简介
Summary:
Publisher Summary 1
David Ellison's book is an ambitious presentation of the aesthetic and ethical dimensions of Modernist literature. The author brings together philosophical, theoretical, and literary texts ranging over a century and a half of intellectual history--from Kant and Kierkegaard to Freud and Woolf. His study reveals how the struggle between aesthetic and ethical issues characterizes each of them. He combines the insights of philosophical conceptualization, narratology, and psychoanalytic theory to illuminate the historical passage from the sublime to the uncanny during the 150-year period between 1790-1940.
Publisher Summary 2
David Ellison's book is an investigation into the historical origins and textual practice of European literary Modernism.
目录
Table Of Contents:
Preface ix
List of abbreviations xiii
PART ONE KANT, ROMANTIC IRONY, UNHEIMLICHKEIT
Border crossings in Kant 3(21)
Kierkegaard: on the economics of living poetically 24(28)
Freud's ``Das Unheimliche'': the intricacies of textual uncanniness 52(35)
PART TWO THE ROMANTIC HERITAGE AND MODERNIST FICTION
Aesthetic redemption: the thyrsus in Nietzsche, Baudelaire, and Wagner 87(26)
The ``beautiful soul'': Alain-Fournier's Le Grand Meaulnes and the aesthetics of Romanticism 113(20)
Proust and Kafka: uncanny narrative openings 133(26)
Textualizing immoralism: Conrad's Heart of Darkness and Gide's L'Immoraliste 159(26)
Fishing the waters of impersonality: Virginia Woolf's To the Lighthouse 185(26)
Epilogue: Narrative and music in Kafka and Blanchot: the ``singing'' of Josefine 211(20)
Notes 231(34)
Works cited 265(13)
Index 278
Preface ix
List of abbreviations xiii
PART ONE KANT, ROMANTIC IRONY, UNHEIMLICHKEIT
Border crossings in Kant 3(21)
Kierkegaard: on the economics of living poetically 24(28)
Freud's ``Das Unheimliche'': the intricacies of textual uncanniness 52(35)
PART TWO THE ROMANTIC HERITAGE AND MODERNIST FICTION
Aesthetic redemption: the thyrsus in Nietzsche, Baudelaire, and Wagner 87(26)
The ``beautiful soul'': Alain-Fournier's Le Grand Meaulnes and the aesthetics of Romanticism 113(20)
Proust and Kafka: uncanny narrative openings 133(26)
Textualizing immoralism: Conrad's Heart of Darkness and Gide's L'Immoraliste 159(26)
Fishing the waters of impersonality: Virginia Woolf's To the Lighthouse 185(26)
Epilogue: Narrative and music in Kafka and Blanchot: the ``singing'' of Josefine 211(20)
Notes 231(34)
Works cited 265(13)
Index 278
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