Norton Anth of English Literature 8e Vol A+B+C Pack
作者： Greenblatt 等著
出版社： 2005-12-1
简介： Stephen Greenblatt (Ph.D. Yale) is Cogan UniversityProfessor of English and American Literature and Language atHarvard University. Also General Editor of The Norton Anthology ofEnglish Literature, Eighth Edition, he is the author of nine books,including Will in the World: How Shakespeare Became Shakespeare;Hamlet in Purgatory; Practicing New Historicism; MarvelousPossessions: The Wonder of the New World, and Learning to Curse:Essays in Early Modern Culture. He has edited six collections ofcriticism, is the co-author (with Charles Mee) of a play, Cardenio,and is a founding coeditor of the journal Representations. Hehonors include the MLA's James Russell Lowell Prize, forShakespearean Negotiations: The Circulation of Social Energy inRenaissance England, the Distinguished Humanist Award from theMellon Foundation, the Distinguished Teaching Award from theUniversity of California, Berkeley. He is a fellow of the AmericanAcademy of Arts and Sciences and the American PhilosophicalSociety.^M. H. Abrams (Founding Editor Emeritus; Ph.D. Harvard) isClass of 1916 Professor of English, Emeritus at Cornell University.He received the Phi Beta Kappa Christian Gauss Prize for The Mirrorand the Lamp and the MLA’s James Russell Lowell Prize for NaturalSupernaturalism. He is also the author of The Milk of Paradise, AGlossary of Literary Terms, The Correspondent Breeze, and DoingThings with Texts. He is the recipient of Guggenheim, FordFoundation, and Rockefeller Postwar fellowships, the Award inHumanistic Studies from the Academy of Arts and Sciences (1984),the Distinguished Scholar Award by the Keats-Shelley Society(1987), and the Award for Literature by the American Academy ofArts and Letters (1990). In 1999 The Mirror and the Lamp was rankedtwenty-fifth among the Modern Library’s "100 best nonfiction bookswritten in English during the twentieth century."^Alfred David(Ph.D. Harvard) is Professor of English Emeritus at IndianaUniversity. He is the author of The Strumpet Muse: Art and Moralsin Chaucer’s Poetry, and editor of the "Romaunt of the Rose" in TheRiverside Chaucer and, with George B. Pace, "Chaucer’s Minor PoemsI" in The Variorum Chaucer. He is the recipient of a SheldonTravelling Fellowship and Guggenheim and Fulbright Researchfellowships and past president of the New Chaucer Society.^Barbara K. Lewalski (Ph.D. Chicago) is William R. Kenan Professorof English and of History and Literature at Harvard University. Sheis the recipient of the MLA’s James Russell Lowell Prize forProtestant Poetics and the Seventeenth-Century Religious Lyric andthe Explicator Prize for Donne’s Anniversaries and the Poetry ofPraise. Her other books include Paradise Lost and the Rhetoric ofLiterary Forms, Writing Women in Jacobean England, Milton: ACritical Biography, and The Polemics and Poems of Rachel Speght(editor). Lewalski is the recipient of Guggenheim and NEH Seniorfellowships and is a fellow of the American Academy of Arts andSciences and Honored Scholar of the Milton Society.^LawrenceLipking (Ph.D. Cornell) is Professor of English and Chester D.Tripp Professor of Humanities at Northwestern University. Hereceived the Phi Beta Kappa Christian Gauss Prize for The Life ofthe Poet. He is also the author of The Ordering of the Arts inEighteenth-Century England, Abandoned Women and Poetic Tradition,and Samuel Johnson: The Life of an Author and editor of HighRomantic Argument. Lipking is the recipient of Guggenheim, ACLS,Newberry Library, Wilson International Center for Scholars, and NEHSenior fellowships and is a fellow of the American Academy of Artsand Sciences.^George M. Logan is James Cappon Professor of EnglishLanguage and Literature (Emeritus) at Queen’s University and aSenior Fellow of Massey College in the University of Toronto. He isthe author of The Meaning of More’s “Utopia” and principal editorof the current standard Latin-English edition of Utopia (CambridgeUniversity Press), editor of More’s History of King Richard theThird and of The Cambridge Companion to Thomas More, and senioreditor of the sixteenth-century section of The Norton Anthology ofEnglish Literature. At Queen’s, he was Head of the Department ofEnglish for nine years and an award-winning teacher.^KatharineEisaman Maus (Ph.D. Johns Hopkins) is James Branch Cabell Professorof English at the University of Virginia. She received the RolandBainton Book Prize for Inwardness and Theater in the EnglishRenaissance. She is also the author of Ben Jonson and the RomanFrame of Mind; editor of a volume of Renaissance revenge tragedies;and coeditor of English Renaissance Drama: A Norton Anthology, TheNorton Anthology of English Literature, and a collection ofcriticism on seventeenth-century English poetry. She is a recipientof Guggenheim, NEH, ACLS, and Leverhulme fellowships.^James Noggle(Ph.D. Berkeley) is Associate Professor of English and WhiteheadAssociate Professor of Critical Thought at Wellesley College. He isthe author of The Skeptical Sublime: Aesthetic Ideology in Pope andthe Tory Satirists and is at work on a study of taste andtemporality in eighteenth-century British discourse. He is therecipient of fellowships from the American Council of LearnedSocieties and the American Philosophical Society.^James Simpson(Ph.D. Cambridge) is Professor of English and American Literatureat Harvard University and former Chair of Medieval and RenaissanceEnglish at the University of Cambridge. An Honorary Fellow of theAustralian Academy of the Humanities, he is the author of PiersPlowman: An Introduction to the B-Text, Sciences and the Self inMedieval Poetry, and Reform and Cultural Revolution, 1350–1547,Volume 2 of The Oxford English Literary History.
