George Grosz : Berlin-New York / 1st ed.
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作 者：Ralph Jentsch ; texts by Enrico Crispolti, Philippe Dagen.
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ISBN：9788861302945
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简介
George Grosz (1893–1959) was a prominent member of the Berlin Dada and New Objectivity group. He was born Georg Ehrenfried Groß in Berlin, but changed his name in 1916 out of a romantic enthusiasm for America. Anti-Nazi, Grosz left Germany in 1932, and in 1933 was invited to teach at the Art Students League of New York, where he would teach intermittently until 1955. Over 500 illustrations, drawings, and paintings in this book document the entire output of the artist’s German and American years, including drawings spanning from when the artist was the age of fifteen to his paintings made during his U.S. period. Also included are sketches of stage designs he created between 1919–1954 for theatre pieces by Bernard Shaw, Iwan Goll, Georg Kaiser, Paul Zech, and Jaroslav Kaek, as well as numerous collages. The volume is complete with unpublished photographs from the painter’s private life and two essays by Enrico Crispolti and Philippe Dagen.
目录
Introduction p. 11
Grosz and Italy: Indebtedness, Attention, Influence, Circulation (A Research Outline) p. 13
"Not too bitter, Herr Grosz!" p. 21
George Grosz Berlin-New York
Childhood p. 29
Berlin Metropolis p. 39
World War I: George Grosz, the Rebel p. 57
George Grosz in the Role of the American p. 71
DADA-Fair in Berlin and God With Us (Gott mit uns) p. 101
The New Man p. 111
Attack and Defense p. 119
Russian Trip and Aftermath p. 133
The Attempt at an Ideal Painter's Life in France p. 149
Schwejk and Aftermath: The Blasphemy Trial p. 151
Political and Un-political Berlin. The Streets of a Large City p. 171
The Artist's Eye p. 185
George Grosz, the American p. 193
George Grosz and the Degenerate Art p. 205
The Painter Enters His Studio p. 221
The Last Years in New York and the Return to Berlin p. 232
Biography p. 257
Exhibitions p. 279
Bibliography p. 285
Grosz and Italy: Indebtedness, Attention, Influence, Circulation (A Research Outline) p. 13
"Not too bitter, Herr Grosz!" p. 21
George Grosz Berlin-New York
Childhood p. 29
Berlin Metropolis p. 39
World War I: George Grosz, the Rebel p. 57
George Grosz in the Role of the American p. 71
DADA-Fair in Berlin and God With Us (Gott mit uns) p. 101
The New Man p. 111
Attack and Defense p. 119
Russian Trip and Aftermath p. 133
The Attempt at an Ideal Painter's Life in France p. 149
Schwejk and Aftermath: The Blasphemy Trial p. 151
Political and Un-political Berlin. The Streets of a Large City p. 171
The Artist's Eye p. 185
George Grosz, the American p. 193
George Grosz and the Degenerate Art p. 205
The Painter Enters His Studio p. 221
The Last Years in New York and the Return to Berlin p. 232
Biography p. 257
Exhibitions p. 279
Bibliography p. 285
George Grosz : Berlin-New York / 1st ed.
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