Jude the obscure / Bantam classic ed.

作者：  by Thomas Hardy.

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简介： 在线阅读本书 In 1895 Hardy’s final novel, the great tale of Jude the Obscure,sent shock waves of indignation rolling across Victorian England. Hardy had dared to write frankly about sexuality and to indict the institutions of marriage, education, and religion. But he had, in fact, created a deeply moral work. The stonemason Jude Fawley is a dreamer; his is a tragedy of unfulfilled aims. With his tantalizing cousin Sue Bridehead, the last and most extraordinary of Hardy’s heroines, Jude takes on the world—and discovers, tragically, its brutal indifference. The most powerful expression of Hardy’s philosophy, and a profound exploration of man’s essential loneliness, Jude the Obscureis a great and beautiful book. “His style touches sublimity.” —T. S. Eliot

Tess of d'Urbervilles / Bantam classic ed.

作者：  by Thomas Hardy ; intrduction by Robert B. Heilman.

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简介：     Hardy's novel tells the story of how John and Joan Durbeyfield became convinced that they are descended from the ancient family of d'Ubervilles. They encourage their daughter Tess to cement a connection with the Stoke-d'Uberville family of local gentry (who it turns out are themselves not entitled to the illustrious name) and she is raped by their son, the unprincipled Alec. It is a connection that returns to haunt her after she has married the pure parson's son Angel Clare.     Tessfirst appeared in a serialized—and bowdlerized—form in The Graphicin 1891. A Pure Woman Faithfully Presented, as Hardy subtitled the work, represented a direct challenge to conventional notions of sexuality and femininity—and, though conventions have radically changed in the past century, the character of Tess has remained a challenging one. In her introduction Maier argues that we should not see Tess merely as a passive victim; she suggests that a combination of sexual vigour and moral rigour makes Tess not just one of the greatest but also one of the strongest women in the canon of English literature.          This edition also includes contemproary reviews; the 'bowdlerized' as well as the author's original versions of passages censored by the early years of the novel's life; excerpts from Hardy's autobiography; and a wealth of other documents that shed light on the context from which this text emerged -- highlighting in particular gender-related issues that lie at the heart of the text. --This text refers to the Paperbackedition.

Far from the madding crowd / Bantam classic ed.

作者：  by Thomas Hardy.

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简介：     IN reprinting this story for a new edition I am reminded that it was in the chapters of "Far from the Madding Crowd," as they appeared month by month in a popular magazine, that I first ventured to adopt the word "Wessex" from the pages of early English history, and give it a fictitious signifieance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. Finding that the area of a single county did not afford a canvas largo enough for this purpose, and that there were objections to an invented name, I disinterred the old one. The region designated was known but vaguely, and I was often asked even by educated people where it lay. However, the press and the public were kind enough to welcome the fanciful plan, and willingly joined me in the anachronism of imagining a Wessex population living under Queen Victoria;-a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National sebool children. But I believe I am correct in stating that, until the existence of this contemporaneous Wessex in place of the usual counties was announced in the present story, in 1874, it had never been heard of in fiction and current speech, if at all, and that the expression, "a Wessex peasant," or "a Wessex custom," would theretofore have been taken to refer to nothing later in date than the Norman Conquest.

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简介：Book Description Far from the Madding Crowd was the first of Hardy's novels to apply the name of Wessex to the landscape of south west England, and the first to gain him widespread popularity as a novelist. When the beautiful and spirited Bathsheba Everdene inherits her own farm, she attracts three very different suitors: the seemingly commonplace, man-of-the-soil Gabriel Oak, the dashing young soldier, Francis Troy, and the respectable, middle-aged Farmer Boldwood. Her choice, and the tragedy it provokes, lie at the centre of Hardy's ambivalent story. This edition presents a new text of the novel restoring several manuscript passages never before published with the novel, and many of the 1901 revisions missing from nearly all modern versions. This work tells the story of young farmer, Gabriel Oak, and his pursuit of the elusive Bathsheba Everdene, whose wayward nature lends her to both tragedy and true love. The background of this tale is the Wessex countryside in all its moods. The Merriam-Webster Encyclopedia of Literature Novel by Thomas Hardy, published serially and anonymously in 1874 in The Cornhill Magazine and published in book form under Hardy's name the same year. It was his first popular success. The plot centers on Bathsheba Everdene, a farm owner, and her three suitors, Gabriel Oak (a generous shepherd), Sergeant Troy (a young, handsome, and inconsiderate soldier), and William Boldwood (the owner of the neighboring farm). The contrasting relationships between Bathsheba and her suitors are a study of the many faces of love, including honest, heartfelt love and unscrupulous and manipulative adoration. From Library Journal Random's Modern Library is reproducing this Hardy standard as a tie-in to a Masterpiece Theater presentation and offering a quality hardcover for a reasonable price. From AudioFile Those who relished the recent PBS series will be happy to know that this audio version is read by Gabriel Oak himself--Nathaniel Parker. He and Thomas Hardy make a fine team. As the rustic workers bring in the harvest, or shear the sheep, or barter at the market--their lively dialogue projects pictures of nineteenth-century Wessex that are almost as vivid as the paintings of John Constable. Nathaniel Parker seems to be one of them--or all of them--as he slips naturally from one character to another, even capturing the voice of Bathsheba as she laments her disastrous marriage. It all comes together in the end as she and Gabriel prepare to live happily ever after, the only Hardy characters so blessed! J.C. About Author Thomas Hardy (1840--1928), the author of Jude the Obscure, The Return of the Native, and Tess of the D'Urbervilles, was also an accomplished poet. Seventeen volumes of his work are available from Penguin Classics. Rosemarie Morgan teaches at Yale University and is the president of the Thomas Hardy Association. Shannon Russell holds a fellowship at Oxford University and is head of research for the Yale edition of Tennessee Williams's Journals. Book Dimension : length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6

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简介：　　Book Description 　　The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles. 　　 　　The central figure of this novel is the returning "native", Clym Yeobright, and his love for the beautiful but capricious Eustacia Vye. As character after character is driven to self-destruction, the presence of Egdon Heath becomes all-embracing, while Clym becomes a preacher. 　　 　　 From AudioFile 　　Clym Yeobright, native of Egdon Heath, returns from the bright society of Paris and, as any reader of Hardy knows, all is not smooth. He is quickly taken by and marries the one woman he should not--Eustacia Vye. The suffering that follows is mitigated somewhat by the ending, but more by the mastery of Alan Rickman's reading. At the start, Rickman senses the voice for each character in Hardy's fictional world, and he maintains each character's personality throughout. He even manages to project Hardy's subtle shadings of tone with the rhythm and tempo of his narration, throwing in a song here and there because, in spite of his gloom, there is a festive strain to Hardy, as well. If you have a hard time reading this classic English writer, this is how to do it. P.E.F. 　　 　　 The Merriam-Webster Encyclopedia of Literature 　　Novel by Thomas Hardy, published in 1878. The novel is set on Egdon Heath, a barren moor in the fictional Wessex in southwestern England. The native of the title is Clym Yeobright, who has returned to the area to become a schoolmaster after a successful but, in his opinion, shallow career as a jeweler in Paris. He and his cousin Thomasin exemplify the traditional way of life, while Thomasin's husband, Damon Wildeve, and Clym's wife, Eustacia Vye, long for the excitement of city life. Disappointed that Clym is content to remain on the heath, Eustacia, willful and passionate, rekindles her affair with the reckless Damon. After a series of coincidences Eustacia comes to believe that she is responsible for the death of Clym's mother. Convinced that fate has doomed her to cause others pain, Eustacia flees and is drowned (by accident or intent). Damon drowns trying to save her. In a later edition, to please his readers, Hardy made additions to his novel. Thomasin marries Diggory Venn, a humble, long-time suitor, and Clym becomes an itinerant preacher. 　　 　　 About Author 　　Thomas Hardy (1840-1928), the author of Under the Greenwood Tree, Far from the Madding Crowd, The Woodlanders, and many other novels, was also an accomplished poet. Many of his works, including his poetry, are available from Penguin Classics. 　　 　　Tony Slade was for many years Senior Lecturer in English at the University of Adelaide, Australia.Penny Boumelha is Jury Chair of English Language and Literature at the University of Adelaide. 　　 　　 Book Dimension : 　　length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6　　

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简介：Drawing on interdisciplinary work in the field of ethics and literature by a diverse range of thinkers, including Martha Nussbaum, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late Victorian and turn-of-the-century British fiction, she shows how ethical concepts can transform our understanding of narratives, just as narratives make possible a valuable, contextualised moral deliberation. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, and Henry James, Larson explores the conjunction of ethics and fin-de-si茅cle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying. This book will be of interest to scholars of nineteenth century and modernism, and all interested in the conjunction between narrative, ethics and literary theory.