简介
A handsome new edition of the seminal collection of late-twentieth-century cultural criticism. Named a Best Book of the Year by the Village Voiceand considered a bible of contemporary cultural criticism, The Anti-Aestheticis reissued now in a handsome new paperback edition. For the past twenty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman's film stills, to Barbara Kruger's collages. With a redesigned cover and a new afterword that situates the book in relation to contemporary criticism, The Anti-Aestheticprovides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism. New afterword by Hal Foster; 12 b/w photographs.
目录
Postmodernism: A Preface
Modernity - An Incomplete Project p. 3
Towards a Critical Regionalism: Six Points for an Architecture of Resistance p. 16
Sculpture in the Expanded Field p. 31
On the Museum's Ruins p. 43
The Discourse of Others: Feminists and Postmodernism p. 57
The Object of Post-Criticism p. 83
Postmodernism and Consumer Society p. 111
The Ecstasy of Communication p. 126
Opponents, Audiences, Constituencies and Community p. 135
Modernity - An Incomplete Project p. 3
Towards a Critical Regionalism: Six Points for an Architecture of Resistance p. 16
Sculpture in the Expanded Field p. 31
On the Museum's Ruins p. 43
The Discourse of Others: Feminists and Postmodernism p. 57
The Object of Post-Criticism p. 83
Postmodernism and Consumer Society p. 111
The Ecstasy of Communication p. 126
Opponents, Audiences, Constituencies and Community p. 135
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