简介
Referring to the Midwest and West as the "new ground," the author argues they should be incorporated into the American literature canon alongside the East. His thesis is that the land-based economies of the Great Plains have produced an American literature of openness and freedom, whereas the commercial economies of the East and South have continued a literature of enclosure imported from Europe. Bredahl's analysis of authors and works is very useful, especially of Hemingway and Austin. He also deals with Guthrie, Clark, Fergusson, Morris, Doig and two filmmakers--John Ford and Sam Peckinpah. ISBN 0-8078-1854-2:
目录
Preface p. ix
Introduction p. 1
Working within Enclosure: the Traditional Canon p. 7
The Demands of Space: the Westering Imagination p. 29
Divided Narrative: Mary Austin and Sherwood Anderson p. 49
Hemingway: the Body as Matrix p. 68
The Big Sky: Searching for a New Story p. 88
High Country in the Ox-Bow Incident p. 99
The Conquest of Don Pedro: Harvey Fergusson's """"Long Rider"""" p. 112
Wright Morris: Living in the World p. 126
Valuing Surface: the Imagination of Ivan Doig p. 135
After Words: the Western Movies of John Ford and Sam Peckinpah p. 147
Notes p. 171
Bibliography p. 183
Index p. 193
Introduction p. 1
Working within Enclosure: the Traditional Canon p. 7
The Demands of Space: the Westering Imagination p. 29
Divided Narrative: Mary Austin and Sherwood Anderson p. 49
Hemingway: the Body as Matrix p. 68
The Big Sky: Searching for a New Story p. 88
High Country in the Ox-Bow Incident p. 99
The Conquest of Don Pedro: Harvey Fergusson's """"Long Rider"""" p. 112
Wright Morris: Living in the World p. 126
Valuing Surface: the Imagination of Ivan Doig p. 135
After Words: the Western Movies of John Ford and Sam Peckinpah p. 147
Notes p. 171
Bibliography p. 183
Index p. 193
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