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ISBN：9781580463409

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简介

简介

Summary: Publisher Summary 1 Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900. Publisher Summary 2 Modern composers as diverse as B茅la Bart贸k, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and their new approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of twenty leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, associate professor of music theory, Florida State University College of Music Contents and authors Volume 1: Debussy and Ravel (Marianne Wheeldon); Sibelius (Joseph Kraus); Bart贸k (Joseph N. Straus); Hindemith (David Neumeyer); Schoenberg (Matthew R. Shaftel); Berg (Dave Headlam); Webern (David Clampitt); Villa-Lobos (Eero Tarasti); Prokofiev (Neil Minturn) Volume 2: Shostakovich (Patrick McCreless); Britten (Christopher Mark); Ligeti (Jane Piper Clendinning); Berio (Richard Hermann); Xenakis (Evan Jones); Scelsi (Eric Drott); Cage (David W. Bernstein); Babbitt (Andrew Mead); Carter (Jonathan W. Bernard); Mel Powell (Jeffrey Perry); Shulamit Ran (Robert W. Peck)

Table Of Contents:
Preface vii

Part One: New Voices from the Old World

The String Quartets of Debussy and Ravel 3(24)

Marianne Wheeldon

Sibelius's ``Internal Voices'': Structure and Process in the Quartet in D Minor (Voces Intimae), Op. 56 27(43)

Joseph Kraus

The Pitch Language of the Bartok Quartets 70(42)

Joseph N. Straus

The String Quartet in the Music of Paul Hindemith 112(21)

David Neumeyer

Part Two: The Second Viennese School

Comprehensibility, Variation, and the String Quartet Tradition: The Second Movement of Arnold Schoenberg's Third Quartet, Op. 30 133(29)

Matthew R. Shaftel

Process in the String Quartets of Alban Berg 162(33)

Dave Headlam

Webern's Music for String Quartet 195(28)

David Clampitt

Part Three: Inherited and Indigenous Traditions

Villa-Lobos's String Quartets 223(33)

Eero Tarasti

Appropriate Tradition: The String Quartets of Sergei Prokofiev, Opp. 50 and 92 256(29)

Neil Minturn
List of Contributors 285(2)
Index 287(36)
Preface vii

Part One: Motive, Quotation, and Form

Dmitri Shostakovich: The String Quartets 3(38)

Patrick McCreless

Supported by Tradition: Sonority, Form, and Transcendence in Britten's String Quartets 41(36)

Christopher Mark

Part Two: The European Avant-Garde

Gyorgy Ligeti's String Quartets 77(22)

Jane Piper Clendinning

Becoming Berio: Evidence from His First Three String Quartets 99(39)

Richard Hermann

An Experiential Account of Musical Form in Xenakis's String Quartets 138(24)

Evan Jones

The String Quartets of Giacinto Scelsi 162(33)

Eric Drott

Part Three: The String Quartet in America

``A Line in Rhythmic Space'': John Cage's String Quartet in Four Parts (1950) 195(15)

David W. Bernstein

The String Quartets of Milton Babbitt 210(28)

Andrew Mead

The String Quartets of Elliott Carter 238(38)

Jonathan W. Bernard

Mel Powell and the String Quartet 276(33)

Jeffrey Perry

The String Quartets of Shulamit Ran 309(14)

Robert W. Peck
List of Contributors 323(4)
Index 327

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