简介
Summary:
Publisher Summary 1
Ward (philosophy, U. of York) interprets the main themes in German philosopher Immanuel Kant's (1724-1804) three Critiques so as to put them squarely within the tradition of idealism, a tradition that includes Berkeley and Hume. His ideas concerning knowledge of objects in space ad time, the ground of moral obligation, and the judgments of beauty he sees in part as reactions against Hume's empiricism. Distributed in the US by Blackwell Publishing. Annotation 漏2007 Book News, Inc., Portland, OR (booknews.com)
Publisher Summary 2
Immanuel Kants three critiques the Critique of Pure Reason, the Critique of Practical Reason and the Critique of Judgment are among the pinnacles of Western Philosophy. This accessible study grounds Kants philosophical position in the context of his intellectual influences, most notably against the background of the scepticism and empiricism of David Hume. It is an ideal critical introduction to Kants views in the key areas of knowledge and metaphysics; morality and freedom; and beauty and design. By examining the Kantian system in the light of contemporary arguments, Ward brings the structure and force of Kants Copernican Revolution in Philosophy into sharp focus. Kant is often misrepresented as a somewhat dry thinker, yet the clarity of Wards exposition of his main themes, science, morality and aesthetics, through the three critiques brings his writings and theories to life. Lucidly and persuasively written, this book will be a valuable resource for students and scholars seeking to understand Kants immense influence.
目录
Preface
Abbreviations and Conventions
Acknowledgments
Part I Critique of Pure Reason
Section I A general introduction to Kant's Copernican revolution in Philosophy, and its relation to scientific knowledge and transcendent metaphysics
Section II The division of judgments, and the status of mathematics and natural science
Section III The Transcendental Aesthetic: the nature of space and time
Section IV The Transcendental Analytic: how our experience - our knowledge of objects in space and time - is made possible
Section V The Transcendental Dialectic: why no theoretical knowledge in transcendent metaphysics is possible
Part II Critique of Practical Reason
Section I The Analytic of Pure Practical Reason: reason not sentiment as the foundation of morality, and how freedom of the will is proved
Section II The Dialectic of Pure Practical Reason: how morality establishes the existence of God and the immortality of the soul
Section III The importance of Kant's Copernican revolution to his moral philosophy
Part III Critique of Judgment
Section I The Analytic of Aesthetic Judgment: defending a third way between an empiricist and a traditional rationalist theory of taste
Section II The Dialectic of Aesthetic Judgment: why the judgment of taste and our attitude to natural beauty require a Copernican revolution in aesthetics
Section III A Kantian or Human theory of taste?
Section IV Teleology and the Principle of the Finality of Nature
Bibliography
Index
Abbreviations and Conventions
Acknowledgments
Part I Critique of Pure Reason
Section I A general introduction to Kant's Copernican revolution in Philosophy, and its relation to scientific knowledge and transcendent metaphysics
Section II The division of judgments, and the status of mathematics and natural science
Section III The Transcendental Aesthetic: the nature of space and time
Section IV The Transcendental Analytic: how our experience - our knowledge of objects in space and time - is made possible
Section V The Transcendental Dialectic: why no theoretical knowledge in transcendent metaphysics is possible
Part II Critique of Practical Reason
Section I The Analytic of Pure Practical Reason: reason not sentiment as the foundation of morality, and how freedom of the will is proved
Section II The Dialectic of Pure Practical Reason: how morality establishes the existence of God and the immortality of the soul
Section III The importance of Kant's Copernican revolution to his moral philosophy
Part III Critique of Judgment
Section I The Analytic of Aesthetic Judgment: defending a third way between an empiricist and a traditional rationalist theory of taste
Section II The Dialectic of Aesthetic Judgment: why the judgment of taste and our attitude to natural beauty require a Copernican revolution in aesthetics
Section III A Kantian or Human theory of taste?
Section IV Teleology and the Principle of the Finality of Nature
Bibliography
Index
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