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作者: 村上春树(Haruki Kurakami )著;林少华译
出版社:上海译文出版社,2009
简介: “我”的妻子突然不告而辞,还来信说她另外有了男人。但是“我” 决不相信。久美子的背后有黑手控制,那便是她的兄长绵谷升众议员、当 代日本恶之源的象征。回绝了女灵媒师协议离婚的调停,回绝了“意识娼 妇”远走希腊的提议,“我”下到深深的枯井冥思苦索,来到嘈杂的大街 死死守候,从神秘的吉他汉子手中夺得球棍,在非现实的宾馆房间里给对 手以致命一击——终于,被击昏的绵谷升在现实中死于久美子之手,虽然 她为此付出了牢狱的代价;终于,“我”的小友笠原May在扭歪变形的国土 上为“我”觅到了鸭子人和悠然游荡的明净水塘,虽然“我”还得等到与 久美子相聚之后能才前往那里。
Haruki Murakami and the music of words
出版社:上海译文出版社,2006
简介:“村上春树在记忆的内部世界进行的冒险目的就是步普鲁斯特之后尘力图捕获时间之流,但有一个至关紧要的不同:村上一点都不沉闷。你可以轻松地读完全书。是为我们这个高度商业化、低胆固醇的时代提供的一种清新的低卡路里式的普鲁斯特趣味。他处理的都是那些根本性的问题——生与死的意义、真实的本质、对时间的感觉与记忆及物质世界的关系、寻找身份和认同、爱之意义——但采取的是一种易于消化的形式,不沉闷、不冗赘、不压抑,但又十足真诚,绝不故弄玄虚。他面向现今的我们讲话,用的是我们这个时代的语言,对于活在这个世上所具有的全部好处和乐趣既敏于感受又秉持一种虚无主义的态度。”
What I Talk About When I Talk About Running 我说的其实是
作者: HARUKI
出版社:Oversea Publishing House 2009年04月
简介:Murakami's latest is a nonfiction work mostly concerned with his thoughts on the long-distance running he has engaged in for much of his adult life. Through a mix of adapted diary entries, old essays, reminiscences and life advice, Murakami crafts a charming little volume notable for its good-natured and intimate tone. While the subject matter is radically different from the fabulous and surreal fiction that Murakami (The Wind-Up Bird Chronicle) most often produces, longtime readers will recognize the source of the isolated, journeying protagonists of the author's novels in the formative running experiences recounted. Murakami's insistence on focusing almost exclusively on running can grow somewhat tedious over the course of the book, but discrete, absorbing episodes, such as a will-breaking 62-mile ultramarathon and a solo re-creation of the historic first marathon in Greece serve as dynamic and well-rendered highlights. Murakami offers precious little insight into much of his life as a writer, but what he does provide should be of value to those trying to understand the author's long and fruitful career. An early section recounting Murakami's transition from nightclub owner to novelist offers a particularly vivid picture of an artist soaring into flight for the first time. (Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
简介: Now a major motion picture starring Tom Hanks, Halle Berry, Susan Sarandon, and Hugh Grant, and directed byLanaand AndyWachowski and Tom Tykwer Includes a new Afterword by David MitchellA postmodern visionary who is also a master of styles and genres, David Mitchell combines flat-out adventure, a Nabokovian love of puzzles, a keen eye for character, and a taste for mind-bending philosophical and scientific speculation in the tradition of Haruki Murakami, Umberto Eco, and Philip K. Dick. The result is brilliantly original fiction that reveals how disparate people connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.“[David] Mitchell is, clearly, a genius. He writes as though at the helm of some perpetual dream machine, can evidently do anything, and his ambition is written in magma across this novel’s every page.”— The New York Times Book Review“One of those how-the-holy-hell-did-he-do-it? modern classics that no doubt is—and should be—read by any student of contemporary literature.”—Dave Eggers “Wildly entertaining . . . a head rush, both action-packed and chillingly ruminative.”— People “The novel as series of nested dolls or Chinese boxes, a puzzle-book, and yet—not just dazzling, amusing, or clever but heartbreaking and passionate, too. I’ve never read anything quite like it, and I’m grateful to have lived, for a while, in all its many worlds.”—Michael Chabon
出版社: 2011-1-1
简介: "After Dark" is a short, sleek novel that features variousencounters set in the witching hours of Tokyo between midnight anddawn, and is every bit as gripping as Murakami's masterworks "TheWind-Up Bird Chronicle" and "Kafka on the Shore."
What I talk about when I talk about Murakami Haruki
作者: 王光波著
出版社:大旗出版社,2013
简介:閱讀村上,閱讀夢,閱讀靈魂。 時間在我們的身上留下痕跡, 村上春樹卻在我們靈魂的深處留下刻痕。 聽著威靈頓公爵,啜著威士忌,晚點來吃些義大利麵吧…… 村上春樹,一個時代的縮影,一段熟悉的生活符號; 看著村上春樹,讀著自己的青春。 目錄: 1. 太陽之西,遇見100%的村上 國境之南的西方視角 六○年代的孩子 爵士酒吧裡的夜行動物 從酒吧老闆到「群像新人賞」得主 村上風味的義大利麵 如果我們的生活像威士忌 作家和貓的生活 虛無中的舞步 2. 聽風的歌,跟著村上春樹跑步 村上春樹的模樣 為什麼迷戀村上春樹 有書有音樂的天堂生活 看到他,就想買酒喝 三十年的長跑達人 多面性的村上面孔 3. 黑夜之後,看村上和那些人共舞 當村上春樹遇上村上龍 了不起的村上春樹和了不起的費茲傑羅 村上春樹與卡夫卡:心靈流浪者的超現實風景 余華與村上:荒誕側面的雕塑師 昆德拉和村上春樹:生命擺渡者的另類航程 安妮寶貝和村上春樹:香檳碰啤酒 王小波和村上春樹:不期而遇的靈魂使者 村上春樹和王家衛:兩個異變的「森林」 村上春樹與岩井俊二:越美麗越殘酷的青春吟唱 4. 在日出國的工場,傾聽村上春樹的音樂 村上春樹的音樂部落格 村上春樹與鮑比.狄倫 六○年代的日本爵士文化 村上春樹與爵士樂 《挪威的森林》中的音樂祕密 《聽風的歌》的音樂種子 村上文學中的音樂氣息 5. 和神的孩子,鑽進村上的小說世界 遺落的青春:《聽風的歌》 憂傷的記憶:《挪威的森林》 生命的寓言:《海邊的卡夫卡》 村上春樹與他的「羊」 眾人的成長史:《國境之南.太陽之西》 情有獨鍾的「彈珠」 非主流的慾望意象:《舞.舞.舞》 6. 雨天炎天,遠眺旅行中的村上身影 太陽之西有什麼 從希臘到土耳其的人生漫步 羅馬的足跡 7. 和海邊的卡夫卡戲水──村上現象 文化消費中的「村上」 穿上隱身衣的村上春樹 村上春樹是流行作家嗎? 「神話」的當代寫照 誰在談論村上春樹 生活的符號 不只是文青 8. 在挪威的森林,描繪我們的村上 關於村上,我說的其實是…… 留了幾本村上春樹的小說 摩羯座的男人和他的氣質 愛上村上,愛上寂寞 後現代的唯美愛情 後記 內容簡介: 村上春樹,一個人,一位作家,一場文化熱,一種生活態度...... 2013年,他的新作剛在日本發表,而他,也在睽違18年後再度公開現身接受採訪。 說起村上,他的身影總是帶有幾許孤獨,他說:「請把我想成瀕臨絕種的西表山貓......」 或許,他是享受著這種孤獨; 聽到村上,或許有些人總會想到《挪威的森林》, 或許,他代表著一段永遠不會老去的青春; 看到村上,或許你不清楚他的面貌,但你卻看過他的《爵士群像》、《如果我們的語言是威士忌》、〈義大利麵之年〉, 或許,他引領著某種生活的態度。 ...... 透過解析村上,重新審視他的作品、他的個性、他的生活, 當我們了解村上為何會風迷世界之時, 或許我們也能重新找到自己在世界的位置; 或許,也沒有這麼偉大,不過只是一點小確幸罷了。 村上春樹只有一個,但每個人,卻都能在他的身上看到自己的身影。 也許,每個人的心中都有一個村上春樹吧。
作者: 村上春树(Haruki Murakami)著;大桥步(Ayumi Ohashi)绘;赖明珠译
出版社:时报文化出版企业股份有限公司,2012,2013重印)
简介: 十年紀念.復刻改版 32開精裝本《anan》雜誌超人氣連載首度完整收錄大橋步美麗版畫攜手合奏四季樂章輕抓起貓背般的文字,明燦如點點星光,唯有村上捕捉得到的,生活中的吉光片羽,都教人想要納入掌中,呵護收藏。收錄2000年至2001年間的50篇隨筆,關於有營養的音樂、袖珍型電晶體收音機、要跳之前不妨先看一下、蘋果的心情、太卷飯糰和棒球場……村上的世界就這樣一點一點輕緩溫柔地滲入心中。「憑著自己的雙腳一面跑在路上,一面看到的世界風景,說起來真是非常美妙。嗯。」──村上春樹
Haruki Murakami and the music of words
出版社:南京大学出版社,2012
简介:日本著名作家村上春树在中国声誉日隆,阅读粉丝不计其数。鲁宾是美国哈佛大学的日本文学教授,曾经为英语国家翻译过村上春树的《挪威的森林》、《奇鸟形状录》等作品。在本书中,作者更多地是以村上的作品为研究对象,从文学评论的高度阐述其创作背景和文本意义等内容,颇具学术研究的色彩,并非传统意义上的传记。本书稿分为12个部分及3个附录,将作者的生平与创作穿插交融,为读者展现了一个丰富细腻的村上世界,也为有关村上春树的研究工作提供了详实的参考资料。
作者: Haruki
简介:
First American Publication
This stunning and elegiac novel by the author of theinternationally acclaimed Wind-Up Bird Chronicle has sold over 4million copies in Japan and is now available to American audiencesfor the first time. It is sure to be a literary event.
Toru, a quiet and preternaturally serious young college studentin Tokyo, is devoted to Naoko, a beautiful and introspective youngwoman, but their mutual passion is marked by the tragic death oftheir best friend years before. Toru begins to adapt to campus lifeand the loneliness and isolation he faces there, but Naoko findsthe pressures and responsibilities of life unbearable. As sheretreats further into her own world, Toru finds himself reachingout to others and drawn to a fiercely independent and sexuallyliberated young woman.
A poignant story of one college student's romantic coming-of-age,Norwegian Wood takes us to that distant place of a young man'sfirst, hopeless, and heroic love.
作者: 村上春树(Haruki Murakami)著;赖明珠译
简介:村上春樹1979-2010 未曾收錄的作品、未發表過的文章 緦括演講、評論、得獎感言及短篇小說 自選69篇文章 包含耶路撒冷文學獎得獎感言〈牆和蛋〉 -超過400頁,特殊裝幀- 完整作家生涯「補完」村上春樹必收一冊 和田誠x安西水丸內頁插畫及對談特別收錄 村上春樹創作生涯最具分量的雜文集結 喜愛村上的讀者千萬不能錯過 以作家出道三十多年來,由於各種目的,為各種場合所寫,卻未曾以單行本發表過的文章,彙集在這裡。從隨筆、為各種人的書所寫的序.解說、回答疑問、各種致詞、到短篇小說,結構真的只能說「又多又雜」。也有相當多未發表過的東西。雖然也可以取個比較普通的書名,但和編輯聯絡時一直都以「雜文集」稱呼,所以說「乾脆就用這當書名不好嗎?」決定用「村上春樹 雜文集」當書名。因為是拉拉雜雜的東西,就保持雜多的樣子也好。 -村上春樹 本書是村上春樹自選文集,文章寫作時間在1979至2010年期間,包括未發表過的小說和未曾收錄的感言、演說稿、自序代序與評論等,分十部分(序文.解說等、致詞.感言等、 關於音樂、 關於「地下鐵事件」、翻譯.被翻譯、關於人物、眼見的東西 心想的事情、問與答、短篇小說《夜之蜘蛛猴》餘稿、寫小說這回事)共69篇文章,另外加上〈前言--理不清的繁雜心境〉和〈解說對談 安西水丸x 和田誠〉。 特別的是,村上春樹並在每篇文章前面加上小文解說自己當初撰文的心情札記。列如2009年2月前往耶路撒冷領取文學獎時,得獎感言〈牆與蛋〉,道出個人應有的道德勇氣和對體制霸權的深刻反省;當時村上春樹就在以色列總統佩雷斯面前,公開批評以色列軍事行動,隨即被國際媒體競相轉載。 村上春樹的小說始終獨樹一格,被譽為最具都市感受的名家,但他的雜文經常流露幽默的真性情,例如本書收錄他為合作伙伴安西水丸的女兒所寫的婚禮致辭。本書並附錄多幀安西水丸及和田誠先生的插畫。 《村上春樹雜文集》是村上春樹創作生涯最具分量的雜文集結,是了解村上春樹的重要資料,喜愛村上的讀者千萬不可錯過!
作者: Haruki (translated from the Japanese by Jay Rubin) Murakami (Author)
简介:这是一部动人心弦的、平缓舒雅的、略带感伤的、百分之百的恋爱小说。小说主人公渡边以**人称展开他同两个女孩间的爱情纠葛。渡边的**次恋爱是高中时,他同女孩睡觉后把女孩甩了。直子原是他高中要好同学木月的女友,后来木月自杀了。一年后渡边同直子不期而遇并开始交往。此时的直子已变得娴静腼腆,美丽晶莹的眸子里不时掠过一丝难以捕捉的阴翳。两人只是日复一日地在落叶飘零的东京街头漫无目标地或前或后或并肩行走不止。直子20岁生日的晚上两人发生了性关系,不料第二天直子便不知去向。几个月后直子来信说她住进一家远在深山里的精神疗养院。渡边前去探望时发现直子开始带有成熟女性的丰腴与娇美。晚间两人虽同处一室,但渡边约束了自己,分手前表示永远等待直子。返校不久,由于一次偶然相遇,渡边开始与低年级的绿子交往。绿子同内向的直子截然相反,“简直就像迎着春天的晨光蹦跳到世界上来的一头小鹿”。这期间,渡边内心十分苦闷彷徨。一方面念念不忘直子缠绵的病情与柔情,一方面又难以抗拒绿子大胆的表白和迷人的活力。不久传来直子自杀的噩耗,渡边失魂落魄地四处徒步旅行。*后,在直子同房病友玲子的鼓励下,开始摸索此后的人生。In reviews and on websites, I had read over and over about Norwegian Wood, the "straightforward" novel that was published years ago in Japan, which still was not for sale in the states, since there was not an authorized translation available. This novel sold a HUGE number of copies in Japan. I was wondering: I love those other novels by Murakami. Are they so demanding? Complicated? If Norwegian Wood is so much simpler than the other novels, will I even like Norwegian Wood?
WIND-UP BIRD CHRONICLE发条鸟年代记9780099448792
出版社:中央编译出版社 1999-4-1
简介:Bad things come in threes for Toru Okada. He loses his job, his cat disappears, and then his wife fails to return from work. His search for his wife (and his cat) introduces him to a bizarre collection of characters, including two psychic sisters, a possibly unbalanced teenager, an old soldier who witnessed the massacres on the Chinese mainland at the beginning of the Second World War, and a very shady politician.Haruki Murakami is a master of subtly disturbing prose. Mundane events throb with menace, while the bizarre is accepted without comment. Meaning always seems to be just out of reach, for the reader as well as for the characters, yet one is drawn inexorably into a mystery that may have no solution. The Wind-Up Bird Chronicle is an extended meditation on themes that appear throughout Murakami's earlier work. The tropes of popular culture, movies, music, detective stories, combine to create a work that explores both the surface and the hidden depths of Japanese society at the end of the 20th century.If it were possible to isolate one theme in The Wind-Up Bird Chronicle, that theme would be responsibility. The atrocities committed by the Japanese army in China keep rising to the surface like a repressed memory, and Toru Okada himself is compelled by events to take responsibility for his actions and struggle with his essentially passive nature. If Toru is supposed to be a Japanese Everyman, steeped as he is in Western popular culture and ignorant of the secret history of his own nation, this novel paints a bleak picture. Like the winding up of the titular bird, Murakami slowly twists the gossamer threads of his story into something of considerable weight. --Simon Leake --This text refers to an out of print or unavailable edition of this title.
Translation and culture translation of Haruki Murakami in Taiwan
作者: 张明敏著
出版社:联合文学出版社有限公司,2009
简介: 要讀懂村上春樹新作《1Q84》,就要先讀這本! 「村上迷」進階「村上狂」的祕密讀本,破解村上春樹跨文化密碼。 村上狂完全必備手冊 1985年,村上春樹藉賴明珠的筆,與臺灣讀者相遇,截至目前為止,村上春樹作品譯文發表已累積177筆,相關評論報導1143筆;如此驚人資料,張明敏全數收藏。村上狂,你,一定要擁有! 我們所認知的村上春樹,是真的村上春樹嗎?當全世界讀者皆渾然未覺時,村上狂,你,必須看清楚! 臺灣是村上風潮的熱力傳送點,村上春樹對臺灣讀者,總是特別的關愛,完整的村上發展史,村上狂,你,不能不知道! 村上春樹的出版品,版本百百種,行銷策略各出奇招,村上春樹竟然變成色情小說?作為情人節最佳禮物的《挪威的森林》,竟成為「18禁」?村上狂,你,錯過會後悔! Norwegian wood名為《挪威的森林》為何是一場美麗的誤會?男主角的好友竟然有三個名字─... (展开全部)要讀懂村上春樹新作《1Q84》,就要先讀這本! 「村上迷」進階「村上狂」的祕密讀本,破解村上春樹跨文化密碼。 村上狂完全必備手冊 1985年,村上春樹藉賴明珠的筆,與臺灣讀者相遇,截至目前為止,村上春樹作品譯文發表已累積177筆,相關評論報導1143筆;如此驚人資料,張明敏全數收藏。村上狂,你,一定要擁有! 我們所認知的村上春樹,是真的村上春樹嗎?當全世界讀者皆渾然未覺時,村上狂,你,必須看清楚! 臺灣是村上風潮的熱力傳送點,村上春樹對臺灣讀者,總是特別的關愛,完整的村上發展史,村上狂,你,不能不知道! 村上春樹的出版品,版本百百種,行銷策略各出奇招,村上春樹竟然變成色情小說?作為情人節最佳禮物的《挪威的森林》,竟成為「18禁」?村上狂,你,錯過會後悔! Norwegian wood名為《挪威的森林》為何是一場美麗的誤會?男主角的好友竟然有三個名字──Kizuki、木月、木漉,哪個才是真名?村上狂,你,講錯會害羞! 這是一本專業的研究著作,卻充滿出奇不意的趣味,可以打直脊梁莊重閱讀,也可以斜坐半躺輕鬆品味。一本書,可以引發不同的閱讀態度;就如同村上春樹的作品,每人嚼文滋味各有不同。 有人說,村上風,是由譯者創造出來的,但張明敏卻要告訴你──每個人心中,都有一個和別人不一樣的村上春樹!
简介: This is an analysis of the relationship between memory, history and the protocols of mourning in key novels by Paul Auster, Jose Saramago, David Mitchell, and, Haruki Murakami. "Melancholy and the Archive" examines how trauma, history and memory are represented in key works of major contemporary writers (David Mitchell, Paul Auster, Haruki Murakami, Jose Saramago). The book explores how these authors construct crucial relationships between sites of memory - the archive becomes a central trope here - and the self that has been subjected to various traumas, various losses. The archive - be it a bureaucratic office (Saramago), an underground bunker (Auster), a geographical space or landscape (Mitchell) or even a hole (Murakami) - becomes the means by which the self attempts to preserve and conserve his or her sense of history even as the economy of trauma threatens to erase the grounds of such preservation: as the subject or self is threatened so the archive becomes a festishized site wherein history is housed, accommodated, created, even fabricated. The archive, in Freudian terms, becomes a space of melancholy precisely as the subject preserves not only a personal history or a culture's history, but also the history of the traumas that necessitates the creation of the archive as such.
作者: Roberto
简介: Written with burning intensity in the last years of RobertoBolano's life, "2666" has been greeted across the world as thegreat writer's masterpiece, surpassing everything in imagination,beauty and scope. It is a novel on an astonishing scale from apassionate visionary. 'The best book of 2008 ...A masterpiece, theelectrifying literary event of the year' - "Time". 'Readers whohave snacked on Haruki Murakami will feast on Roberto Bolano'-"Sunday Times". 'Bolano makes you feel changed for having read him;he adjusts your angle of view on the world' - "Guardian".
简介:"Murakami Haruki is perhaps the best known and most widely translated Japanese author of his generation. Bringing a comparative perspective to the study of Murakami's fiction, Rebecca Suter complicates our understanding of the author's oeuvre and highlights his contributions not only as a popular writer but also as a cultural critic on both sides of the Pacific. Suter concentrates on Murakami's short stories - less known in the West but equally worthy of critical attention - as sites of some of the author's bolder experiments in manipulating literary (and everyday) language, honing cross-cultural allusions, and crafting meta-fictional techniques. This study scrutinizes Murakami's fictional worlds and their extra-literary contexts through a range of discursive lenses: modernity and postmodernity, universalism and particularism, imperialism and nationalism, Orientalism and globalization."--BOOK JACKET.
简介:A New York Times Book ReviewEditor's Choice Born after Hiroshima, the writers in this dazzling collection of short stories represent the American debut of the best contemporary Japanese fiction. Inhabiting the exotic interstice between cultural traditionalism and high-tech futurism, the stories in this volume offer a rich portrait of the Japanese sensibility ? the zeitgeist that is transforming the way the rest of the world views itself. Sections include ?Kitchen” by Banana Yoshimoto, ?A Callow Fellow of Jewish Descent” by Masahiko Shimada, ?On Meeting My 100 Percent Woman One Fine April Morning” by Haruki Murakami, ?Swallowtails” by Shiina Mkoto, ?God Is Nowhere; God Is Now Here” by Itoh Seikoh, ?X-Rated Blanket” by Eimi Yamada, ?Yu-Hee” by Yang Ji Lee, ?On a Moonless Night by Sei Takekawa, ?Living in a Maze” by Kyoji Kobayashi, ?The Imitation of Leibniz” by Genichiro Takahashi, ?The Unsinkable Molly Brown” by Tamio Kageyama, and ?Wine” by Mariko Hayashi.
简介: 在线阅读本书 Book Description First American Publication This stunning and elegiac novel by the author of the internationally acclaimed Wind-Up Bird Chronicle has sold over 4 million copies in Japan and is now available to American audiences for the first time. It is sure to be a literary event. Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable. As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman. A poignant story of one college student's romantic coming-of-age, Norwegian Wood takes us to that distant place of a young man's first, hopeless, and heroic love. Amazon.co.uk "I once had a girl, or should I say, she once had me" "Norwegian Wood" (Lennon/McCartney). With Norwegian Wood Murakami, best known as the author of off-kilter classics such as the Wind Up Bird Chronicle, A Wild Sheep Chase and Hard Boiled Wonderland, finally achieved widespread acclaim in his native Japan. The novel sold upwards of 4 million copies and forced the author to retreat to Europe, fearful of the expectations accompanying his new-found cult status. The novel is atypical for Murakami: seemingly autobiographical, in the tradition of many Japanese "I" novels, Norwegian Wood is a simple coming of age tale set, primarily, in 1969/70, the time of Murakami's own university years. The political upheavals and student strikes of the period form the backdrop of the novel but the focus here is the young Watanabe's love affairs and the pain (and pleasure) of growing up with all its attendant losses, (self-)obsessions and crises. The novel is split into two volumes and beautifully presented here in a "gold" box containing both the green book and the red book. Young Japanese fans became so obsessed with the work that they would dress entirely in one or other colour denoting which volume they most identified with. And the novel is hugely affecting, reading like a cross between Plath's Bell Jar and Vizinczey's In Praise of Older Women, if less complex and ultimately less satisfying than Murakami's other, more allegorical, work. He captures the huge expectation of youth, and of this particular time in history, for the future and for the place of love in it. He also saturates the work with sadness, an emotion that can cripple a novel but which here underscores the poignancy of the work's rather thin subject matter. --Mark Thwaite Amazon.com In 1987, when Norwegian Wood was first published in Japan, it promptly sold more than 4 million copies and transformed Haruki Murakami into a pop-culture icon. The horrified author fled his native land for Europe and the United States, returning only in 1995, by which time the celebrity spotlight had found some fresher targets. And now he's finally authorized a translation for the English-speaking audience, turning to the estimable Jay Rubin, who did a fine job with his big-canvas production The Wind-Up Bird Chronicle. Readers of Murakami's later work will discover an affecting if atypical novel, and while the author himself has denied the book's autobiographical import--"If I had simply written the literal truth of my own life, the novel would have been no more than fifteen pages long"--it's hard not to read as at least a partial portrait of the artist as a young man. Norwegian Wood is a simple coming-of-age tale, primarily set in 1969-70, when the author was attending university. The political upheavals and student strikes of the period form the novel's backdrop. But the focus here is the young Watanabe's love affairs, and the pain and pleasure and attendant losses of growing up. The collapse of a romance (and this is one among many!) leaves him in a metaphysical shambles: I read Naoko's letter again and again, and each time I read it I would be filled with the same unbearable sadness I used to feel whenever Naoko stared into my eyes. I had no way to deal with it, no place I could take it to or hide it away. Like the wind passing over my body, it had neither shape nor weight, nor could I wrap myself in it. This account of a young man's sentimental education sometimes reads like a cross between Sylvia Plath's The Bell Jar and Stephen Vizinczey's In Praise of Older Women. It is less complex and perhaps ultimately less satisfying than Murakami's other, more allegorical work. Still, Norwegian Wood captures the huge expectation of youth--and of this particular time in history--for the future and for the place of love in it. It is also a work saturated with sadness, an emotion that can sometimes cripple a novel but which here merely underscores its youthful poignancy. --Mark Thwaite From Publishers Weekly In a complete stylistic departure from his mysterious and surreal novels (The Wind-Up Bird Chronicle; A Wild Sheep Chase) that show the influences of Salinger, Fitzgerald and Tom Robbins, Murakami tells a bittersweet coming-of-age story, reminiscent of J.R. Salamanca's classic 1964 novel, LilithAthe tale of a young man's involvement with a schizophrenic girl. A successful, 37-year-old businessman, Toru Watanabe, hears a version of the Beatles' Norwegian Wood, and the music transports him back 18 years to his college days. His best friend, Kizuki, inexplicably commits suicide, after which Toru becomes first enamored, then involved with Kizuki's girlfriend, Naoko. But Naoko is a very troubled young woman; her brilliant older sister has also committed suicide, and though sweet and desperate for happiness, she often becomes untethered. She eventually enters a convalescent home for disturbed people, and when Toru visits her, he meets her roommate, an older musician named Reiko, who's had a long history of mental instability. The three become fast friends. Toru makes a commitment to Naoko, but back at college he encounters Midori, a vibrant, outgoing young woman. As he falls in love with her, Toru realizes he cannot continue his relationship with Naoko, whose sanity is fast deteriorating. Though the solution to his problem comes too easily, Murakami tells a subtle, charming, profound and very sexy story of young love bound for tragedy. Published in Japan in 1987, this novel proved a wild success there, selling four million copies. (Sept.) Book Dimension length: (cm)20.6 width:(cm)13.9



















