Summary: Publisher Summary 1 This collection of five essays reflects encounters between one of the most influential philosophers of the later twentieth century and the poet who probably most clearly reflects the European experience of the time. Derrida's commentary on Celan's poetics ranges from 1986 to 2003, serving as application of several of Derrida's key ideas to the texts. Derrida explores the signature and its singularity, the trace, temporal structures of futurity and what is "to come," the multiplicity of language and questions of translation, speech acts such as testimony and promising as well as lying, the nature of the impossible and the question of the poem as speaking for the wholly other, beyond knowledge. Always challenging, Derrida's essays reflect his growing maturity and confidence in his themes across the last twenty years or so of his life, and in essence reveal his increasing commitment to responsibility. Annotation 漏2006 Book News, Inc., Portland, OR (booknews.com)   Publisher Summary 2 Contents Shibboleth: For Paul Celan A Self-Unsealing Poetic Text: Poetics and Politics of Witnessing Language Does Not Belong: An Interview The Majesty of the Present: Reading Celan's The MeridianRams: Uninterrupted Dialogue-between Two Infinities, the PoemThis book brings together five powerful encounters. Themes central to all ofDerrida's writings thread the intense confrontation between the most famousphilosopher of our time and the Jewish poet writing in German who, perhapsmore powerfully than any other, has testified to the European experience ofthe twentieth century.They include the date or signature and its singularity; the notion of the trace;temporal structures of futurity and the to come; the multiplicity of languageand questions of translation; such speech acts as testimony and promising, butalso lying and perjury; the possibility of the impossible; and, above all, the questionof the poem as addressed and destined beyond knowledge, seeking to speak toand for the irreducibly other.The memory of encounters with thinkers who have also engaged Celan's workanimates these writings, which include a brilliant dialogue between twointerpretative modes-hermeneutics and deconstruction. Derrida's approach toa poem is a revelation on many levels, from the most concrete ways of reading-for example, his analysis of a sequence of personal pronouns-to the mostsweeping imperatives of human existence (and Derrida's writings are alwaysa study in the imbrication of such levels). Above all, he voices the call toresponsibility in the ultimate line of Celan's poem: The world is gone,I must carry you,which sounds throughout the book's final essay like a refrain. Only two of the texts in this volume do not appear here in English for the first time. Of these, Schibboleth has been entirely retranslated and has been set following Derrida's own instructions for publication in French; A Self-Unsealing Poetic Textwas substantially rewritten by Derrida himself and basically appears here as the translation of a new text. Jacques Derrida's most recent books in English translation include Counterpath: Traveling with Jacques Derrida (with Catherine Malabou). He died in Paris on October 8, 2004. Thomas Dutoit teaches at the Universit de Paris 7. He translated Aporias and edited On the Name, both by Jacques Derrida.