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简介：Henry Levinson offers a major reinterpretation of the Spanish@-born American philosopher George Santayana (1863-1952), which highlights his relationship to the tradition of American pragmatism. He shows that Santayana's role in forming the pragmatist tradition was greater than has usually been recognized and that Santayana has much to offer contemporary pragmatists. Levinson puts Santayana at the forefront of pragmatism by emphasizing his reflections on the cultural structures that shape human life and expression. He explores Santayana's interest in solitude and society, his poetic construals of religious thought and ritual, his institutional rendition of pragmatism, and his concern to distinguish spirituality and politics. In doing so, he gives attention to Santayana's precursors, like Ralph Waldo Emerson; to his teachers and colleagues, including William James and Josiah Royce; to other pragmatists of his time, such as John Dewey and Sidney Hook; and to contemporary writers, including Richard Rorty and Milan Kundera. Levinson's book illuminates an area neglected in both American literary history and the history of pragmatism. No other book has so carefully and centrally focused on the development of Santayana's scholarship, and no other author captures the way in which Santayana's concern with spirituality connects his earlier and later works.

Lignorance

作者：  Milan

出版社： 2000年02月

简介：

La parution d'un nouveau roman de Milan Kundera demeure toujoursun événement littéraire. ? plus d'un titre. Celui-ci n'échappe pasà cette réalité. ?crit en fran?ais, traduit en plusieurs langues,L'Ignorance a déjà connu un succès hors de l'Hexagone. Renouantavec le roman à multiples facettes, à multiples entrées, ils'appuie sur le déracinement et l'exil, imprégné des fragrancessubtiles de la Bohême. Entre mélancolie et vin doux. Avec despersonnages qui vont, viennent, s'efforcent d'accoster quelquepart… Irena, veuve et mère à la fois, réfugiée à Paris à la fin desannées soixante, et de retour à Prague vingt ans après ; son amiGustaf, entrepreneur suédois ; Milada, vieille complice d'enfance ;Josef, également de retour en Bohême, dans une Tchéquiepost-révolutionnaire et post-communiste. Des émigrés sans patrie,arrimés à leur passé qui s'est malgré tout échappé, des individusordinaires chargés du poids lourd de leur existence, mutilés etblessés dans leur chair. Les destins se croisent, se manquent, secognent.
Construit en 53 petits tableaux, L'Ignorance est ponctué dediscours philosophiques et de remarques géopolitiques articulésautour du Printemps de Prague, en 1968, et de la Révolution develours, en 1989, de commentaires sur le voyage homérique et leretour d'Ulysse à Ithaque. Car voilà un récit polyphonique quipourrait se calquer sur l'Odyssée. Sans grande pompe au débarcadèremais plut?t avec une désillusion dans cette quête improbable del'identité, ici ou ailleurs, passée ou présente, où l'on secherche, désespérément ignorant. --Céline Darner --Ce texte faitréférence à l’édition Broché .

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简介：Moving through the elegiac ruins of the Berlin Wall and the Yugoslav disintegration, Writing Postcommunism explores literary evocations of the pervasive disappointment and mourning that have marked the postcommunist twilight. With particular reference to the writings of Croatian emigre Dubravka Ugresic, and those of Milan Kundera, Clemens Meyer, Ingo Schulze, Jachym Topol, Christa Wolf, and others, it is argued that a significant body of postcommunist literature is underpinned and scarred by the semantic field of ruins: melancholia and nostalgia, presence and absence, pride and shame, and not least, remembering and forgetting. Taken together, the writings considered suggest a post-1989 'literature of the ruins', an amorphous, anti-formative framework that also dramatically illuminates the post-1989 ruins of east European literature itself - what remains when, as Gyorgy Konrad put it, 'something is over'.

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简介：From the shootings at Columbine High School to the JonBenet Ramsey murder to the sentencing of "killer kids," today's media cannot decide if children are objects of fear or in need of protection. Our culture's deep-seated ambivalence toward its young is reflected in a fascinating array of recent fiction that exposes society's collective fantasies and fears. Demon or Doll investigates the ambiguous, contradictory ways childhood has been formulated in the twentieth century and the resulting ambivalence reflected in contemporary fiction. Grounding her exploration in a discussion of traditional constructions of childhood and the influence of the Romantics, Ellen Pifer shows how Dickens translated the Romantic idyll of original innocence into poignant images of "poor children," abused or abandoned by a harsh, increasingly mechanical society. At the turn of the twentieth century, Henry James created provocative images of childhood that anticipated the contemporary, post-Freudian child. Pifer engages a diverse and distinguished body of work by a global range of authors, addressing in each chapter a novel or cluster of novels in which the child's image serves as a nexus for investigating literary and cultural issues. The theories and observations of social historians, psychologists, and cultural critics--from Philippe Ari s to Raymond Williams, Freud to Foucault--clarify the significance of the child's created image. Novels by William Golding, Doris Lessing, Milan Kundera, Toni Morrison, Salman Rushdie, and Jerzy Kosinski bring readers face to face with shattered, often grotesque images of the child. But several of postwar fiction's most experimental writers, including Vladimir Nabokov, Don DeLillo, and Ian McEwan, create texts that render surprising faith in original innocence. Whether the contemporary image of childhood appears intact or fractured, wholesome or horrifying, its many facets create a mirror in which we seek glimpses of our elusive, original selves.

Dernier apres-midi d’Agnes:essai sur l’oeuvre de Milan Kundera

作者：  弗朗索瓦·里卡尔(Francois Ricard)著;袁筱一译

出版社：上海译文出版社,2011

简介：　　《阿涅丝的最后一个下午》作为唯一的关于昆德拉整体作品的论述，更是在昆德拉的大力推举下引进出版。《阿涅丝的最后一个下午》考察昆德拉从《好笑的爱》到《无知》的十三部作品，阐明昆德拉的创作在小说史上的地位，对其创作主题上的丰富内容和形式上的大胆创新进行了揭示，为昆德拉作品的综合论述，类似昆德拉作品的小小总结。书中，里卡尔踏着昆德拉作品《不朽》的女性人物阿涅丝在生命中最后一个下午徜徉山间的脚步，陪伴阿涅丝走向死亡的旅程，对昆德拉作品展开论述，为昆德拉作品提供了令人耳目一新的阅读视角。

La rideau

作者：  米兰·昆德拉(Milan Kundera)[著];董强译

出版社：上海译文出版社,2013

简介：　　《米兰·昆德拉作品系列：帷幕》作为《被背叛的遗嘱》和《小说的艺术》的延续，概述昆德拉在前两者中的思考，并以更自由的笔触探索与历史和生活现实交混的小说艺术世界。他撕裂了遮盖着世界和文学的帷幕，将读者带到各国，带到拉伯雷、福楼拜、司汤达、塞万提斯、加西亚·马尔克斯、富恩特斯、罗伯特·穆齐尔和荷马的土地上。

The unbearable lightness of being / Deluxe ed.

作者：  Milan Kundera ; translated from the Czech by Michael Henry Heim.

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简介：Interweaves story and dream, past and present, and philosophy and poetry in a sardonic and erotic tale of two couples--Tomas and Teresa, and Sabina and her Swiss lover, Gerhart.

Rideau

作者：  米兰·昆德拉(Milan Kundera)著;董强译

出版社：上海译文出版社,2011

简介：　　一道魔幻的帷幕，上面织满了传奇，挂在世界的前面。塞万提斯派堂吉诃德去旅行，撕裂了这道帷幕。世界在这位流浪骑士面前，以它非诗性、喜剧性的裸体，呈现出来。 　　就像一位匆匆化妆去赴她的首次约会的女人，当世界涌向刚刚出生的我们时，是已经化过妆、戴上了面具、被预先阐释了的。而上当受骗的不光是保守者；反叛者，由于急于与一切和一切人对立，并没有意识到自己本身有多么驯服；他们所反叛的，仅仅是被阐释为(被预先阐释为)值得反叛的东西。 　　本书《帷幕》是昆德拉于2005年3月出版的最新作品。作为《被背叛的遗嘱》和《小说的艺术》的延续，随笔《帷幕》概述昆德拉在前两者中的思考，并以更自由的笔触探索与历史和生活现实交混的小说艺术世界。 　　《帷幕》原作以法文写成，在法国一出版，所有全国性的报纸、杂志，比如《世界报》、《解放报》、《费加罗报》、《快报》、《新观察家周刊》、《观点周刊》均以专文评论，并被读者评为最为广泛的权威文学杂志《读书》当年最有价值的十本书之一。《帷幕》的中译本由昆德拉指定译者——他唯一的中国学生、北京大学法语系教授董强翻译，是为期待已久的中国读者献上的一份金秋厚礼。 　　米兰·昆德拉撕裂了遮盖着世界和文学的帷幕，他将我们带到友邦，带到拉伯雷、福楼拜、司汤达、塞万提斯、加西亚·马尔克斯、富恩特斯、罗伯特·穆齐尔和荷马的土地上。《小说的艺术》和《被背叛的遗嘱》中继续的拯救事业，如今在《帷幕》中达到顶峰。　　

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简介：　　In Modernist Futures, David James examines the implications of modernism's continuity in late twentieth- and twenty-first-century writing by tracing its political and ethical valences in emerging novelistic practices. Focusing on the work of J. M. Coetzee, Milan Kundera, Ian McEwan, Toni Morrison, Michael Ondaatje and Phillip Roth, James reconsiders the purpose of literary innovation as it relates to the artistic and cultural interventions such writers perform. By rethinking critical and disciplinary parameters, James brings scholarship on contemporary fiction into dialogue with modernist studies, offering a nuanced account of narrative strategies that sheds new light on the form of the novel today. An ambitious and incisive contribution to the field, this book will appeal especially to scholars of modernism and contemporary literary culture as well as those in American and postcolonial studies.　　

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简介：　　本书是对定居法国的捷克小说家米兰·昆德拉(Milan Kundera)的文学及理论著作的研究。其中有昆德拉著作及大事年表。 　　

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简介：     A wide-ranging and eclectic collection of short stories on the theme of love in its various forms: romantic, erotic, impossible, undying and exhausted. No other aspect of the human experience regularly inspires such an outpouring of poetry, prose and philosophy as love. From passionate declarations to clinical analysis, writers of every age have been fascinated, tormented and inspired by love. This beautifully produced collection of short stories will combine the best of contemporary and classic fiction on the theme of love, from Catullus to Alice Munro. Edited and introduced by the Pulitzer Prize-winning author of 'Middlesex', this wonderfully heterodox look at love will include, amongst others, 'A Rose for Emily' by William Faulkner, 'The Lady with the Lapdog' by Anton Chekhov and stories by Lorrie Moore, Milan Kundera and Guy de Maupassant.

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简介："Translating Milan Kundera uses new archival research to view the wider cultural scope of the translation issue involving the controversies surrounding the translations of Kundera's novels. The book focuses on a variety of forms of translation surrounding the exiled, bilingual writer - rewriting, writing as translation, interpretation,reception and translation as a social act beyond the translator-author relationship."--BOOK JACKET

Livre du rire et de l’oubli

作者：  米兰·昆德拉(Milan Kundera)[著];王东亮译

出版社：上海译文出版社,2013

简介：　　《米兰·昆德拉作品系列：笑忘录》以1968年苏联军队入侵捷克斯洛伐克为背景，描写捷克不同阶层知识分子的命运。书中章节，如同旅行的不同阶段，朝向某个主旋律的内在，旅行的意涵已迷失在广袤无垠的内在。作者探讨了人生中记忆和遗忘的哲学关系，人们希望保持或者忘却的内容，如同附带欢娱和讽刺的笑一样，是交相辉映的永恒主题。

La valse aux adieux

作者：  米兰·昆德拉(Milan Kundera)[著];余中先译

出版社：上海译文出版社,2013

简介：　　《米兰·昆德拉作品系列：告别圆舞曲》一书中，作者在思考这样一个问题：人配在地球上生存吗？难道不应当“把地球从人类的魔爪下解救出来”吗？将格外重的问题和格外轻的形式结合在一起，这是作者一直以来的野心。这不是一种单纯的艺术野心。形式之轻和主题之重的结合揭示了我们人间这种种戏剧毫无意义，到了可怕的地步。

LImmortalite

作者：  Milan Kundera　著

出版社： 2011年5月

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Laughable Loves

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简介：
This collection contains stories about the sport of love - Don Juanism, ageing, male and female power and seductions undertaken for all kinds of intriguing motives. Milan Kundera is author of The Unbearable Lightness of Being and The Book of Laughter and Forgetting.
【编辑推荐】

Milan Kundera米兰昆德拉的其他畅销作品，欢迎选购：

THE FESTIVAL OFINSIGNIFICANCE《庆祝无意义》：http://product.dangdang.com/23712574.html

The UnbearableLightness of Being《不能承受的生命之轻》：http://product.dangdang.com/23712575.html

The Joke《玩笑》：http://product.dangdang.com/23712576.html

The Book ofLaughter and Forgetting《笑忘录》：http://product.dangdang.com/23712577.html

Slowness《慢》：http://product.dangdang.com/23712578.html

Ignorance《无知》：http://product.dangdang.com/23712580.html

Laughable Loves

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简介：
This collection contains stories about the sport of love - Don Juanism, ageing, male and female power and seductions undertaken for all kinds of intriguing motives. Milan Kundera is author of The Unbearable Lightness of Being and The Book of Laughter and Forgetting.
【编辑推荐】

Milan Kundera米兰昆德拉的其他畅销作品，欢迎选购：

THE FESTIVAL OFINSIGNIFICANCE《庆祝无意义》：http://product.dangdang.com/23712574.html

The UnbearableLightness of Being《不能承受的生命之轻》：http://product.dangdang.com/23712575.html

The Joke《玩笑》：http://product.dangdang.com/23712576.html

The Book ofLaughter and Forgetting《笑忘录》：http://product.dangdang.com/23712577.html

Slowness《慢》：http://product.dangdang.com/23712578.html

Ignorance《无知》：http://product.dangdang.com/23712580.html

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简介：This is the first novel by the author of "Immortality", which won "The Independent" Award for Foreign Fiction in 1991. Milan Kundera is also the author of "The Book of Laughter and Fogetting".

Une rencontre

作者：  米兰·昆德拉(Milan Kundera)著;尉迟秀译

出版社：皇冠文化出版有限公司,2009

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Nesmrtelnost

作者：  米兰·昆德拉(Milan Kundera)著;尉迟秀译

出版社：皇冠文化出版有限公司,2005

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