简介
Since 1986, the Best American Essays series has gathered the best nonfiction writing of the year and established itself as the best-selling anthology of its kind. The Best American Essays 2002 is edited by Stephen Jay Gould, a preeminent scientist and distinguished writer on evolution and other topics. His writings include The Mismeasure of Man, winner of the National Book Critics Circle Award, Ever Since Darwin: Reflections in Natural History, The Panda's Thumb, and Full House: The Spread of Excellence from Plato to Darwin. - Publisher.
目录
Foreword Robert Atwan p. viii
Introduction: To Open a Millennium Stephen Jay Gould p. xiii
The Tenth Muse (from Harper's Magazine) Jacques Barzun p. 1
Turning Point (from Smithsonian) Rudolph Chelminski p. 13
Winner Take Nothing (from GQ) Bernard Cooper p. 22
The Countess of Stanlein Restored (from Harper's Magazine) Nicholas Delbanco p. 35
Welcome to Cancerland (from Harper's Magazine) Barbara Ehrenreich p. 66
My Father's Brain (from The New Yorker) Jonathan Franzen p. 88
Final Cut (from The New Yorker) Atul Gawande p. 111
Who We Are (from Vanity Fair) David Halberstam p. 124
For Patriot Dreams (from Vanity Fair) Christopher Hitchens p. 137
The Lion in Winter (from National Geographic Adventure) Sebastian Junger p. 144
Fire (from The Massachusetts Review) Amy Kolen p. 165
The Anti-Jefferson (from The American Scholar) Andrew Levy p. 188
The Price We Pay (from DoubleTake) Adam Mayblum p. 213
College: The End of the Golden Age (from The New York Review of Books) Louis Menand p. 219
Out of the Ordinary (from The Atlantic Monthly) Cullen Murphy p. 232
Merced (from The Missouri Review) Danielle Ofri p. 237
Busted in New York (from The New Yorker) Darryl Pinckney p. 253
Word on the Street (from The New York Times Magazine) Richard Price and Anne Hudson-Price p. 267
Matriculation Fixation (from The New York Times Education Life) Joe Queenan p. 276
Inside the Bunker (from Esquire) John Sack p. 280
Why Literature? (from The New Republic) Mario Vargas Llosa p. 295
The Meaning of Timothy McVeigh (from Vanity Fair) Gore Vidal p. 309
The Dramaturgy of Death (from The New York Review of Books) Garry Wills p. 331
Moonrise (from The Atlantic Monthly) Penny Wolfson p. 344
Biographical Notes p. 367
Notable Essays of 2001 p. 372
Introduction: To Open a Millennium Stephen Jay Gould p. xiii
The Tenth Muse (from Harper's Magazine) Jacques Barzun p. 1
Turning Point (from Smithsonian) Rudolph Chelminski p. 13
Winner Take Nothing (from GQ) Bernard Cooper p. 22
The Countess of Stanlein Restored (from Harper's Magazine) Nicholas Delbanco p. 35
Welcome to Cancerland (from Harper's Magazine) Barbara Ehrenreich p. 66
My Father's Brain (from The New Yorker) Jonathan Franzen p. 88
Final Cut (from The New Yorker) Atul Gawande p. 111
Who We Are (from Vanity Fair) David Halberstam p. 124
For Patriot Dreams (from Vanity Fair) Christopher Hitchens p. 137
The Lion in Winter (from National Geographic Adventure) Sebastian Junger p. 144
Fire (from The Massachusetts Review) Amy Kolen p. 165
The Anti-Jefferson (from The American Scholar) Andrew Levy p. 188
The Price We Pay (from DoubleTake) Adam Mayblum p. 213
College: The End of the Golden Age (from The New York Review of Books) Louis Menand p. 219
Out of the Ordinary (from The Atlantic Monthly) Cullen Murphy p. 232
Merced (from The Missouri Review) Danielle Ofri p. 237
Busted in New York (from The New Yorker) Darryl Pinckney p. 253
Word on the Street (from The New York Times Magazine) Richard Price and Anne Hudson-Price p. 267
Matriculation Fixation (from The New York Times Education Life) Joe Queenan p. 276
Inside the Bunker (from Esquire) John Sack p. 280
Why Literature? (from The New Republic) Mario Vargas Llosa p. 295
The Meaning of Timothy McVeigh (from Vanity Fair) Gore Vidal p. 309
The Dramaturgy of Death (from The New York Review of Books) Garry Wills p. 331
Moonrise (from The Atlantic Monthly) Penny Wolfson p. 344
Biographical Notes p. 367
Notable Essays of 2001 p. 372
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