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Summary:
Publisher Summary 1
Here is a new edition of Donald Preziosi's masterful selection of the most influential and innovative writing on art history of the past two centuries. The book includes over thirty pieces by seminal thinkers and writers from Winckelmann, Kant, and Hegel to Foucault, Carol Duncan, and Mary Kelly on such subjects as aesthetics and anthropology, postmodern automatons, semiotics and iconography, performative acts, the museum as ritual, digital art, and many others. Each of the book's eight thematic sections offers an introduction providing background information, further reading, and critical commentary on the issues at stake. This edition has been updated and expanded to include sixteen new selections by key figures from Giorgio Vasari to Walter Benjamin and Satya Mohanty, a new concluding essay from Donald Preziosi on the tasks of the art historian today, and an entirely new section on Globalization and Its Discontents. For students and teachers, artists and historians, and anyone interested in the evolution and purpose of art history, this anthology offers many fascinating insights.
目录
Introduction to the New Edition Donald Preziosi
Art History: Making the Visible Legible Donald Preziosi
1 Art as History
Introduction
Preface to Part III of 'The Lives' Giorgio Vasari
Reflections on the Imitation of Greek Works in Painting and Sculpture Johann Joachim Winckelmann
Winckelmann Divided: Mourning the Death of Art History Whitney Davis
Patterns of Intention Michael Baxandall
2 Aesthetics
Introduction
What is Enlightenment? Immanuel Kant
Philosophy of Fine Art G.W.F. Hegel
Impure Mimesis, or the Ends of the Aesthetic D.N. Rodowick Fetish and Wilhelm Pietz
3 Form, Content, and Style
Introduction
Principles of Art History Heinrich Wolfflin Style and Ernst Gombrich
'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description David Summers
'Style' David Summers
4 Anthropology and/or Art History
Introduction
Leading Characteristics of the Late Roman 'Kunstwollen' Alois Riegl
Images from the Region of the Pueblo Indians of North America Aby Warburg
Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics Edgar Wind
Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History Claire Farago
5 Mechanisms of Meaning
Introduction
Iconography and Iconology: An Introduction to the Study of Renaissance Art Erwin Panofsky
Semiotics and Iconography Hubert Damisch
Semiotics and Art History: A Discussion of Contexts and Senders Mieke Bal and Norman Bryson
Meaning/Interpretation Stephen Bann
6 The Limits of Interpretation
Introduction
The Temptation of New Perspectives Stephen Melville
The Origin of the Work of Art Martin Heidegger
The Still Life as a Personal Object - a Note on Heidegger and van Gogh Meyer Schapiro
Restitutions of the Truth in Pointing [Pointure] Jacques Derrida
7 Authorship and Identity
Introduction
What is an Author? Michel Foucault
The Discourse of Others: Feminists and Postmodernism Craig Owens
Re-Viewing Modernist Criticism Mary Kelly
Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory Judith Butler
Postmodern Automatons Rey Chow
'Every Man Knows How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics Amelia Jones
Queer Wallpaper Jennifer Doyle
8 Globalization and its Discontents
Introduction
Orientalism and the Exhibitionary Order Timothy Mitchell
The Museum as Ritual Carol Duncan
The Work of Art in the Age of its Technological Reproducibility (Third Version) Walter Benjamin
Can Our Values be Objective? On Ethics, Aesthetics, and Progessive Politics Satya Mohanty
Visual Culture Studies: Questions of History, Theory, and Practice Marquard Smith
'Life-Like': Historicizing Process in Digital Art Maria Fernandez
Epilogue: The Art of Art History Donald Preziosi
Coda: Plato's Dilemma and the Tasks of the Art Historian Today
Art History: Making the Visible Legible Donald Preziosi
1 Art as History
Introduction
Preface to Part III of 'The Lives' Giorgio Vasari
Reflections on the Imitation of Greek Works in Painting and Sculpture Johann Joachim Winckelmann
Winckelmann Divided: Mourning the Death of Art History Whitney Davis
Patterns of Intention Michael Baxandall
2 Aesthetics
Introduction
What is Enlightenment? Immanuel Kant
Philosophy of Fine Art G.W.F. Hegel
Impure Mimesis, or the Ends of the Aesthetic D.N. Rodowick Fetish and Wilhelm Pietz
3 Form, Content, and Style
Introduction
Principles of Art History Heinrich Wolfflin Style and Ernst Gombrich
'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description David Summers
'Style' David Summers
4 Anthropology and/or Art History
Introduction
Leading Characteristics of the Late Roman 'Kunstwollen' Alois Riegl
Images from the Region of the Pueblo Indians of North America Aby Warburg
Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics Edgar Wind
Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History Claire Farago
5 Mechanisms of Meaning
Introduction
Iconography and Iconology: An Introduction to the Study of Renaissance Art Erwin Panofsky
Semiotics and Iconography Hubert Damisch
Semiotics and Art History: A Discussion of Contexts and Senders Mieke Bal and Norman Bryson
Meaning/Interpretation Stephen Bann
6 The Limits of Interpretation
Introduction
The Temptation of New Perspectives Stephen Melville
The Origin of the Work of Art Martin Heidegger
The Still Life as a Personal Object - a Note on Heidegger and van Gogh Meyer Schapiro
Restitutions of the Truth in Pointing [Pointure] Jacques Derrida
7 Authorship and Identity
Introduction
What is an Author? Michel Foucault
The Discourse of Others: Feminists and Postmodernism Craig Owens
Re-Viewing Modernist Criticism Mary Kelly
Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory Judith Butler
Postmodern Automatons Rey Chow
'Every Man Knows How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics Amelia Jones
Queer Wallpaper Jennifer Doyle
8 Globalization and its Discontents
Introduction
Orientalism and the Exhibitionary Order Timothy Mitchell
The Museum as Ritual Carol Duncan
The Work of Art in the Age of its Technological Reproducibility (Third Version) Walter Benjamin
Can Our Values be Objective? On Ethics, Aesthetics, and Progessive Politics Satya Mohanty
Visual Culture Studies: Questions of History, Theory, and Practice Marquard Smith
'Life-Like': Historicizing Process in Digital Art Maria Fernandez
Epilogue: The Art of Art History Donald Preziosi
Coda: Plato's Dilemma and the Tasks of the Art Historian Today
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