共找到 2 项 “Mimmo Jodice.” 相关结果
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作者: [意]米莫约蒂塞(Mimmo Jodice)摄影, [意] 亚历山德拉莫罗 编,王语微 译
简介:《迷失》是摄影师米莫约蒂塞最具代表性的摄影作品集。摄影师花了三十年的时间,足迹从北到南遍布整个意大利。以独特的艺术视角,拍摄意大利各地的城市风光和风景名胜,并用镜头发掘那些习以为常的景观中被人忽视的一面。梦幻般静谧的场景和对时空概念的深刻探索,是这本画册的两个特点。画册中的作品安静、祥和,没有激烈冲突与起伏跌宕,成形一种不可思议的现场代入感。同时,摄影师用古典的唯美手法展现意大利现代建筑;又用现代的视角,摄取历史遗迹。在时空交错中,用整部画册构建出一个超越现实的真实梦境。《迷失》(Lost in seeing),这部画册正如它的名字一般,令人完全迷失在静谧、唯美的场景之中不能自拔。米莫·约蒂塞是意大利摄影的一张名片,意大利摄影界的“大咖”。上个世纪60年代末,他就与当代艺术史上那些响亮的名字在一起,安迪沃霍尔、约瑟夫博伊斯、罗伯特劳申伯格……80年代,他同威廉·克莱因(William Klein)、黛安·阿勃斯(Diane Arbus)、拉里·克拉克(Larry Clark)一起群展。而平日里,身边音乐家、建筑师、考古学家的挚友们成为他创作灵感的来源。米莫·约蒂塞涉猎广泛,从文献记录项目到国际间文化合作,甚至为著名音乐家鲁多维科艾奥迪(LudovicoEinaudi)的音乐剧设计背景。这本《迷失》,正是米莫·约蒂塞最好的个人写照。同时,米莫·约蒂塞还堪称意大利的“国民摄影师”。无论男女老幼,都对他的作品十分欣赏。原因很简单,他展现了一个梦境般的意大利。这种梦境不是虚无缥缈的空中楼阁,而是将每位游客都曾踏足,每位土著都习以为常的场景,通过截然不同的方式表现出来。每个翻开画册人无不惊叹,原来这才是意大利。《迷失》共7个篇章,有如古罗马驿道的7个路口,每条支路都是一个意大利的新面向。米莫·约蒂塞铺就这些道路用了30年,而各位读者只需带上这本画册就可踏上意大利之旅。
作者: Mimmo Jodice.
简介:"Nothing to Paris can ever be compared."--Eustache Deschamps, 1375 — Anyone who has visited Paris understands this: it is the city by which others may be measured, in inexhaustible place that takes root in one's soul. — Countless people-- artists, tourists, professional photographers-- have taken the city's measure. But Mimmo Jodice is the first t... more 籵 capture Paris as it catapults into an unknown future. Jodice's Paris is not the romanticized Paris of the popular imagination; it is a city undergoing a radical transformation. Before his lens, Paris is unfamiliar; even its landmarks vibrate with movement and possibility. In these extraordinary photographs, Jodice disrupts conventional notions of time and space, revealing Paris's momentum as it verges upon the millennium. "As an artist," wrote Nietzsche, "a man has no home...save Paris." Throughout the centuries, this city has been a thematic focus for artists of all kinds, from Fran鏾is Rabelais to Claude Simon, from Benevenuto Cellini to Maurice Utrillo. The very first photography Daguerre made was of a Parisian street, pedestrians smudged out of existence by the long exposure. Later photographers-- Atget, Doisneau, Cartier-Bresson, and countless others-- have all documented what they saw of the unique life and beauty of the city. But not until now has a photographer captured the city itself in transition. Jodice's Paris is both a familiar Paris-- a Paris of classical grace-- and one of sharp-edged raw newness and speed. From a still, rain-glazed alley in the Latin Quarter to the sleek geometry of I. M. Pei's pyramid at the Louvre; from a moment of silent intimacy with one of the sculptures at the Mus閑 Rodin to a superhighway careening through a tangle of glass towers-- Jodice discovers in Paris the soul within the inanimate, the whirlwind of life that secretly infuses the very stones of the city. Spaces designed for human interaction-- a banquet hall, gardens, museum steps, a Metro station-- although conspicuously vacant, tremble with vitality. In Paris: City of Light, Jodice's remarkable photographs are supplemented by reflections on the city by some of history's greatest writers and thinkers-- including Charles Baudelaire, F. T. Marinetti, Raymond Queneau, and others. Their words together with Jodice's luminous photographs provide a renewed vision of the world's best-loved city, by one of the world's most revered photographers. Jodice's photographs in Paris: City of Lightwere commissioned by the City of Paris and are part of an exhibition opening in May 1998 at the Maison Europ閑nne de la Photographie, Paris. "Through the images featured in this book, Mimmo Jodice joins the prestigious lineage of the city's photographers who, like Marville or Atget, have known how to celebrate, through their art, Paris and her metamorphoses."--Jean-Luc Monterosso, Director, Maison Europ閑nne de la Photographie, from the Foreword ?less


