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ISBN：9780714823805

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简介

简介

These classic studies on the interpretation of images are essential reading for all students of Renaissance art; they also take their rightful place as seminal texts that have themselves helped to shape the evolving discipline of art history. Many of the essays focus on the greatest artists of the Renaissance -- notably Botticelli, Leonardo, Raphael and Michelangelo -- and all reflect the author's deep and abiding concern with standards, values and problems of method. Yet Gombrich never loses sight of the works of art he is investigating, and he brings to all his analyses and interpretations an original and powerful intelligence, unfailing clarity of expression and immense learning. These four volumes have a permanent value and represent a vitally important humanistic tradition in scholarship and criticism.

The Renaissance conception of artistic progress and its consequences
Apollonio di Giovanni : a Florentine cassone workshop seen through the eyes of a humanist poet
Renaissance and Golden Age
The early Medici as patrons of art
Leonardo's method for working out compositions
Raphael's Madonna della Sedia
Norm and form : the stylistic categories of art history and their origins in Renaissance ideals
Mannerism : the historiographic background
The Renaissance theory of art and the rise of landscape
The style all'antica : imitation and assimilation
Reynolds's theory and practice of imitation

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