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ISBN:9780415378499

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简介

    Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Macherey's first and most famous work, A Theory of Literary Production dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory.     In this provocative work, Macherey puts the focus as much on the reader as the writer, stating that the very act of reading is a form of production in its own right, generating interpretation and meanings which are beyond the control of the author.     Part of the birth of a whole new branch of post-structuralist theory, Macherey's work also influenced a new generation of critics among them Jacques Derrida, his contemporary, and Terry Eagleton. His ideas have also led some observers to claim that heannounced the death of the author fully two years before Roland Barthes' famous essay.     The reissue of this work as a Routledge Classic brings some radical ideas to a new audience, and argues persuasively for a totally new way of reading. As such, it is an essential work for anyone interested in the development of literary theory.

目录


CONTENTS
Preface vii
Translator?s Preface xii
Acknowledgment xv
Some Elementary Concepts 1
Criticism and Judgment 3 1
Domain and Object 5 2
Questions and Answers 9 3
Rule and Law 13 4
Positive and Negative Judgment 16 5
Front and Back 22 6
The Genesis of a Poem 24
Thaumantis Regia 30
Improvisation, Structure and Necessity 44 7
Autonomy and Independence 58 8
Image and Concept: Beautiful Language and 9
True Language 62
Illusion and Fiction 70 10
Creation and Production 75 11
Pact and Contract 78 12
Explanation and Interpretation 84 13
Implicit and Explicit 91 14
The Spoken and the Unspoken 95 15
The Two Questions 101 16
Interior and Exterior 108 17
Depth and Complexity 110 18
Some Critics 115
Lenin, Critic of Tolstoy 117 19
The Image in the Mirror 133
Literary Analysis: The Tomb of Structures 152 20
Some Works 175
Jules Verne: The Faulty Narrative 177 21
I The problem posed by the work 177
II Analysis of the work 183
III The function of the novel 256
Appendix: The Thematic Ancestor: Robinson
Crusoe 268
Borges and the Fictive Narrative 278 22
Balzac?s Les Paysans: A Disparate Text 288 23
Appendix: Lenin?s Articles on Tolstoy 334
Leo Tolstoy as the Mirror of the Russian Revolution 334
L. N. Tolstoy 340
Leo Tolstoy and His Epoch 345
L. N. Tolstoy and the Modern Labour Movement 350
Tolstoy and the Proletarian Struggle 353
Heroes of ?Reservation? 354
Forty Years On 362
Index 367

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