简介
Synopsis: The titles in our best-selling Design Brief series are highly praised by graphic design students, educators, and professionals worldwide as invaluable resources. Each beautifully designed, affordable volume offers a concise overview of a design fundamental; the how's of design. But as most seasoned designers will tell you, a comprehensive education also requires an understanding of the whys of design practice. Graphic Design Theory presents groundbreaking, primary texts from the most important historical and contemporary design thinkers. From Aleksandr Rodchenko's "Who We Are: Manifesto of the Constructivist Group" to Kenya Hara's "Computer Technology and Design," this essential volume provides the necessary foundation for contemporary critical vocabulary and thought.
Graphic Design Theory is organized in three sections: "Creating the Field" traces the evolution of graphic design over the course of the early 1900s, including influential avant-garde ideas of futurism, constructivism, and the Bauhaus; "Building on Success" covers the mid- to late twentieth century and considers the International Style, modernism, and postmodernism; and "Mapping the Future" opens at the end of the last century and includes current discussions on legibility, social responsibility, and new media. Striking color images illustrate each of the movements discussed and demonstrate the ongoing relationship between theory and practice. A brief commentary prefaces each text, providing a cultural and historical framework through which the work can be evaluated. Authors include such influential designers as Herbert Bayer, Laszlo Moholy-Nagy, Karl Gerstner, Katherine McCoy, Michael Rock, Lev Manovich, Ellen Lupton, and Lorraine Wild.
Additional features include a timeline, glossary, and bibliography for further reading. A must-have survey for graduate and undergraduate courses in design history, theory, and contemporary issues, Graphic Design Theory invites designers and interested readers of all levels to plunge into the world of design discourse.
目录
Table Of Contents:
Foreword: Why Theory? Ellen Lupton 6(2)
Acknowledgments 8(1)
Introduction: Revisiting the Avant-Garde 9(7)
Timeline 16(3)
Creating the Field
Introduction 19(31)
Manifesto of Futurism 20(2)
F. T. Marinetti
Who We Are: Manifesto of the Constructivist Group 22(3)
Aleksandr Rodchenko
Varvara Stepanova
Aleksei Gan
Our Book 25(7)
El Lissitzky
Typophoto 32(3)
Laszlo Moholy-Nagy
The New Typography 35(4)
Jan Tschichold
The Crystal Goblet, or Why Printing Should Be Invisible 39(5)
Beatrice Warde
On Typography 44(6)
Herbert Bayer
Theory at Work
Futurism 50(2)
Constructivism 52(2)
The Bauhaus and New Typography 54(3)
Building on Success
Introduction 57(33)
Designing Programmes 58(4)
Karl Gerstner
Grid and Design Philosophy 62(2)
Josef Muller-Brockmann
Good Design is Goodwill 64(6)
Paul Rand
Learning from Las Vegas: The Forgotten Symbolism of Architectural Form 70(7)
Robert Venturi
Denise Scott Brown
Steven Izenour
My Way to Typography 77(4)
Wolfgang Weingart
Typography as Discourse 81(3)
Katherine McCoy
David Frej
The Macrame of Resistance 84(3)
Lorraine Wild
The Dark in the Middle of the Stairs 87(3)
Paula Scher
Theory at Work
International Style 90(2)
Modernism in America 92(2)
New Wave and Postmodernism 94(3)
Mapping the Future
Introduction 97(41)
The Underground Mainstream 98(4)
Steven Heller
Design and Reflexivity 102(5)
Jan van Toorn
Design Anarchy 107(1)
Kalle Lasn
The Designer as Author 108(7)
Michael Rock
Designing Our Own Graves 115(4)
Dmitri Siegel
Dematerialization of Screen Space 119(5)
Jessica Helfand
Designing Design 124(3)
Kenya Hara
Import/Export, or Design Workflow and Contemporary Aesthetics 127(6)
Lev Manovich
Univers Strikes Back 133(5)
Ellen
Julia Lupton
Theory at Work
Contemporary Design 138(7)
Glossary 145(2)
Text Sources 147(1)
Bibliography 148(2)
Credits 150(1)
Index 151
Foreword: Why Theory? Ellen Lupton 6(2)
Acknowledgments 8(1)
Introduction: Revisiting the Avant-Garde 9(7)
Timeline 16(3)
Creating the Field
Introduction 19(31)
Manifesto of Futurism 20(2)
F. T. Marinetti
Who We Are: Manifesto of the Constructivist Group 22(3)
Aleksandr Rodchenko
Varvara Stepanova
Aleksei Gan
Our Book 25(7)
El Lissitzky
Typophoto 32(3)
Laszlo Moholy-Nagy
The New Typography 35(4)
Jan Tschichold
The Crystal Goblet, or Why Printing Should Be Invisible 39(5)
Beatrice Warde
On Typography 44(6)
Herbert Bayer
Theory at Work
Futurism 50(2)
Constructivism 52(2)
The Bauhaus and New Typography 54(3)
Building on Success
Introduction 57(33)
Designing Programmes 58(4)
Karl Gerstner
Grid and Design Philosophy 62(2)
Josef Muller-Brockmann
Good Design is Goodwill 64(6)
Paul Rand
Learning from Las Vegas: The Forgotten Symbolism of Architectural Form 70(7)
Robert Venturi
Denise Scott Brown
Steven Izenour
My Way to Typography 77(4)
Wolfgang Weingart
Typography as Discourse 81(3)
Katherine McCoy
David Frej
The Macrame of Resistance 84(3)
Lorraine Wild
The Dark in the Middle of the Stairs 87(3)
Paula Scher
Theory at Work
International Style 90(2)
Modernism in America 92(2)
New Wave and Postmodernism 94(3)
Mapping the Future
Introduction 97(41)
The Underground Mainstream 98(4)
Steven Heller
Design and Reflexivity 102(5)
Jan van Toorn
Design Anarchy 107(1)
Kalle Lasn
The Designer as Author 108(7)
Michael Rock
Designing Our Own Graves 115(4)
Dmitri Siegel
Dematerialization of Screen Space 119(5)
Jessica Helfand
Designing Design 124(3)
Kenya Hara
Import/Export, or Design Workflow and Contemporary Aesthetics 127(6)
Lev Manovich
Univers Strikes Back 133(5)
Ellen
Julia Lupton
Theory at Work
Contemporary Design 138(7)
Glossary 145(2)
Text Sources 147(1)
Bibliography 148(2)
Credits 150(1)
Index 151
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