　生命的本质是爱，生命的烦恼因此也是爱，禅就是告诉我们如何去爱而又没有烦恼的智慧。但是智慧的撷取，舍弃参与生命的苦难，即别无他途。本书既是作者生命苦难参与的分享，也是邀约读者共同参与生命苦难、透显生命新机的开始。

All about hedge funds

作者：  (美)埃兹拉·扎斯克(Ezra Zask)著;王黎霞，周波，陈云路译

出版社：机械工业出版社,2014

简介：　　最全面的私募基金运维手册，最系统的对冲基金投资指南 　　揭秘对冲者的投机世界，驾驭私募基金运营与投资。 　　如果你是一名交易者，正在打算组建自己的私募对冲基金，本书可以帮助你构建自己的对冲基金平台。 　　如果你是一名投资者，正打算在你的投资组合中加入对冲基金元素，本书可以帮你挑选适合自己风险承受能力与实现投资预期的对冲基金。  

The United Nations

作者：  (美)埃兹拉·斯托勒(Ezra Stoller)编;刘宇光，郭建青译

出版社：中国建筑工业出版社,2001

简介：　　庄严雄伟的联合国总部大厦矗立在纽约东河畔，它代表了全人类的美好愿望。联合国总部大厦大概是唯一得到公认的里程碑式的现代建筑了，它由四个部分组成，包括：秘书处大楼（联合国工作人员办公楼），联合国大会堂（代表开会），会议楼（联合国安全理事会所在地）和达格·哈马舍尔德图书馆（以第二任秘书长命名）。 　　联合国总部大厦由美国建筑师华莱士·K·哈里森率领的一支国际全明星建筑师小组设计，包括著名的勒·柯布西耶（法国）、奥斯卡·尼迈耶（巴西）、斯文·马克柳斯（瑞典）。虽然从一开始就争论不休，但最终却创造出一个无论从形式还是从功能上都完全是国际式的杰作。 　　本书以埃兹拉·斯托勒拍摄的照片来表现联合国总部大厦，他的照片曾经使联合国总部大厦闻名于世。从1949年秘书处大楼动工开始，他用了近四十年的时间进行拍摄，当时拍摄外观的视点今天已经无法企及了，内部一些私密空间也已不再对外开放。

Frank Lloyd Wright’s Fallingwater

作者：  (美)埃兹拉·斯托勒(Ezra Stoller)编;屠苏南译

出版社：中国建筑工业出版社,2001

简介：流水别墅旋即表达了赖特的与自然界的韵律相协调的“有机”建筑理想，运用的却是现代主义语言——尽管是用他自己的词汇。对赖特来说，这个委托给了他一个冲向建筑实践最前沿的机会。被某些国际式风格倡导者认为这时的赖特以流水别墅向大家证明了他仍处于行业的前端。” 埃兹拉·斯托勒拍摄的流水别墅照片，大部分是1963年受纽约现代艺术博物馆的委托，已成为个中翘楚。它们图解了建筑的现代形式对景观的整体联系。

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简介：　　伊兹拉·庞德（ezra pound，1885-1972）是本世纪西方诗坛最有影响、最有争议的大诗人，《诗章》是其里程碑式的现代派诗歌巨著。《诗章》熔个人的体验、冥想与社会的历史、文化、政治、经济为一炉，结构宏伟奇特，内容丰富庞杂，尤如一道玉石与泥沙俱下的诗歌飞瀑，在现代诗歌史上蔚为奇观。 　　 《比萨诗章》是《诗章》中可独立成篇的精华部分，是庞德在比萨监狱中的苦心之作。从这一部分我们可以领略庞德的渊博、深沉与狂放恣肆，可以一睹现代派诗歌的破碎性艺术手法登峰造极的奇彩，还可以一窥宠德对中国儒家文化的一片深情与独到见解。 　　 本书是国内第一个译本，译者黄运特为在美国精研宠德诗歌的文学博士，校订者张子清教授是国内屈指可数的美国诗歌研究专家。

Walt Whitman

作者：  [美]Ezra Greenspan编

出版社：上海外语教育出版社,2000

简介：编辑推荐：本书系《剑桥文学指南》丛书中的一种。作为一本纪念惠特曼逝世100周年的论文集，本书集中反映了当代西方文学评论界对这位美国本土诗人的生平和作品的最新研究。论文的作者系来自欧美各国的教授、学者，他们以当代人的视角，从多个方面对这位影响巨大而又颇具争议的诗人及其作品进行了新的诠释。探讨的内容涉及美国内战、女权主义、现代主义、摄影、舞蹈，以及诗人晚年诗歌创作风格的变化等。有的论及诗人在美国内战期

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简介：Twentieth Century Literature is a major anthology of key representative works by fifty leading modern literary critics writing before the structuralist revolution. It is a companion volume to Modern Criticism and Theory (Longman 1988), also edited by David Lodge, which anthologises contemporary criticism as it has developed through structuralism and post-structuralist theory. Together these volumes provide the most comprehensive survey available of traditional and radical literary theory in action. The critics collected together in this volume have been drawn from England, America and Europe, and each essay has been prefaced by an editor's introduction which suggests the historical and methodological significance of the piece and gives bibliographical and biographical information. This writers collected are: M. H. Abrams, W. B. Yeats, Sigmund Freud,Henry James, Ezra Pound, T. S Eliot, Virginia Woolf, T.E. Hulme, I. A. Richards, D. H. Lawrence, E. M. Forster, William Empson, G. Wilson Hight, C. G. Jung, Maud Bodkin, Christopher Caudwell, L. C. Knights, John Crowe Ransom, Edmund Wilson, Paul Val茅ry, D. W. Harding, Lionel Trilling, Cleanth Brooks, Yvor Wiinters, Erich Auerbach, W. K. Wimsatt and Monroe C. Beardsley, George Orwell, Jean-Paul Sartre, Mark Schorer, Francis Fergusson, Northrop Frye, C. S. Lewis, Leslie Fielder, Alain Robbe-Grillet, George Luk谩cs, Richard Hoggart, Walter J. Ong, Norman O. Brown, Ian Watt, Claude L茅vi-Strauss, Ren茅 Welleck, Wayne Booth, Raymond Williams, R. S. Crane, Marshall McLuhan, George Steiner, Susan Sontag, W. H. Auden, Frank Kermode.

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简介："In the foothills of Western Pennsylvania lies what is undoubtedly the most famous modern home in the United States and, perhaps, the world: Frank Lloyd Wright's Fallingwater. Commissioned in 1934 to design a weekend retreat for Pittsburgh department store magnate Edgar Kaufmann, Wright shocked his client and the architectural establishment with a daring sculptural composition dramatically cantilevered over the white water of Bear Run ... Fallingwater at once expresses Wright's ideal of an "organic" architecture attuned to the rhythms of the natural world while fully embracing the modernist idiom - albeit on his own terms. For Wright, the commission offered a chance to thrust himself back into the forefront of architectural practice. Considered passe by some proponents of the international Style, with Fallingwater Wright proved to all that he remained at the vanguard of the profession ... Ezra Stoller's photographs of Fallingwater, largely commissioned by New York's Museum of Modern Art in 1963, have become icons in their own right, illustrating the building's integral connection to the landscape and its striking modern form"--BOOK JACKET.

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简介：The Second Edition of this Norton Critical Edition continues to be based on Albert Cook’s translation, widely acclaimed for its poetic phrasing and linguistic curacy.The English translation of Homer’s masterpiece matches the Greek line for line; no other translation is more faithful to the original. The result is a melodic version that preserves Homer’s style.A glossary and a map of the Greek world accompany the text. The Odyssey in Antiquity provides contextual materials and commentary to increase readers’ appreciation for literature and life in the Homeric age.A collection of nine assessments of The Odyssey by ancient and medieval writers, including Pindar, Aristotle, Seneca, and Scholia, is featured.Essays by G. S. Kirk and Martin P. Nilsson, respectively, discuss poetic conventions and the cioreligious order Homer depicts. Criticism provides sixteen wide-ranging interpretations of The Odyssey.Included are seminal essays by Jean Racine, Johann Wolfgang von Goethe, Ezra Pound, Cedric H. Whitman, and A. C. Goodson.Albert Cook, Elizabeth Storz, Norman Austin, and John Peradotto provide new perspectives on the poem. An updated Selected Bibliography is also included.

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简介：《青年艺术家画像》是二十世纪现代主义文学大师詹姆斯?乔伊斯（1882—1941）运用“意识流”手法写成的第一部长篇小说，也是世界文学史上最早最成功的意识流小说之一。小说具有强烈的自传色彩，主要描写都柏林青年斯蒂芬是如何试图摆脱妨碍他的发展的各种影响——家庭束缚、宗教传统和狭隘的民族主义情绪，去追求艺术与美的真谛的痛苦过程，实际上就是青年乔伊斯从觉醒走向成熟的心路历程的写照。乔伊斯接下来的巨著如《尤利西斯》与《芬尼根的守灵》都可视为《青年艺术家画像》的续篇。 Book Description The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles. A classic novel which follows Stephen Dedalus as he progresses from boyhood to his coming of age in Ireland at the beginning of the 20th century, describing his sexual awakening, his intellectual development and his rebellion against Roman Catholicism. From the author of Dubliners, Ulysses and Finnegan's Wake. From the Publisher Perhaps Joyce's most personal work, A Portrait Of The Artist As A Young Man depicts the intellectual awakening of one of literature's most memorable young heroes, Stephen Dedalus. Through a series of brilliant epiphanies that parallel the development of his own aesthetic consciousness, Joyce evokes Stephen's youth, from his impressionable years as the youngest student at the Clongowed Wood school to the deep religious conflict he experiences at a day school in Dublin, and finally to his college studies where he challenges the conventions of his upbringing and his understanding of faith and intellectual freedom. James Joyce's highly autobiographical novel was first published in the United States in 1916 to immediate acclaim. Ezra Pound accurately predicted that Joyce's book would "remain a permanent part of English literature," while H.G. Wells dubbed it "by far the most important living and convincing picture that exists of an Irish Catholic upbringing." A remarkably rich study of a developing young mind, A Portrait Of The Artist As A Young Man made an indelible mark on literature and confirmed Joyce's reputation as one of the world's greatest and lasting writers. From AudioFile A masterpiece of subjectivity, a fictionalized memoir, a coming-of-age prose-poem, this brilliant novella introduces Joyce's alter ego, Stephen Daedelus, the hero of Ulysses, and begins the narrative experimentation that would help change the concept of literary narrative forever. It describes Stephen's formative years in Dublin; as Stephen matures, so does the writing, until it sparkles with clarity. The style presents numerous, almost insurmountable, problems for the oral interpreter, particularly one with the limited vocal range of John Lynch. But Lynch pays no attention to the problems. Instead, he identifies so completely with Daedelus, throws himself so lustily into the book, that it is as if the passionate young artist himself is bursting out of your speakers. Y.R. Winner of AUDIOFILE Earphones Award The Merriam-Webster Encyclopedia of Literature Autobiographical novel by James Joyce, published serially in The Egoist in 1914-15 and in book form in 1916; considered by many the greatest bildungsroman in the English language. The novel portrays the early years of Stephen Dedalus, who later reappeared as one of the main characters in Joyce's Ulysses (1922). Each of the novel's five sections is written in a third-person voice that reflects the age and emotional state of its protagonist, from the first childhood memories written in simple, childlike language to Stephen's final decision to leave Dublin for Paris to devote his life to art, written in abstruse, Latin-sprinkled, stream-of-consciousness prose. The novel's rich, symbolic language and brilliant use of stream-of-consciousness foreshadowed Joyce's later work. The work is a drastic revision of an earlier version entitled Stephen Hero and is the second part of Joyce's cycle of works chronicling the spiritual history of humans from Adam's Fall through the Redemption. The cycle began with the short-story collection Dubliners (1914) and continued with Ulysses and Finnegans Wake (1939). About Author James Joyce was born on February 2, 1882, in Rathgar, Dublin. He was one of ten children. He was educated at Jesuit schools and at University College, Dublin. A brilliant student of languages, Joyce once wrote an admiring letter in Norwegian to Henrik Ibsen. He went to Paris for a year in 1902, where he discovered the novel Les Lauriers Sont Coupes by Edouard Dujardin, whose stream-of-consciousness technique he later credited with influencing his own work. Following his mother's death, he returned to Ireland for a brief stay, and then left with Nora Barnacle, with whom he spent the rest of his life. They had two children, George and Lucia Anna, the latter of whom suffered in later years from schizophrenia. (Joyce and Nora were formally married in 1931.) Joyce lived in voluntary exile from Ireland, although Irish life continued to provide the raw material for his writing. In Trieste, he taught English and made the acquaintance of the Italian novelist Italo Svevo. His first book, the poetry collection Chamber Music, appeared in 1907. The publication of the short story collection Dubliners was delayed repeatedly, and eventually the Irish publisher destroyed the proofs for fear of libel action; this prompted Joyce's final visit to Ireland in 1912. The book was eventually published in 1914 and greeted with acclaim by Ezra Pound, whose enthusiastic support helped Joyce establish a literary career. In 1915 Joyce and Nora moved to Zurich, and at the end of World War I they settled in Paris. His only play, Exiles, was published in 1918 and staged in Munich the same year without success. A Portrait of the Artist as a Young Man, an autobiographical novel (developed from the embryonic, posthumously published Stephen Hero) tracing the artistic development of Stephen Dedalus, was published in 1916. By this time Pound and W. B. Yeats had succeeded in obtaining for Joyce some financial support through the Royal Literary Fund, but he continued to be in need of money for most of his life. Joyce began to suffer from serious vision difficulties due to glaucoma; he would eventually be forced to undergo many operations and long periods of near-blindness. Ulysses, the epic reconstruction of the minutiae of a single day in Dublin--June 16, 1904--was serialized in The Little Review starting in 1918, and published in Paris (by the American Sylvia Beach through her bookstore Shakespeare & Company) in 1922, on his fortieth birthday. Due to censorship it remained unavailable in the United States until 1934 and in the United Kingdom until 1936. Except for a small volume of verse, Pomes Penyeach (1927), Joyce published nothing thereafter except extracts from the enormous work in progress that emerged as Finnegans Wake in 1939. In his later years he was closely associated with the young Samuel Beckett, whom he had met in 1928. After the German invasion of France, Joyce and Nora moved back to Zurich, where he died on January 13, 1941. Book Dimension : length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6

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简介：Includes short stories, poems, plays, and essays by Nathaniel Hawthorne, Stephen Crane, James Joyce, Ernest Hemingway, Frank O'Connor, Flannery O'Connor, Toni Cade Bambara, Sandra Cisneros, William Blake, William Wordsworth, John Keats, Robert Browning, Emily Dickinson, Thomas Hardy, Gerard Manley Hopkins, A.E. Housman, William Butler Yeats, Robert Frost, Robert Graves, Stevie Smith, Countee Cullen, Dylan Thomas, Lawrence Ferlinghetti, Philip Larkin, Anthony Hecht, Peter Meinke, Robert Mezey, June Jordan, Bruce Bennett, Deborah Pope, Molly Peacock, Katherine McAlpine, Jill Bialosky, Nick Flynn, Sophocles, Tennessee Williams, Langston Hughes, Joan Didion, Judith Ortiz Cofer, Herman Melville, Franz Kafka, James Thurber, Richard Wright, Shirley Jackson, Ursula K. LeGuin, Harlan Ellison, Amy Tan, Tennyson, Edwin Arlington Robinson, Wallace Stevens, Claude McKay, Bertolt Brecht, W.H. Auden, Muriel Rukeyser, Richard Wilbur, Denise Levertov, Philip Levine, Marge Piercy, Stephen Dunn, Rober t Pinsky, Nikki Giovanni, Carolyn Forche, Henrik Ibsen, August Wilson, Jonathan Swift, Thomas Jefferson, Emma Goldman, Martin Luther King Jr., William Faulkner, James Baldwin, Chinua Achebe, Bharati Mukherjee, Alice Walker, Barry Lopez, Jamaica Kincaid, Louise Erdrich, Paul Laurence Dunbar, Amy Lowell, Ezra Pound, T.S. Eliot, E.E. Cummings, Anne Sexton, Etheridge Knight, Yevgeny Yevtushenko, Wole Soyinka, Linda Hogan, Taslima Nasrin, Arthur Miller, Lorraine Hansberry, Athol Fugard, Virginia Woolf, Zora Neale Hurston, George Orwell, Maya Angelou, Kate Chopin, Charlotte Perkins Gilman, Irwin Shaw, Alice Munro, Raymond Carver, Joyce Carol Oates, Sappho, Shakespeare, Thomas Campion, John Donne, Edmund Waller, Andrew Marvell, Robert Burns, Walt Whitman, Matthew Arnold, Edna St. Vincent Millay, Dorothy Parker, Theodore Roethke, Elizabeth Bishop, May Sarton, Robert Hayden, Anthony Hecht, Adrienne Rich, Sylvia Plath, Audre Lord, Lucille Clifton, Seamus Heaney, Billy Collins, Sharon Olds, Gary Soto, Susan Glaspell, Erich Fromm, Maxine Hong Kingston, Edgar Allan Poe, Leo Tolstoy, D.H. Lawrence, Katherine Anne Porter, Bernard Malamud, Bessie Head, Tim O'Brien, Leslie Marmon Silko, Percy Bysshe Shelley, Antonio Machado, Wilfred Owen, Pablo Neruda, Dylan Thomas, Philip Larkin, Maxine Kumin, Mary Oliver, Samuel Beckett, Woody Allen, Harvey Fierstein, Mark Twain, Jessica Mitford, and others.

Frank Lloyd Wright’s Taliesin West

作者：  (美)埃兹拉·斯托勒(Ezra Stoller)编;戴静译

出版社：中国建筑工业出版社,2001

简介：　　《西塔里埃森》内容简介：1937年，为了躲避家乡威斯康星的严冬，弗兰克·劳埃德.赖特在亚利桑那地区与外界隔绝的帕拉代斯峡谷，获得一大片废弃的沙漠之地。在这块用地上，弗兰克·劳埃德赖特采用舒展的体量建造了西塔里埃森。该建筑群成为赖特的塔里埃森工作室的冬季营地和西南部的居所。塔里埃森工作室是一座师徒式教学的艺术学校，它是弗兰克劳埃德·赖特与妻子奥尔吉瓦娜于1932年创建。 　　弗兰克劳埃德·赖特选取的环境远离楼宇密集的城市中心，来完美体现其独特的设计理念。西塔里埃森建筑群采用相互连接的结构，用火山石与混凝土建造，美国红杉树为支架，上面覆盖着帆布屋顶与折板。帆布屋顶与折板可向沙漠与远处的群山敞开，既可组织建筑通风，又让四周景观一览无余。建筑内耐人寻味地陈列了一些岩画，这些岩画是曾在该地域生存过的古代霍荷卡姆人的残迹，使得建筑与该地域历史之间产生了共鸣。 　　深受赞誉的摄影师埃兹拉·斯托勒与赖特关系甚密，应赖特之邀，斯托勒为他的建筑作品拍摄了大量照片。斯托勒运用奇异的色彩和黑白对比的照片来描述西塔里埃森。他曾两次造访西塔里埃森从简洁与华美的角度来展现弗兰克劳埃德·赖特的沙漠住宅。 　　尼尔·莱文是弗兰克·劳埃德-赖特工作室的一位杰出学者.也是弗兰克·劳埃德赖特建筑保护委员会的成员之一，尼尔莱文所做的导论，阐释了该建筑的复杂性与深刻内涵。