Under the sign of saturn

作者：  (美)苏珊·桑塔格(Susan Sontag)著;姚君伟译

出版社：上海译文出版社,2006

简介：照本雅明的说法，土星是“一颗充迂回曲折、耽搁停留的行星”、桑塔格遂用“土星气质”来描述以本雅明为代表的这类思想家的精神风貌。除本雅明外，本文集还深入评论阿尔托、巴特、卡内蒂等她本人引为榜样和同道的思想家、艺术家的作品，鲜明地描画出他们的精神肖像，桑塔格对他人的评论由是亦成为她本人的一种精神自传。

Benefactor

作者：  (美)苏珊·桑塔格(Susan Sontag)著;姚君伟译

出版社：上海译文出版社,2007

简介：中文版序 第一章 我的童年我的大学——我交友、独立——我下的决心——本书叙述之种种难处 第二章 我做了个梦：“两个房间之梦”——我和让·雅克析梦 第三章 第一个梦带来的结果——我接受一位音乐家的盛情邀请——“非常派对之梦”——我成了安德斯太太的情人 第四章 第三个梦：“冲破教堂屋顶之梦”——在公园与一位牧师交谈——我用一串念珠换一只球 第五章 我和让·雅克待在一起的时间更多——他的观念，他的世界 第六章 我和情妇游阿拉伯城——我们俩在城里尽情玩乐，我将她卖给一个商人 第七章 我回到首都——“老资助人之梦”——布尔加劳教授为我阐述自生教教义 第八章 我成为演员——柳克丽霞：又一个新友——安德斯太太后来的消息——梦的恰当叙述形式 第九章 一位不幸丈夫的来访——莫妮克的好意——安德斯太太回来重新开始生活——第五个梦“钢琴课之梦”——犯罪 第十章 没有惩罚的犯罪——我跟让·雅克讲述一个棋手的故事——我探望家父——莫妮克的幸福——安德斯太太复活 第十一章 我为安德斯太太建房——求婚 第十二章 “镜子之梦”——我回乡择妻 第十三章 我结婚——安德斯太太藏匿——一则童话故事和几则故事，以说明适宜的自爱 第十四章 我妻子病倒——让·雅克来访和一次暴力行为——布尔加劳教授在我妻子葬礼上的布道——我的悲痛 第十五章 与让·雅克决斗——一张做过的梦的清单和一场噩梦：“演出场地之梦”——我搬进安德斯太太的屋子 第十六章 沉默有多种样式——“木偶之梦”——一些警句——一场抢劫和其他艰苦的磨练——要么是我把房子让给了安德斯太太，要么就是她二十年后又露面了——在后一种情况下，我被扫地出门 第十七章 残疾的分配——一个让人感到郁闷的谣言——日记摘录——论衰老——本书收尾之种种难处 译后记

Susan Sontag: the making of an icon

作者：  (美)卡尔·罗利森(Carl Rollyson)，(美)莉萨·帕多克(Lisa Paddock)著;姚君伟译

出版社：上海译文出版社,2009

简介：　　 该用多少个名衔、称谓来称呼苏珊·桑塔格女士呢？诺贝尔文学奖得 　　主约瑟夫·布罗茨基曾称她是“大西洋两岸第一批评家”。自上世纪六十 　　年代开始，桑塔格就一直是美国文坛一颗耀眼的明星，她在文学、文化、 　　摄影、电影、政论等诸多领域呼吸和思考、开拓和挖掘，所生产的批评都 　　是第一流的，散发着偶像般的光芒长达四十年；以至于人们只能概括地说 　　：她是一位深入诸多领域的独创性的思想家。 　　 本书是桑塔格的首部传记，再现了一个知识界偶像的辉煌历程，并试 　　图还原偶像作为普通人的喜怒哀乐。书中披露了许多鲜为人知的故事、细 　　节，比如桑塔格那客死中国的生父与懒散无为的母亲，寂寞却崭露出天才 　　迹象的童年；当然，更多的，是这位走过鬼门关的乳腺癌患者、十赴波黑 　　战场的女斗士，人称“文坛非正式女盟主”的不可遏止的创作激情，及其 　　备受争议的性取向……作为一本深得传主认可的优秀人物传记，本书亦是 　　一部浓缩的欧美断代文化史。 　　

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简介：Twentieth Century Literature is a major anthology of key representative works by fifty leading modern literary critics writing before the structuralist revolution. It is a companion volume to Modern Criticism and Theory (Longman 1988), also edited by David Lodge, which anthologises contemporary criticism as it has developed through structuralism and post-structuralist theory. Together these volumes provide the most comprehensive survey available of traditional and radical literary theory in action. The critics collected together in this volume have been drawn from England, America and Europe, and each essay has been prefaced by an editor's introduction which suggests the historical and methodological significance of the piece and gives bibliographical and biographical information. This writers collected are: M. H. Abrams, W. B. Yeats, Sigmund Freud,Henry James, Ezra Pound, T. S Eliot, Virginia Woolf, T.E. Hulme, I. A. Richards, D. H. Lawrence, E. M. Forster, William Empson, G. Wilson Hight, C. G. Jung, Maud Bodkin, Christopher Caudwell, L. C. Knights, John Crowe Ransom, Edmund Wilson, Paul Val茅ry, D. W. Harding, Lionel Trilling, Cleanth Brooks, Yvor Wiinters, Erich Auerbach, W. K. Wimsatt and Monroe C. Beardsley, George Orwell, Jean-Paul Sartre, Mark Schorer, Francis Fergusson, Northrop Frye, C. S. Lewis, Leslie Fielder, Alain Robbe-Grillet, George Luk谩cs, Richard Hoggart, Walter J. Ong, Norman O. Brown, Ian Watt, Claude L茅vi-Strauss, Ren茅 Welleck, Wayne Booth, Raymond Williams, R. S. Crane, Marshall McLuhan, George Steiner, Susan Sontag, W. H. Auden, Frank Kermode.

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简介：　　Both a memoir and an investigation, Swimming in a Sea of Death is David Rieff's loving tribute to his mother, the writer Susan Sontag, and her final battle with cancer. Rieff's brave, passionate, and unsparing witness of the last nine months of her life, from her initial diagnosis to her death, is both an intensely personal portrait of the relationship between a mother and a son, and a reflection on what it is like to try to help someone gravely ill in her fight to go on living and, when the time comes, to die with dignity. 　　Rieff offers no easy answers. Instead, his intensely personal book is a meditation on what it means to confront death in our culture. In his most profound work, this brilliant writer confronts the blunt feelings of the survivor -- the guilt, the self-questioning, the sense of not having done enough. 　　And he tries to understand what it means to desire so desperately, as his mother did to the end of her life, to try almost anything in order to go on living. 　　Drawing on his mother's heroic struggle, paying tribute to her doctors' ingenuity and faithfulness, and determined to tell what happened to them all, Swimming in a Sea of Death subtly draws wider lessons that will be of value to others when they find themselves in the same situation.　　

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简介：Anthology of key statements from a range of disciplines, including four editorial essays which place the readings in their theoretical and historical context. It is divided into three parts: "Cultures of the visual," "Regulating photographic meanings," and "Looking and subjectivity." Texts are: "The natural attitude," by Norman Bryson; "Rhetoric of the image," by Roland Barthes; "Art, common sense and photography," by Victor Burgin; "Myth today," by Roland Barthes; "Panopticism," by Michel Foucault; "The work of art in the age of mechanical reproduction," by Walter Benjamin; "The image-world," by Susan Sontag; "Separation perfected," by Guy Debord; "The bottom line on planet one: squaring up to The Face," by Dick Hebdige; "On the institutions of photography," by Simon Watney; "The social definition of photography," by Pierre Bourdieu; "Reading an archive: photography between labour and capital," by Allan Sekula; "Photography’s discursive spaces," by Rosalind Krauss; "The museum’s old, the library’s new subject," by Douglas Crimp; "Living with contradictions: critical practices in the age of supply-side aesthetics," by Abigail Solomon-Godeau; "Evidence, truth and order: a means of surveillance," by John Tagg; "Feeble monsters: making up disabled people," by Jessica Evans; "Marketing mass photography," by Don Slater; "Ideology and ideological state apparatuses (notes towards an investigation)," by Louis Althusser; "Fetishism," by Sigmund Freud; "The scoptophilic instinct and identification," by Otto Fenichel; "The subject," by Kaja Silverman; "Fantasia," by Elizabeth Cowie; "The other question: the stereotype and colonial discourse," by Homi K. Bhabha; "Visual pleasure and narrative cinema," by Laura Mulvey; "Desperately seeking difference," by Jackie Stacey; "White privilege and looking relations: race and gender in feminist film theory," by Jane Gaines; "Sexuality in the field of vision," by Jacqueline Rose; "The fact of blackness," by Frantz Fanon; "Alexander von HumboldtMauri ertikel:

In America

作者：  (美)苏珊·桑塔格(Susan Sontag)著;廖七一，李小均译

出版社：译林出版社,2008

简介：《在美国》是一部历史传记，主人公的原型是波兰裔著名演员海伦娜·莫德耶斯卡。莫德耶斯卡一八六八年在华沙崭露头角，一八七七年在旧金山主演《勒库弗勒》英文译剧，“虽英文很差，但仍十分成功”。她偶尔也到伦敦演出。然而，桑塔格的小说《在美国》却不是莫德耶斯卡生活经历的简单重复和记录，而是历史细节、情感刻画和现代意识的有机结合。主人公玛琳娜在波兰舞台上如日中天，被誉为波兰的舞台皇后、民族的希望。但是玛琳娜对自己周围的鲜花和欢呼赞扬已经感到厌倦，人过中年，开始出现生理和心理危机。一八七六年，三十五岁的玛琳娜与丈夫、儿子以及一群崇拜者一道移居美国，栖居在加利福尼亚一隅，希望在傅立叶简朴的社区生活中完成“自我变革”和“精神复苏”。 波兰的理想主义者们购置农田，研究农事，开辟葡萄园，希望建立自己的种植园。经过几个月艰难而又美好的田园生活，牧歌式的乌托邦终因经营不善和内部分歧而夭折。一些人返回波兰，一些人转到另一社区，还有一些人在美国定居。为了渡过经济上的难关，玛琳娜顽强地克服了语言障碍，重返舞台。在从南到北、从城市到乡镇的巡回演出中，玛琳娜风靡美国，成为美国舞台上璀璨夺目的新星。故事在玛琳娜与布更多>>

Letter to a Priest 给神父的信 ISBN9780415267670

作者：  Simone

出版社：Taylor and Francis 2005年04月

简介：
Regarded by Susan Sontag as "one of the most uncompromising and troubling witnesses to the modern travail of the spirit," Weil grips the moral imagination as few others before or since.

Aesthetic perspective on Susan Sontag

作者：  袁晓玲著

出版社：武汉大学出版社,2010

简介：《桑塔格思想研究:基于小说文论与影像创作的美学批判》内容简介：苏珊·桑塔格是当代西方兼剧作家、艺术理论家、思想者等多重身份的“新知识分子”，目前学界对她的关注主要集中在文艺理论和泛文化领域。《桑塔格思想研究:基于小说文论与影像创作的美学批判》将其纳入美学的研究视野，并在前人研究的基础上对她的“美学思想”进行了专题聚焦式的探讨。全书扣住桑塔格在小说创作、影像艺术创作和文论创作这三个创作领域来梳理其美学思想内涵的具体表现，进而认为其文艺创作中贯穿着对道德的思考和对艺术的思考，在整体性地“还原”桑塔格美学思想内涵的前提下，以无原则批判的立场从语言、思想和存在三个维度对她的“形式论”、“新感觉力”和“风格论”的思想实质及其关系问题作出了分析，进而认为三者之间真正的关系应该是相互生成的关系，切中了桑塔格思想本身，在学理表述上亦颇有哲学批判的格调。《桑塔格思想研究:基于小说文论与影像创作的美学批判》进而将风格、形式、新感觉力综合为一种结构，并对桑塔格美学思想的时代性等问题展开探讨，这种努力是对桑塔格思想价值和理论品格的重要提升，也将国内外的相关研究带入了一个新的境界和高度。

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简介：Includes fiction by Kate Chopin, Gail Godwin, Edgar Rice Burroughs, Faulkner, Grace Paley, Dickens, Melville, Hawthorne, Eudora Welty, Hemingway, Alice Munro, Chekhov, Joyce Carol Oates, Colette, Ralph Ellison, Katherine Anne Porter, Stephen Crane, Joseph Conrad, Garcia Marquez, Tillie Olsen, Mark Twain, Poe, Flannery O'Connor, Toni Cade Bambara, John Cheever, Joyce, Kafka, Jamaica Kincaid, D.H. Lawrence, Katherine Mansfield, Updike, Yukio Mishima, Louise Erdrich, Fitzgerald, Elizabeth Bowen, Vladimir Nabokov, Gore Vidal, E.L. Doctorow, Ursula K. Le Guin, and others. others. Includes poems by Marge Piercy, Robert Hayden, Elizabeth Bishop, Philip Larkin, E.E. Cummings, Mary Oliver, John Donne, Nikki Giovanni, Emily Dickinson, Randall Jarrell, Maxine Kumin, Robert Herrick, Andrew Marvell, Richard Wilbur, Edna St. Vincent Millay, Thomas Hardy, David R. Slavitt, Gwendolyn Brooks, Stevie Smith, Jane Kenyon, William Carlos Williams, Adelaide Crapsey, Walt Whitman, Theodore Roethke, Matthew Arnold, H.D., William Blake, Wilfred Owen, Margaret Atwood, Robert Lowell, Mark Strand, Richmond Lattimore, Anne Bradstreet, Dylan Thomas, Sylvia Plath, Wordsworth, Robert Graves, May Swenson, Robert Frost, Poe, Edwin Arlington Robinson, Stephen Crane, W.D. Snodgrass, Richard Eberhart, D.H. Lawrence, Louise Bogan, Robert Browning, Ezra Pound, Leonard Cohen, Galway Kinnell, Richard Armour, Robert Southey, Gerard Manley Hopkins, Lewis Carroll, Jean Toomer, Pope, Yeats, A.E. Housman, Ben Jonson, Dorothy Parker, Tennyson, Richard Lovelace, Shakespeare, Basho, Seamus Heaney, Shelley, George Herbert, Allen Ginsberg, Denise Levertov, Carolyn Forche, Sharon Olds, Keats, W.H. Auden, Robert Bly, Rupert Brooke, Robert Burns, Byron, Coleridge, Countee Cullen, Lucille Clifton, James Dickey, T.S. Eliot, Donald Hall, Langston Hughes, Ted Hughes, X.J. Kennedy, Audre Lord, Archibald MacLeish, Claude McKay, Christopher Marlowe, Milton, Ogden Nash, Marianne Moore, Howard Nemerov, John Crowe Ransom, Anne Sexton, Delmore Schwartz, Leslie Marmon Silko, Wallace Stevens, Anna Akhmatove, Claribel Alegria, Baudelaire, Garcia Lorca, Czeslaw Milosz, Pablo Neruda, Octavio Paz, Rilke, Sappho, Amy Clampitt, Robert Creeley, Rita Dove, and others. Includes drama and writings on drama by Sophocles, Aristotle, Muriel Rukeyser, Jean Anouilh, Maurice Sagoff, Shakespeare, Samuel Johnson, Freud, Moliere, Henrik Ibsen, Anton Chekhov, David Mamet, Samuel Beckett, Martin Esslin, Harold Pinter, Tennessee Williams, Arthur Miller, Wole Soyinka, James Gibb, Caryl Churchill, August Wilson, David Henry Hwang, Owen Davis, Susan Glaspell, Eric Bentley, David Savran, Susan Sontag, Judith Fetterley, Annette Kolodny, and others.

Death kit

作者：  (美)苏珊·桑塔格(Susan Sontag)著;李建波译

出版社：译林出版社,2005

简介：一个自杀未遂的青年在一次列车旅途中,停车时下到黑暗隧道中探视,误杀一名修路工人。一切发生得那样隐匿和平静,火车开动后,他自己也无法确认事件的虚实,负罪感的重压促使他逃离真相,转向一个偶遇的美丽盲女寻求爱情。短暂而和谐的同居生活无法抵挡双重折磨,他再次来到黑暗的隧道中……桑塔格在她的第二部小说中才情遽现,跳跃性词句和清晰的单线情节勾勒出一个黑色惊悚故事,舞动着卡夫卡式寓言的锋芒与颠覆力。

苏珊·桑塔格纵论

作者：  王予霞著

出版社：民族出版社,2004

简介：　　王予霞，1965年5月出生于河南潢川。1994年7月获河北师范大学文艺学硕士学位；1999年8月获厦门大学历史学博士学位。现为集美大学师范学院中文系副教授，主要从事外国文学教学与翻译工作，长期跟踪研究苏珊·桑塔格。主要著述有：译著《我等之辈》、《火山情人》、《恩人》；专著：《文化与传承》、《中央苏区文化教育史》、《二十世纪闽西社会经济变迁与文化》、《外国文学研究》、《当代外国文学》、《文艺理论与批评》等刊物上发表文章二十余篇。 　　苏珊·桑塔格（Susan Sontag）无论作为美国著名文学批评家，还是作为西方当代有影响的女作家，都是值得我们作认真研究的，尤其是像王予霞的这本《桑塔格纵论》这样的作系统的研究，实在很有必要。 　　

恩主

作者：  (美)苏珊·桑塔格(Susan Sontag)著;姚君伟译

出版社：译林出版社,2004

简介：　　苏珊·桑塔格是当今美国的才女学者、评论家和作家。《恩主》是她小说的开山之作,情节离奇，人物怪诞，不可思议的表面反衬出内在结构与含义的精深。主人公希波赖特按照梦去生活，使“真实”与梦无法区分，犹如一部复杂而狂放的幻想曲，跨越了思维和行动的日常藩篱。小说对巴黎风行的半上流阶层和波希米亚族群作了尖刻准确而又引人入胜的描绘；同时这又是一部关于思想，尤其是宗教思想的作品，值得一读。 　　提起美国当代作家苏珊·桑塔格（Susan Sontag， 1933— ），人们首先联想到的很可能是她在《长青评论》上发表的《反对阐释》（“Against Interpretation”，1964）。该文的发表，使桑塔格以理论研究而蜚声文坛。不过，料想人们也不会忘记她作为评论家和小说家的“两栖人”身份。事实上，她出版的第一本书就是小说——一部她自己很喜爱的小说，即《恩主》（The Benefactor， 1963）。 　　 苏珊·桑塔格有着良好的艺术禀赋，她从小就做作家梦，七岁动笔写作。她在亚利桑那和加利福尼亚度过童年时代，在伯克利大学就读，后转入芝加哥大学，1951年毕业，又于1954年和1955年在哈佛大学分别获得文学和哲学硕士学位，随即远赴欧洲，继续攻读哲学。在牛津和巴黎这两个知识和思潮的集散地，桑塔格深受影响。桑塔格年轻气盛，她看到当时的文人学士有许多人既是哲学家又是文学家，不免技痒，也想一试身手。当时法国流行的以萨特?代表的存在主义哲学思潮、以阿兰·罗布格里耶等人的新小说和欧仁·尤奈斯库等人的荒诞派戏剧为代表的文艺思潮及其创作实践给桑塔格以极大的启发。存在主义哲学提出的一些基本思想，如存在先于本质、世界和人的揣d车幕牡性、自由选择等，使桑塔格认识到对现实作出存在主义观照的意义，她意识到存在主义文学力图揭示世界及人生的荒诞性。出现?20世纪50年代的法国新小说则强调对小说传统形式的摒弃。阿兰·罗布格里耶就曾毫不客气地指出，传统小说“单调地使用过去时和第三人称，无条件地以时间为发展，以情节为线索的做法，千篇一律地按照人的愿望去安排，每一情节都与情节关连等等——都是强调一个稳定和谐、连绵不断、没有歧义的、完整无缺的世界”，在他看来，这样的世界是不真实的。 　　 在二战后法国哲学思潮和文艺思潮的双重影响下，苏珊·桑塔格逐渐形成了自己的美学观，并在一系列论著中系统地阐述了自己的存在主义文学观。她呼应欧洲现代主义创作理论与实践，并按照自己的理念完成了她最初的文学创作，其中当然包括《恩主》这部长篇小说处女作。 　　在《恩主》中，桑塔格对梦境、幻觉情有独钟，让读者看到了作为主人公及叙述者的“我”的梦里人生。在这部篇幅不长的叙述作品中，“我”一共做了十三个梦，这还不包括这些梦的不同版本，而“我”差不多就在做梦和释梦中度过了六十一年的人生。因为父亲忙生意，姐姐嫁人，母亲去世，“我”从小就备尝孤独的滋味，并养成了耽于沉思的习惯。在省城读到大三，因发表一篇小题大作的哲学论文而退学，并进入一对中年夫妇——安德斯夫妇——的社交圈。沙龙搞得热热闹闹，“我”虽置身其间，但仍痴迷于自己的思考，并感觉自己踏上了一次精神之旅。然后，开始做梦，先是“两个房间之梦”。梦里的“我”表现出本人的某些性格特征——狡黠的谦卑，动辄产生羞耻感、哀求、害怕的样子，想与梦里压迫“我”、支派“我”的人讲和、套磁儿，等等。接着，“我”开始释梦，并请人帮着释梦。同样的梦中人出现在不同的梦里，如沙龙女主人安德斯太太，在梦里，她一会儿拒绝“我”的要求，一会儿又给“我”投怀送抱。“我”做的这些梦名堂很大，内容各异，包括“我”梦醒之后命名的“非常派对之梦”、“宗教梦”、“老资助人之梦”、“钢琴课之梦”、“镜子之梦”、“红枕头之梦”、“破窗之梦”、“泥鞋子之梦”、“军火库之梦”、“文学梦”、“木偶之梦”，如此等等，不一而足。 　　 最为有趣的是，“我”在梦和日常生活之间搭起桥梁，也因此品尝到了内在生活的滋味。内在生活改变了“我”对他人的态度，梦指导并改变我的日常生活。过着这种亦梦亦真、合二为一的梦生活，“我”充满活力。在梦的导引下，“我”勾引安德斯太太，乘她丈夫出差在外的机会与她私奔。“我”和她在一座阿拉伯城尽情玩乐，而后慷慨地把她卖给一个阿拉伯商人。依稀是两年后吧，她伤痕累累、可怜兮兮地回来。“梦”指示“我”杀死她，可“我”没有成功，因为她坚不可摧。“我”把父亲留下的房子赠给她，等等。梦境和幻想在《恩主》中，似乎不仅起到了展开情节的作用，它们倒更像是小说中的主角儿，梦一个接一个地做，而且，“梦中复有梦中梦”，居然还有了自己的生命和逻辑。梦境和幻觉呈现出处于自我感知、自我探索之中的“我”的困惑和孤独，“我”内在的心灵世界由此也得到真实的再现。 　　

The Volcano Lover a Romance

作者：  (美)苏珊·桑塔格(Susan Sontag)著;李国林，伍一莎译

出版社：译林出版社,2002

简介：本书通过英国驻那不勒斯大使、大使夫人及其情人英国海军上将的所作所为，回溯1799年那不勒斯革命前后数十年的历史。挟击了英国势力和那不勒斯封建王朝的荒淫无度，镇压革命的惨无人道，同情并歌颂了革命。

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简介：Summary: Publisher Summary 1 Drawn from the "Thought on the business of life" feature in Forbes magazine, the 10,000 ancient and modern quotes are arranged into 300 categories such as alcohol, family, giving, loneliness, possessions, wealth, and wisdom. The diverse quotes examine many aspects of life beyond business and offer inspiration to the executive writing a speech or eloquent letter. The 2006 edition is actually smaller than previous editions. Annotation 漏2008 Book News, Inc., Portland, OR (booknews.com)   Publisher Summary 2 Now including thousands of new quotations, this bestselling compilation of business wit and wisdom is the ultimate desk reference for speakers, writers, CEOs, managers, and employees alike. This handsome collection, featuring nearly 2,000 new quotations, new topics, and a fresh new look, is a trove of enlightening and useful witticisms about the world of business, drawn from across the centuries and all corners of the globe. It features a wide range of germane wisdom from such contemporary luminaries as Katherine Graham, Susan Sontag, Bill Gates, Ronald Reagan, Fran Lebowitz, Gore Vidal, and Donald Trump alongside timeless quotes from Ovid, Ralph Waldo Emerson, Gertrude Stein, Mahatma Gandhi, Henry Ford, Helen Keller, John D. Rockefeller, Oscar Wilde, J.R.R. Tolkien, Virginia Woolf, George Bernard Shaw, and thousands of others—not to mention hundreds of quotes from the Forbes men themselves. Fully indexed for easy use as a speaker’s or writer’s reference, this inspiring volume comes straight from the most trusted and widely read business magazine of all time.  

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简介：Ruas conducted interviews with 14 contemporary writers who talk about the nature of their craft, their individual strengths and dilemmas, about writers they admire, their need to work, and about themselves. Tennesse Williams speaks on the American theater public, Marguerite Young on literary New York during the '40s, midwestern writers and Utopian literature; Norman Mailer rails at the mass dehumanization of our times and talks of the vicissitudes of his own career; Joseph Heller evokes the spirit and pleasures of his Coney Island boyhood; Paul Theroux talks of Americans abroad; William Burroughs talks of Paris in the '50s, the Olympia Press and the issue of obscenity; and Scott Spencer talks of the experience of having a film based on Endless Love. Other writers interviewed include: Truman Capote, Gore Vidal, Eudora Welty, Robert Stone, Susan Sontag, E.L. Doctorow and Toni Morrison. ISBN 0-394-52787-9 :

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简介： Susan Sontag (1933-2004) spoke of the promiscuity of art and literature—the willingness of great artists and writers to scandalize their spectators through critical frankness, complexity, and beauty. Sontag's life and thought were no less promiscuous. She wrote deeply and engagingly about a range of subjects—theater, sex, politics, novels, torture, and illness—and courted celebrity and controversy both publicly and privately. Throughout her career, she not only earned adulation but also provoked scorn. Her living was the embodiment of scandal. In this collection, Terry Castle, Nancy K. Miller, Wayne Koestenbaum, E. Ann Kaplan, and other leading scholars revisit Sontag's groundbreaking life and work. Against Interpretation, "Notes on Camp," Letter from Hanoi, On Photography, Illness as Metaphor, I, Etcetera, and The Volcano Lover—these works form the center of essays no less passionate and imaginative than Sontag herself. Debating questions raised by the thinker's own images and identities, including her sexuality, these works question Sontag's status as a female intellectual and her parallel interest in ambitious and prophetic fictional women; her ambivalence toward popular culture; and her personal and professional "scandals." Paired with rare photographs and illustrations, this timely anthology expands our understanding of Sontag's images and power. (9/7/09)

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简介：　　Starting in 1976, Andy Warhol shot several rolls of film every week and selected images for his book Andy Warhol's Exposures, published in 1979. He had intended to title it Social Diseases but his concept was heavily watered down by his publishers at the time and many of the selected images were removed. This book presents the previously unpublished and unexhibited photographs,over 70 unique vintage black and white photographic prints, that Warhol originally selected for his book. It has been edited and introduced by Bob Colacello, who was also executive editor of the original book. 　　"There is a sense of intimacy as well as of voyeurism, of funny-looking, insecure, wistful Andy, through flattery and attentiveness, trying to connect. Yet, because he was not just any photographer but a famous artist, a star, there is often a sense that the looking is being done at the man with the camera as well as by him. In some cases, the subjects are clearly performing for their fellow luminary, or close friend, or boss. As spontaneous as these images may seem, they are intrinsically staged, with Warhol himself as both chronicler and catalyst of the moments he is documenting. And what moments they are! Only Andy could get David Hockney in extra-brief running shorts, or Susan Sontag batting her eyelashes across a fancy restaurant table at Gloria Vanderbilt, or Halston's Venezuelan window dresser and lover, Victor Hugo, sitting under Goya's Red Boy in Kitty Miller's Park Avenue parlor .... " (Bob Coacello)　　

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简介：This highly acclaimed critical exploration of modern drama begins with Büchner and Ibsen and then discusses the major playwrights who have shaped modern theater-Strindberg, Chekhov, Pirandello, Brecht, Beckett, and Handke. A new introduction by the author assesses developments of recent years. Reviews of the earlier editions: "The best single study of the astonishing transformations dramatic art has undergone in the last century or so."-Thomas R. Edwards, New York Times Book Review "In its field this is one of the choice books of the century. It moves toward the deepest sources of some great plays, so it deepens their effect on us."-Stanley Kauffmann "The Making of Modern Drama has no rivals. Richard Gilman's account of his fascinating subject is written with love, measure, and authority."-Susan Sontag "Gilman's book on the genesis and development of contemporary drama is acute, beautifully accomplished, and, I think, important."-Donald Barthelme

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简介：Publisher description: The Lesbian and Gay Studies Reader is the biggest and most comprehensive multi-disciplinary anthology of critical work in lesbian/gay studies. Comprising scholarship, criticism, commentary, and political analysis, lesbian/gay studies is one of the fastest growing fields in contemporary thought. Its influence is changing the shape of every branch of learning in the humanities and social sciences. Bringing together forty-two groundbreaking essays--many of them already classics--this collection provides a much-needed introduction to the contemporary state of lesbian/gay studies, extensively illustrating the range, scope, diversity, appeal, and power of the work currently being done in the field. Featuring essays by such prominent scholars as Judith Butler, John D'Emilio, Kobena Mercer, Adrienne Rich, Gayle Rubin, and Eve Kosofsky Sedgwick, The Lesbian and Gay Studies Reader explores a multitude of sexual, ethnic, racial, and socio-economic experiences. Ranging across disciplines including history, literature, critical theory, cultural studies, African American studies, ethnic studies, sociology, anthropology, psychology, classics, and philosophy, this anthology traces the inscription of sexual meanings in all forms of cultural expression. Representing the best and most significant English language work in the field, The Lesbian and Gay Studies Reader addresses topics such as butch-fem roles, the cultural construction of gender, lesbian separatism, feminist theory, AIDS, safe-sex education, colonialism, S/M, Oscar Wilde, Gertrude Stein, children's books, black nationalism, popular films, Susan Sontag, the closet, homophobia, Freud, Sappho, the media, the hijras of India, Robert Mapplethorpe, and the politics of representation. It also contains an extensive bibliographical essay which will provide readers with an invaluable guide to further reading. In the tradition of Routledge's Cultural Studies and Unequal Sisters, The Lesbian and Gay Studies Reader marks a critical moment in the development of the field. It will be essential reading for anyone--gay or straight--interested in the history of sexuality, sexual politics, and gender studies.