简介
This collection of social, political and cultural history writings from the 1930s, still dominated by the "Auden generation", brings together important texts of the period and makes accessible some of the key writings of the decade which are either difficult to locate or have long been out of print. It offers students the opportunity to explore the ideas behind the fiction, poetry, art and music of the period.
目录
Acknowledgements
Introduction p. 1
from Mass Civilisation and Minority Culture (1930) p. 16
from The Greater Britain (1932) p. 26
from Writing (1932); What Is a Highbrow? (1933); Marx and Freud (1935) p. 37
The Object of New Verse (1933) p. 43
Preface to New Signatures (1932); from Introduction to The Faber Book of Modern Verse (1936) p. 45
from The Oxford Book of Modern Verse (1936) p. 51
Statement of Aim, with Responses (1934) p. 54
from A Short Survey of Surrealism (1935) p. 63
Can the Women of the World Stop War? (1934) p. 69
The Necessity and Grandeur of the International Ideal (1935) p. 74
Man's Moral Law (1932) p. 89
The Significance of the New Pacifism (1936) p. 101
Manifesto (1937) p. 107
Spain's Call to Intellectuals (1938) p. 109
The Class Front of Modern Art (1933) p. 111
from Illusion and Reality (1937) p. 116
from Crisis and Criticism (1937) p. 131
from The Novel and the People (1937) p. 148
Proletarian Literature (1935) p. 161
from Fiction and the Reading Public (1932) p. 174
Charles Maurras and the Idea of the Patriot King (1937); Prejudice as an Aid to Government (1938); from Order and Anarchy (1939) p. 183
from Robbery under Law: The Mexican Object-Lesson (1939) p. 192
from Detachment and the Fictionist (1934); from The Hitler Cult (1939) p. 199
Writers and Manifestos (1935); The Left Wing Orthodoxy (1938) p. 211
from The Home and a Changing Civilisation (1934); The Moral Idea and the Political Vision (1938) p. 227
from a letter to Naomi Mitchison (1937); Mosaic (1939) p. 240
from The World and Ourselves (1938) p. 245
Women in Scotland (1937) p. 255
Feminists and the Woman Question (1935) p. 259
from Three Guineas (1938) p. 264
The People's Front (1936) p. 272
The Arts, Science and Literature as Allies of the Working Class (1936) p. 274
English Writers and a People's Front (1936); Revolutionaries and Poetry (1935) p. 276
Mass-Observation: from Britain by Mass-Observation (1939) p. 289
First Principles of Documentary (1932-3) p. 301
New Documents (1937) p. 311
Realist Films Today (1937) p. 319
The Film Industry (1937) p. 324
Cavalcade (1933); Black Words for Women Only (1934) p. 337
General Introduction to Essays in Order (1931) p. 345
Art and the People (1932); Two Letters on the Artists' International (1934) p. 356
Catholics and the Social Problem (1938); The City of God (1937) p. 365
from The Idea of a Christian Society (1939) p. 374
from What I Believe (1939) p. 379
Why I Joined the Independent Labour Party (1938); from Inside the Whale (1940) p. 383
Bibliography p. 391
Index p. 399
Introduction p. 1
from Mass Civilisation and Minority Culture (1930) p. 16
from The Greater Britain (1932) p. 26
from Writing (1932); What Is a Highbrow? (1933); Marx and Freud (1935) p. 37
The Object of New Verse (1933) p. 43
Preface to New Signatures (1932); from Introduction to The Faber Book of Modern Verse (1936) p. 45
from The Oxford Book of Modern Verse (1936) p. 51
Statement of Aim, with Responses (1934) p. 54
from A Short Survey of Surrealism (1935) p. 63
Can the Women of the World Stop War? (1934) p. 69
The Necessity and Grandeur of the International Ideal (1935) p. 74
Man's Moral Law (1932) p. 89
The Significance of the New Pacifism (1936) p. 101
Manifesto (1937) p. 107
Spain's Call to Intellectuals (1938) p. 109
The Class Front of Modern Art (1933) p. 111
from Illusion and Reality (1937) p. 116
from Crisis and Criticism (1937) p. 131
from The Novel and the People (1937) p. 148
Proletarian Literature (1935) p. 161
from Fiction and the Reading Public (1932) p. 174
Charles Maurras and the Idea of the Patriot King (1937); Prejudice as an Aid to Government (1938); from Order and Anarchy (1939) p. 183
from Robbery under Law: The Mexican Object-Lesson (1939) p. 192
from Detachment and the Fictionist (1934); from The Hitler Cult (1939) p. 199
Writers and Manifestos (1935); The Left Wing Orthodoxy (1938) p. 211
from The Home and a Changing Civilisation (1934); The Moral Idea and the Political Vision (1938) p. 227
from a letter to Naomi Mitchison (1937); Mosaic (1939) p. 240
from The World and Ourselves (1938) p. 245
Women in Scotland (1937) p. 255
Feminists and the Woman Question (1935) p. 259
from Three Guineas (1938) p. 264
The People's Front (1936) p. 272
The Arts, Science and Literature as Allies of the Working Class (1936) p. 274
English Writers and a People's Front (1936); Revolutionaries and Poetry (1935) p. 276
Mass-Observation: from Britain by Mass-Observation (1939) p. 289
First Principles of Documentary (1932-3) p. 301
New Documents (1937) p. 311
Realist Films Today (1937) p. 319
The Film Industry (1937) p. 324
Cavalcade (1933); Black Words for Women Only (1934) p. 337
General Introduction to Essays in Order (1931) p. 345
Art and the People (1932); Two Letters on the Artists' International (1934) p. 356
Catholics and the Social Problem (1938); The City of God (1937) p. 365
from The Idea of a Christian Society (1939) p. 374
from What I Believe (1939) p. 379
Why I Joined the Independent Labour Party (1938); from Inside the Whale (1940) p. 383
Bibliography p. 391
Index p. 399
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