共找到 6 项 “by D.H. Lawrence” 相关结果
- 全部分类
- 全部
- 文学
- 历史
- 哲学/宗教
- 法律
- 政治/社会
- 医学
- 教育/心理学
- 艺术/传媒
- 研究生考试
- 资格认证考试
- 公开课
- 语言
- 经济金融
- 管理学
- IT/计算机
- 自然科学
- 工学/工程
- 体育
- 行业资料
- 音乐
- 汽车机械制造
- 文档模板
- 创业
- 农学
- 生活
- 数据库教程
- 民族
Lady Chatterley's lover / Bantam classic ed.
作者: by D.H. Lawrence ; preface by Lawrence Durrell ; edited and with an introduction by Ronald Friedl...
简介: Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters. --This text refers to the Paperback edition.
作者: D.H. Lawrence ; [edited with an introduction by Laura Victoria Levin].
简介: [b]book description[/b] d.h. lawrence's magnificent exploration of human sexuality in the days surrounding world war i. "let us hesitate no longer to announce that the sensual passions and mysteries are equally sacred with the spiritual mysteries and passions," wrote d.h. lawrence in "women in love, a masterpiece that heralded the erotic consciousness of the twentieth century. echoing elements of lawrence's own life, "women in love delves into the mysteries between men and women as two couples strive for love against a haunting backdrop of coal mines, factories, and a beleaguered working class. new introduction by louis menand. [b]from [i]library journal[/i][/b] the published editions of women in love , probably lawrence's greatest novel, have always been remarkably corrupt due to a lengthy, complex process of revision and transcription, a threatened libel suit, and numerous unauthorized bowdlerizations. the editors of this new cambridge edition have labored scrupulously to produce an authoritative text. what emerges, if not dramatically different, is fresher and more immediate. the introduction provides a valuable history of the novel's composition, revision, publication, and reception, and though the elaborate textual apparatus is strictly for advanced students of bibliography, the notes are splendid. lawrence's 1919 foreword and two early discarded chapters are also included. the recovery of a modern classic. keith cushman, univ. of north carolina, greensboro [b]download description[/b] privately printed in 1920 and published commercially in 1921, women in love is the novel lawrence himself considered his masterpiece. set in the english midlands, the novel traces the lives of two sisters, ursula and gudrun, and the men with whom they fall in love. all four yearn for fufillment in their romantic lives, yet struggle in a world that is increasingly violent and destructive. commenting on the novel, which was composed in the midst of the first world war in 1916, lawrence wrote, "the bitterness of the war may be taken for granted in the characters." rich in symbolism and lyrical prose, women in love is a complex meditation on the meaning of love in the modern world. [b]the merriam-webster encyclopedia of literature[/b] novel by d.h. lawrence, privately printed in 1920 and published commercially in 1921. following the characters lawrence had created for the rainbow (1915), women in love examines the ill effects of industrialization on the human psyche, resolving that individual and collective rebirth is possible only through human intensity and passion. women in love contrasts the love affair of rupert birkin and ursula brangwen with that of gudrun, ursula's artistic sister, and gerald crich, a domineering industrialist. birkin, an introspective misanthrope, struggles to reconcile his metaphysical drive for self-fulfillment with ursula's practical view of sentimental passion. their love affair and eventual marriage are set as a positive antithesis to the destructive relationship of gudrun and crich. the novel also explores the relationship between birkin and crich. according to critics, birkin is a self-portrait of lawrence, and ursula represents lawrence's wife, frieda. [b]about author[/b] david ellis is the author of lawrence's non-fiction: art, thought and genre and wordsworth, freud and the spots of time. he has been commissioned to write volume hi of the new cambridge biography of lawrence. . [b]book dimension:[/b] length: (cm)17.6 width:(cm) 10.6
简介: Book Description Inspired by the long-standing affair between Frieda, Lawrence’s German wife, and an Italian peasant who eventually became her third husband, Lady Chatterley’s Lover is the story of Constance Chatterley, who, while trapped in an unhappy marriage to an aristocratic mine owner whose war wounds have left him paralyzed and impotent, has an affair with Mellors, the gamekeeper. Frank Kermode calls the book Lawrence’s "great achievement" and Ana?s Nin describes it as "artistically . . . his best novel." This Modern Library Paperback Classics edition includes the transcript of the judge's decision in the famous 1959 obscenity trial that allowed the novel to be published in the United States. Amazon.com Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters. From AudioFile Lawrence's classic tale of love and discovery comes alive in this audio presentation. Lady Chatterley is trapped in an unhappy marriage with a husband who is paralyzed physically and emotionally. Jill Daly reads in a quiet tone which ebbs and flows with the excitement of the characters. The indecisiveness of Lady Chatterley, the callousness of her husband, the persuasiveness of her lover--all are portrayed in a quiet, even voice until the climactic end. The abridgment is an excellent taste of D.H. Lawrence. Some language and imagery are explicit. M.B.K. The Merriam-Webster Encyclopedia of Literature Novel by D.H. Lawrence, published in a limited English-language edition in Florence (1928) and in Paris (1929). It was first published in England in an expurgated version in 1932. The full text was only published in 1959 in New York City and in 1960 in London, when it was the subject of a landmark obscenity trial (Regina v. Penguin Books Limited) that turned largely on the justification of the use in the novel of until-then taboo sexual terms. This last of Lawrence's novels reflects the author's belief that men and women must overcome the deadening restrictions of industrialized society and follow their natural instincts to passionate love. Constance (Connie) Chatterley is married to Sir Clifford, a wealthy landowner who is paralyzed from the waist down and is absorbed in his books and his estate, Wragby. After a disappointing affair, Connie turns to the estate's gamekeeper, Oliver Mellors, a symbol of natural man who awakens her passions. Inside Flap Copy Lyric and sensual, D.H. Lawrence's last novel is one of the major works of fiction of the twentieth century. Filled with scenes of intimate beauty, explores the emotions of a lonely woman trapped in a sterile marriage and her growing love for the robust gamekeeper of her husband's estate. The most controversial of Lawrence's books, Lady Chatterly's Lover joyously affirms the author's vision of individual regeneration through sexual love. The book's power, complexity, and psychological intricacy make this a completely original work--a triumph of passion, an erotic celebration of life. More About Author D. H. Lawrence was born on September 11, 1885, in Eastwood, Nottinghamshire, England. His father was a coal miner, his mother a former lace worker and unsuccessful haberdasher. He began school just before the age of four, but respiratory illness and a weak constitution forced him to remain home intermittently. Two months before his sixteenth birthday, he went to work as a clerk in a badly ventilated factory that made medical supplies, and eventually contracted pneumonia. After a long convalescence, he got a job as a student teacher, but privately he resolved to become a poet. He began writing seriously in 1906 and entered University College, Nottingham, to earn his teacher's certificate. Two years later he started teaching elementary school full time. He published his first poems in the English Review in 1909. When he contracted pneumonia a second time, he gave up teaching. His first two novels, The White Peacock and The Trespasser, were published in 1911 and 1912. About three weeks after the publication of The Trespasser, he left England with Frieda Weekley, née von Richthofen, the German wife of Ernest Weekley, a British linguist who had been his French and German instructor at University College. He wrote the final version of his autobiographical novel Sons and Lovers (1913)--begun when his mother was dying of cancer in 1910--during their year-long courtship in Germany and Italy. It was immediately recognized as the first great modern restatement of the oedipal drama, but, like most of Lawrence's novels during his lifetime, sold poorly. They married in London in July 1914, immediately after Frieda's divorce became final, and lived peripatetically and in relative poverty. They spent World War I in England, a country they both essentially disliked, and endured a series of clumsy surveillance and harassment campaigns by local police because of her nationality (several of her relatives were diplomats, statesmen, and politicians, and she was a distant cousin of Manfred von Richthofen, the 'Red Baron') and his apparent lack of patriotism (among other charges, The Prussian Officer, a collection of stories, published in November 1914, several months after Great Britain entered the war, was considered politically and morally offensive by conservative booksellers). Exempt from active service because of his health, he wrote The Rainbow and Women in Love, arguably his two greatest novels. The former was seized and burned by the police for indecency in November 1915, two months after publication; Lawrence was unable to find a publisher for the latter until six years later. Composition of these two novels coincided with bouts of erratic behavior in Lawrence that bordered on mental instability, sexual confusion and experimentation that threatened to undermine his marriage, and endless health reversals, including a diagnosis of tuberculosis. Twilight in Italy, a collection of acerbic travel essays believed by some to show a sympathy for fascism that became more explicit in, for example, his novel The Plumed Serpent (1926), was published in 1916. He recorded the vicissitudes of his marriage in an autobiographical poem cycle, Look! We Have Come Through (1917). The Lawrences departed for Europe in late 1919 and spent most of the next two years in Italy and Germany. The Lost Girl, a novel, was published in 1920 and received the James Tait Black Memorial Prize the following year, which also saw the publication of Movements in European History, a text for schoolchildren; Psychoanalysis and the Unconscious, an anti-Freudian tract; Tortoises, a collection of poems; Sea and Sardinia, a travel book; and, belatedly, Women in Love. Early in 1922 he and Frieda went around the world by boat. They visited Ceylon, lived in Australia for a month and a half, and in the summer sailed to America, where they settled in New Mexico. Aaron's Rod, a novel; Fantasia of the Unconscious, a sequel to Psychoanalysis and the Unconscious; and England, My England, a collection of stories, were published that year. In the spring of 1923, after moving to Mexico, he and Frieda separated temporarily. He toured the western United States and briefly returned to Mexico; she moved to London. Kangaroo, his novel of Australia, and Birds, Beasts, and Flowers, a collection of poems, were published in the fall. He returned to Frieda in the winter. They went to New Mexico again in the spring of 1924; he suffered bouts of influenza, malaria, and typhoid fever the next year. The Lawrences eventually resettled in Italy in 1926. He began writing his last novel, Lady Chatterley's Lover, in 1926. It was published two years later and banned in England and the United States as pornographic. An avid amateur painter, a selection of his paintings--grossly rendered, full-figured representational nudes--was exhibited in London in 1929. The show was raided on July 5 by the police, who removed thirteen of the canvases. Lawrence coincidentally suffered a violent tubercular hemorrhage in Italy the same day. He went to Bavaria to undergo a cure--it was unsuccessful--and in 1930 entered a sanatorium in Vence, France, where treatment similarly failed. He died in a villa in Vence on the night of March 2, a half year short of his forty-fifth birthday, and was buried in a local cemetery. His body was eventually disinterred and cremated, and his ashes transported to Frieda Lawrence's ranch outside Taos, New Mexico. In addition to numerous plays, collections of poetry, and other, lesser known works published during his lifetime, his novels The Virgin and the Gypsy and Mr. Noon were published posthumously. Book Dimension length: (cm)19.7 width:(cm)12.8
简介:The need to attribute disputed utterance constantly arises, sometimes as a matter of legal urgency (contested 'confessions' or other documents), sometimes as the focus of fierce scholarly debate (was that new story just discovered really by D.H. Lawrence? QSUM finds not), sometimes as a popular diversion (whose words were on the 'Royal Tapes'?) It is in such situations that a scientific method of attribution - one which is objective - becomes desirable. The cumulative sum technique for authorship attribution (Cusum or QSUM, as the analytic procedure is now known) is just such a method. Invented in 1988 by Andre Q. Morton, long recognised as the foremost authority on the subject, QSUM is fully explained with copious illustrations. The technique works cross time and genre, and has already been used to solve several attribution problems. It has obvious uses in legal work, past and present (did Derek Bentley really make that confession? - again, QSUM finds not).
简介:The virtual suppression of explicit ethical and evaluative discourse by current literary theory can be seen as the momentary triumph of a sceptical post-Enlightenment reflective tradition over others vital to a full account of human and literary worth. In Ethics, theory and the novel, David Parker brings together recent developments in moral philosophy and literary theory. He questions many currently influential movements in literary criticism, showing that their silences about ethics are as damaging as the political silences of Leavisism and New Criticism in the 1950s and 1960s. He goes on to examine Middlemarch, Anna Karenina, and three novels by D.H. Lawrence, and explores the consequences for major literary works of the suppression of either the Judeo-Christian or the Romantic-expressivist ethical traditions. Where any one tradition becomes a master-narrative, he argues, imaginative literature ceases to have the deepest interest and relevance for us. Overall, this book is an essay in a new evaluative discourse, the implications of which go far beyond the particular works it analyses.
简介:At once glamorous and loathsome, vampires are among the most memorable figures in the literature and film of the horror genre. These undead beings, possessed of supernatural powers of metamorphosis and hypnotism, stalk the night for the blood of the living. They have fascinated and terrified generations of writers and readers. Here are 18 bone-chilling tales of these bloodsucking creatures of the night, written by some of the most distinguished writers of the genre. From premier writers including Anne Rice and Bram Stoker, the stories in this collection represent some of the finest horror writing spanning the past two centuries. Here are gothic melodramas set in Russia and Germany, as well as more modern twists on the vampire legend that take place in contemporary England and the United States. These are tales of decadence, lust, and loathing; they capture the dark side of the human psyche, dead and undead. Making few concessions to the squeamish, the tales in this collection will keep readers awake at night. Stories include: • "Dracula's Guest" by Bram Stoker • "Phantoms" by Ivan Turgenev • "The Lovely Lady" by D.H. Lawrence • "The Master of Rampling Gate" by Anne Rice • "The Undead" by Robert Bloch Each of these finely-crafted tales is guaranteed to leave readers with goosebumps. A foreward from the late actor Peter Cushing, who starred in numerous vampire and horror films, is a fitting introduction to this collection of horrifying and captivating tales. Prepare to be terrified as you enjoy some of the best vampire stories ever written ... if you dare.





