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Imagens de macau—coleccao dos esbocos de Tam Chi Sang
作者: 谭智生绘;苏健译
出版社:澳门基金会,1995
简介: 全書共收集了作者一九七四年至一九九三年間速寫澳門風物的作品八十三幀,包括《東望洋遠眺》、《內港漁家》、《下環海旁》、《林茂塘寫生》、《木屋人家》、《圓台仔》、《賈梅士博物院》、《盧廉若公園》、《白鴿巢公園》、《孫中山先生紀念館》、《松山腳下》等,素描根底扎實,從作品中看到的景物更廣更高,領略澳門的舊貌新顏,從而體會澳門歷史的演變。
仁增曲尼桑姆传ren zeng qu ni sang mu zhuan
作者: rig vdzin chos nyid bzang mo述;rgan vphrin las执笔
出版社:西藏人民出版社,1997
简介:Autobiography of yogini Ga¤ns-´sug Ma-¤ni Lo-chen Rig-dzin-chos-ñid-bza¤n-mo of Tibet.
Taiwan Aboriginal Art:Field Study
作者: 林建成著
出版社:艺术家出版社,2002
简介: 要為台灣的原住民描繪一張完整的藝術覽圖,可不是一件容易的事,因為原住民藝術表現的多元有如一座繁花似錦的花園,居住於本島的原住民至少來自十大不同部族,各自的文化面貌又展現多元文化的殊異性,要從一而觀全貌,幾乎不太可能。本書著者林建成以他多年深入實地田野調查的成績以及研究毅力,費時數年撰寫攝影完成這一本《台灣原住民藝術田野筆記》,其中包括許多難能可貴的第一手拍攝紀實照片與資料,完整地介紹台灣原住民各大族群的文化藝術,引領讀者一探這充滿「原初」奧深的藝術花園。著者林建成本著對台灣原住民文化保存研究的使命之外,他還有著一股屬於田野調查工作者的滿腔熱忱,時常穿梭在部落間的他,除了積極探訪原住民的各項文化活動、藝術工作者,也深入族群與原住民產生良好的互動,在記錄原住民文化藝術的同時,也傳達了原住民「生活即藝術」的美學態度,因此在《台灣原住民藝術田野筆記》一書裡,雖是藝術範疇的討論,卻少不了音樂、舞蹈、服飾、身體裝飾、建築,甚至祭儀的文化內涵,這也正說明原住民藝術概念不能自外於部族信仰文化,也無法以一般人認知的「藝術」框架去陳述一個單一形式。了解原住民藝術極難從單一藝術的觀點切入,或純粹討論其藝術表現,因為原住民藝術所呈現的是一個整體生活內容的文化表現,無論是何種藝術表現:手工藝品、服飾、舞蹈、音樂,誠如著者的觀察,「它的『功能』和『作用』好像超過藝術性質。從另一角度來看,『文化』與『藝術』實際上就是藉著這種方式,存在它們的生活空間裡頭的。」本書內容涵蓋廣泛、陳述深入,本書分為十五個章節,每一章節的鋪陳,詳盡介紹台灣各大部落的歷史文化與精神信仰,也分項逐類呈現各種不同的藝術表現形式:從傳承和演變討論歲月變遷下的原住民文化藝術,然後在原鄉與遷徙的過程中,分析原住民的分布狀況;對原住民來說代表文化傳承的祭儀:卑南族的猴祭、阿美族的豐年祭、泰雅族的祖靈祭、東排灣族的部落年祭、雅美的收穫祭、賽夏族矮靈祭等。祭典內所用的器皿用具、所著的服飾、所跳的舞蹈,每一部族的象徵圖紋以及現代部落藝術工作者對它的沿用與創新。知道「拔牙」曾經是某些部落女子愛美的象徵嗎?什麼是「八部合音」嗎?什麼又是「故事木板雕」?知道魯凱族的石雕傳說嗎?如何分辨不同部落的衣飾裝扮?知道以貼紙代替紋手儀式的文化變遷嗎?Balailai(巴萊萊)是怎樣的舞蹈?部落祭儀是怎麼進行的?各部族的圖騰又有怎樣的不同與意義?在一九九九年的南島文化節中,來自太平洋群島、大洋洲及東南亞半島等地的南島部族,和台灣原住民有怎樣驚異的邂逅與巧合的文化共象?這些包羅萬象的內容,記述了台灣原住民多元的文化面貌;著者更親身接觸原住民藝術工作者,記錄了A-sang劇團、多位陶藝工作者、麥承山的陶藝推廣、新興村的陶藝發展與生命步道、各部族的雕刻家、卑南族現代歌謠之父陸賢文、鹿野國中原住民竹鼓樂團等,著者一步一腳印式的踏實探訪與田野調查,為台灣原住民藝術留下了彌足珍貴、可供紀實的一頁。
作者: (法)安德烈·阿尔诺(Ander Arnaud)著;徐枫译
出版社:河南人民出版社,2001
简介:本书主要讲述了警察局接到报警后,展开了一系列的调查。在分析研究了一点点蛛丝马迹,破解了一个个疑团难题之后,终于真相大白,抓获了元凶。
作者: (法)安德烈·德拉巴尔(Andre Delabarre)著;梁启炎等译
出版社:河南人民出版社,2001
简介:本书是法国侦探小说警察局奖译丛之一,其内容构思新颖,故事情节独特,读者可在阅读过程中得到书感。
作者: 张秋艳译
出版社:大连理工大学出版社,2007
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Where late the sweet birds sang
作者: (美)凯特·威廉(Kate Wilhelm)著;周瑞丰译
出版社:重庆大学出版社,2014
简介: 《迟暮鸟语》是凯特·威廉所创作的长篇科幻小说,曾获一九七七年雨果奖最佳长篇小说,极为传神地传达出《迟暮鸟语》中人类社会繁华尽逝后的萧瑟与荒凉。 地球环境渐渐恶化,最后演化成为前所未有的灾难。政府垮台,经济崩溃,最可怕的是,人类逐步丧失了繁殖能力。 种族的灭亡迫在眉睫。一小群具有远见卓识的人制订了克隆计划,这是延续种族的最后希望。他们成功了。 但是,克隆产品却不完全符合预期。他们具备前人没有的许多天赋,从种种迹象上看,他们似乎是远超于前人的“新人类”。他们自己也这么想。 但是,新人类的未来却潜伏着可怕的危机……
简介: Amazon.com The ground shifts repeatedly beneath the reader's feet during the course of Salman Rushdie's sixth novel, a riff on the Orpheus and Eurydice myth set in the high-octane world of rock & roll. Readers get their first clues early on that the universe Rushdie is creating here is not quite the one we know: Jesse Aron Parker, for example, wrote "Heartbreak Hotel"; Carly Simon and Guinevere Garfunkel sang "Bridge over Troubled Water"; and Shirley Jones and Gordon McRae starred in "South Pacific." And as the novel progresses, Rushdie adds unmistakable elements of science fiction to his already patented magical realism, with occasionally uneven results. Rushdie's cunning musician is Ormus Cana, the Bombay-born founder of the most popular group in the world. Ormus's Eurydice (and lead singer) is Vina Apsara, the daughter of a Greek American woman and an Indian father who abandoned the family. What these two share, besides amazing musical talent, is a decidedly twisted family life: Ormus's twin brother died at birth and communicates to him from "the other side"; his older brothers, also twins, are, respectively, brain-damaged and a serial killer. Vina, on the other hand, grew up in rural West Virginia where she returned home one day to find her stepfather and sisters shot to death and her mother hanging from a rafter in the barn. No wonder these two believe they were made for each other. Narrated by Rai Merchant, a childhood friend of both Vina and Ormus, The Ground Beneath Her Feet begins with a terrible earthquake in 1989 that swallows Vina whole, then moves back in time to chronicle the tangled histories of all the main characters and a host of minor ones as well. Rushdie's canvas is huge, stretching from India to London to New York and beyond--and there's plenty of room for him to punctuate this epic tale with pointed commentary on his own situation: Muslim-born Rai, for example, remarks that "my parents gave me the gift of irreligion, of growing up without bothering to ask people what gods they held dear.... You may argue that the gift was a poisoned chalice, but even if so, that's a cup from which I'd happily drink again." Despite earthquakes, heartbreaks, and a rip in the time-space continuum, The Ground Beneath Her Feet may be the most optimistic, accessible novel Rushdie has yet written. --Alix Wilber--This text refers to the Hardcover edition.
Where late the sweet birds sang
作者: (美)凯特·威廉(Kate Wilhelm)著;李克勤译
出版社:四川科学技术出版社,2007
简介: 地球环境渐渐恶化,最后演化成为前所未有的灾难。政府垮台,经济崩溃,最可怕的是,人类逐步丧失了繁殖能力。 种族的灭亡迫在眉睫。一小群具有远见卓识的人制订了克隆计划,这是延续种族的最后希望。 他们成功了。 但是,克隆产品却不完全符合预期。他们具备前人没有的许多天赋,从种种迹象上看,他们似乎是远超于前人的“新人类”。 他们自己也这么想。 但是,新人类的未来却潜伏着可怕的危机……
简介:Excellent instrument pour connaître l'évolution de la langue à travers l'histoire des mots depuis leur origine. Quelque trente schémas pour expliquer l'expression de certaines réalités (le sang, la vieillesse, la ville, etc.). Environ cinquante articles encyclopédiques consistants sur la langue française dans divers pays (Alsace, Afrique, etc.) et sur des institutions (l'Académie française). Glossaire de termes expliquant des notions et des noms de langues. Tableau de correspondances chronologiques. La présente édition, outre une présentation compacte, plus maléable et plus économique, correspond à une révision du texte, qui tient compte des évolutions les plus récentes du français. [SDM]
简介:Summary: Publisher Summary 1 Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets--the latter appearing together in one volume for the first time. Sappho's Lyreis a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers. Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.
简介: Originally published in 1949, this comprehensive gathering of folksongs is being reissued after many years out of print. The renewed interest in folklore among the general public as well as the scholarly community has prompted this publication. The collection comprises four volumes including more than eight hundred songs, indexed by title, by first line, and by contributor and town. Each song is thoroughly annotated. In addition to lyrics, the compiler furnished scores and variant lyrics and titles for each song and listed similarities to other songs along with whatever historical information was available to him. The songs are presented in four volumes. The fourth volume is an assortment of religious songs, hymns, and revival tunes along with sentimental ballads and journalistic pieces. Characteristic of the compiler's careful work is the painstaking accuracy with which dialect peculiarities are preserved. Randolph scrupulously avoided correcting pronunciation or adding missing words or forgotten lines. Because, as he explains in his introduction, many of the people who sang for him were reluctant to have their voices recorded, his texts represent the best possible reproduction of this priceless American folk art. A new introduction by W. K. McNeil, folklorist for the Ozark Folklore Center and book review editor for the Journal of American Folklore,comments on Randolph's importance to the field of American folklore and the significance of this work in particular.
出版社:东南大学出版社,2012
简介:微种植体的使用造成了正畸治疗的极大变化,它改变了传统的正畸理念,扩大了矫治的范畴,而对于修复前正畸治疗领域,微种植体的出现更是引起了巨大的变革。由于它可以实现绝对支抗的效果,减少了需要参与矫治的牙齿,不良反应更少或无。 《微种植体支抗在修复前微小牙齿移动中的应用(精)》由朴孝尚所著,本书适用于正畸医生和口腔全科医生,通过学习,他们可以更好地处置病例。我希望通过本书能够帮助大家更好的控制牙齿的移动,避免不必要的不良反应,从而让更多的患者能够接受种植牙的治疗。
简介:Six histoires vraies - et d'autant plus incroyables - derobees aux archives dormantes et aux memoires anonymes couvrant les scandales des plus puissantes familles duroyaume de Naples, du xve au xwIIe siecle. Le Prince Carlo Gesualdo, immortel musicien, assassin de son epouse adultere et de son amant; Lavinia, la religieuse,et Pier Francesco dont les folies erotiques mettent fi feuet fi sang le couvent de Saint-Archange, lieu d'abominations; Masaniello, le lazzarone empoisonne par le povoi更多>>
简介: Anyone who reads is bound to wonder, at least occasionally, about how those funny squiggles on a page magically turn into "Bare ruined choirs, where late the sweet birds sang" or "After a while I went out and left the hospital and walked back to the hotel in the rain." Where did this unlikely skill called reading come from? What happens in our brain when our eyes scan a line of type? Why do some of us, or some of our children, find it difficult to process the visual information held in words? In Proust and the Squid, Maryanne Wolf, a professor at Tufts University and director of its Center for Reading and Language Research, offers explanations for all these questions, but with an emphasis that is "more biological and cognitive than cultural-historical." This means that Wolf focuses on the physiological character of the human brain, which holds at its disposal "three ingenious design principles: the capacity to make new connections among older structures; the capacity to form areas of exquisitely precise specialization for recognizing patterns in information, and the ability to learn to recruit and connect information from these areas automatically." These "design principles" provide the neuronal foundation of reading, and Wolf spends half her book explaining the evolution and minutiae of this "reading brain." Nearly all this material makes for very hard slogging, even though Proust and the Squid is confidently described as the author's "first book for the general public." (The catchy but utterly uninformative title, by the way, refers to the novelist's impressionistic thoughts about childhood reading and a scientist's use of the squid brain for neurological research.) A work of popularization needs a light clear style, lots of anecdotes and some plot or story line that moves along at a good clip. At times, Wolf makes a stab at including some human-interest element or personal example, but all too soon she reverts to her normal prose, which is austere, technical and, finally, wearisome: "In a pathbreaking meta-analysis of twenty-five imaging studies of different languages, cognitive scientists from the University of Pittsburgh found three great common regions used differentially across writing systems. In the first, the occipital-temporal area (which includes the hypothesized locus of 'neuronal recycling' for literacy), we become proficient visual specialists in whatever script we read. In the second, the frontal region around Broca's area, we become specialists in two different ways -- for phonemes in words and for their meanings. In the third, the multifunction region spanning the upper temporal lobes and the lower, adjacent parietal lobes, we recruit additional areas that help to process multiple elements of sounds and meanings, which are particularly important for alphabetic and syllabary systems." Out of context such prose sounds perfectly dreadful -- and in context sadly characteristic of the writing in professional journals, no matter what the field. In fact, everything Wolf says makes sense, the specialized terms she uses have been previously defined, and there are line illustrations on a facing page. Nonetheless, such technical onslaughts are extremely tiring to read, and Wolf seldom lets up on the information-rich barrage for very long. At different points she does quote passages from Proust and George Eliot, but even these two great novelists are hardly what you'd call sprightly, and they merely add their own specific gravity to already forbidding pages. In the second half of the book, Wolf examines the reading difficulties generally subsumed under the term dyslexia. We learn that one of her sons suffers from this disability, that there are various forms and theories about its origin and character, that it can sometimes result in a special talent for fields that emphasize pattern and spatial creativity (such as art, design and engineering) and that "programs which systematically and explicitly teach young readers phoneme awareness and grapheme-phoneme correspondence are far more successful in dealing with reading disabilities than other programs." As this last sentence makes evident, no relief awaits the once-eager reader who by this point has begun to wonder if he could be suffering from a sudden case of adult-onset dyslexia. Despite Wolf's failure to write a truly popular book, she clearly does know her stuff, and those professionally involved with the teaching of reading might be more patient than I. In particular, she addresses the special needs of children raised in cultures where standard English isn't the dominant language, and she speculates, with real concern, about the impact of computer culture on the "reading brain." Dyslexia has taught her that humans were never genetically designed to read, and this peculiar technique of sustained mental attention could be reduced, reconfigured or even lost in the rising digital age: "Will unguided information lead to an illusion of knowledge, and thus curtail the more difficult, time-consuming, critical thought processes that lead to knowledge itself? Will the split-second immediacy of information gained from a search engine and the sheer volume of what is available derail the slower, more deliberative processes that deepen our understanding of complex concepts, of another's inner thought processes, and of our own consciousness?" Wolf never fully answers these questions, though they strike me as the basis for a much needed book. Still, like any parent with a child transfixed by flashing screens, she is troubled by what she observes. She urges that we "teach our children to be 'bitextual' " or 'multitextual,' able to read and analyze texts flexibly in different ways" so that our sons and daughters don't end up as mere "decoders of information," distracted from the "deeper development of their intellectual potential." Early on in Proust and the Squid, she had noted that infants and toddlers who aren't told stories by their caregivers, who aren't read to from a very early age, nearly always fail to learn to read well themselves. By implication, it may already be too late for many young people: They will never be able to read with the same thoughtfulness and comprehension as their parents. Think about that.
简介:"From Robert Johnson to Aretha Franklin, Mahalia Jackson to John Lee Hooker, blues and gospel artists figure heavily in the mythology of twentieth-century culture. The styles in which they sang have proved hugely influential to generations of popular singers, from the wholesale adoptions of singers like Robert Cray or James Brown, to the subtler vocal appropriations of Mariah Carey. Their own music, and how it operates, is not, however, always seen as valid in its own right." "This book offers an overview of both these genres, which worked together to provide an expression of twentieth-century black U.S. experience. Their histories are unfolded and questioned; representative songs and lyrical imagery are analyzed; perspectives are offered from the standpoint of the voice, the guitar, the piano, and also that of the working musician. The book concludes with a discussion of the impact the genres have had on mainstream musical culture."--BOOK JACKET.
丧钟为谁而鸣sang zhong wei shei er ming
作者: (美)欧内斯特·海明威(Ernest Hemingway)著;李景祥译
出版社:广州出版社,2007
简介:美国青年罗伯特·乔丹在大学里教授西班牙语,对西班牙有深切的感情 。他志愿参加西班牙政府军,在敌后搞爆破活动。为配合反攻,他奉命和地 方游击队联系,完成炸桥任务。他争取到游击队队长巴勃罗的妻子比拉尔和 其他队员的拥护,孤立了已丧失斗志的巴勃罗,并按部就班地布置好各人的 具体任务。在纷飞的战火中,他和比拉尔收留的被敌人糟蹋过的小姑娘玛丽 亚坠入爱河,藉此抹平了玛丽亚心灵的创伤。在这三天中,罗伯特历经爱情 与职责的冲突和生与死的考验,人性不断升华。在炸桥的人,自己却被炮弹 炸断了大腿,独自留下阻击敌人,最终为西班牙人民献出了年轻的生命。《 丧钟为谁而鸣》是海明威流传最广的长篇小说之一,凭借其深沉的人道主义 力量感动了一代又一代人。
简介: Carrie Bradshaw adored them; Beyoncé sang about them; princesses wear them. From the first time a pair of Jimmy Choo shoes graced the red carpet, the brand has been favored by Hollywood stars, British royalty, and the world’s most fashionable women—as well as highly coveted by millions around the world. Founded in 1996 by Tamara Mellon, Jimmy Choo is known for its glamorous, creative, and whimsical designs that have inspired legions of fans worldwide. Since launching the company, Mellon has been a creative and business visionary, turning out fashion and cultural icons regularly seen on loyal fans such as Reese Witherspoon, Madonna, Halle Berry, and countless other stars. Through red-carpet fashion photography and behind-the-scenes imagery from the company archives, this book gives an inside look at Mellon and the company’s creative inspirations, as well as showcasing the brilliant, colorful, and memorable creations that have already become fashion classics.
作者: Peter Campbell,David Sang,Robin Millar编著;仲新元译
出版社:上海教育出版社,2010
简介:《21世纪科学:牛津GCSE中学物理》内容简介:《21世纪科学》是牛津大学出版社为立志以后学习理工科的学生而组织编写的一套有较高要求的教材,它的主旨是鼓励更多的年轻人学习科学,以便更好地融人日益科技化的社会。《牛津GCSE中学物理》作为该丛书中的物理分册,具有鲜明的特色: A.全新的教材主线设置。它用一条从原子核到生活、再到宇宙的完整链条为教材主线,以学生感兴趣的地球和宇宙知识为情境,在轻松愉快的氛围中娓娓道出相关物理知识。如在“探索天空”中引入了探索工具“望远镜”,再由此引入光学知识…… B.突出对科学思想和科学精神的感悟。书中介绍了科学上的许多争论和辩论,以及“谬论”最终为人们接受并成为真理的探究过程,如1920年的世纪大辩论…… C.知识广阔、方法新颖、图文并茂。如在介绍宇宙的历史时,将从大爆炸到现在的时间视作一年,让学生探究在这一年中某月某日某时宇宙演化的阶段和地球上发生的重大事件…… D.打破学科界限,在介绍物理概念的过程中融合了其他学科知识……
简介:Summary: Publisher Summary 1 This study draws on the theory and practice of archaeology to develop a new perspective on the literature of the Renaissance. Philip Schwyzer explores the fascination with images of excavation, exhumation, and ruin that runs through literary texts including Spenser's Faerie Queene, Shakespeare's Romeo and Julietand Hamlet, Donne's sermons and lyrics, and Thomas Browne's Hydriotaphia, or Urne-Buriall. Miraculously preserved corpses, ruined monasteries, Egyptian mummies, and Yorick's skull all figure in this study of the early modern archaeological imagination. The pessimism of the period is summed up in the haunting motif of the beautiful corpse that, once touched, crumbles to dust. Archaeology and literary studies are themselves products of the Renaissance. Although the two disciplines have sometimes viewed one another as rivals, they share a unique and unsettling intimacy with the traces of past life--with the words the dead wrote, sang, or heard, with the objects they made, held, or lived within. Schwyzer argues that at the root of both forms of scholarship lies the forbidden desire to awaken (and speak with) the dead. However impossible or absurd this desire may be, it remains a fundamental source of both ethical responsibility and aesthetic pleasure.

































