简介
Summary:
Publisher Summary 1
Examines the critical reception of Pop Art, identifying the American roots of deconstructive post-modernism.
Publisher Summary 2
Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how their ideas bear a striking similarity to the body of thought and opinion now associated with deconstructive postmodernism. Pop Art thus arises as not only a reflection of the dominance of mass communications and capitalist consumerism in postwar American society, but also a subversive commentary on worldviews and the factors necessary for their formation.
目录
Contents 7
Introduction 9
PART ONE: Theoretical Framework 17
1 Post- Modernist Assumptions 19
PART TWO: \u201cSocial\u201d Critics 43
2 Lawrence Alloway Pop Art and the \u201cPop Art\u2013 Fine Art Continuum\u201d 45
3 Harold Rosenberg Pop Art and the \u201cDe- definition\u201d of Both Art and \u201cSelf\u201d 76
4 Leo Steinberg Pop, \u201cPost- Modernist\u201d Painting and the Flatbed Picture Plane 104
PART THREE: \u201cPhilosophical\u201d Critics 121
5 Barbara Rose Pop, Pragmatism, and \u201cProphetic Pragmatism\u201d 123
6 Max Kozloff A Phenomenological Solution to \u201cWarholism\u201d and its Disenfranchisement of the Critic\u2019s Interpretive and Evaluative Roles 154
PART FOUR: \u201cCultural\u201d Critics 177
7 Susan Sontag Pop, the Aesthetics of Silence, and the New Sensibility 179
Conclusion 216
Notes 231
Index 283
Introduction 9
PART ONE: Theoretical Framework 17
1 Post- Modernist Assumptions 19
PART TWO: \u201cSocial\u201d Critics 43
2 Lawrence Alloway Pop Art and the \u201cPop Art\u2013 Fine Art Continuum\u201d 45
3 Harold Rosenberg Pop Art and the \u201cDe- definition\u201d of Both Art and \u201cSelf\u201d 76
4 Leo Steinberg Pop, \u201cPost- Modernist\u201d Painting and the Flatbed Picture Plane 104
PART THREE: \u201cPhilosophical\u201d Critics 121
5 Barbara Rose Pop, Pragmatism, and \u201cProphetic Pragmatism\u201d 123
6 Max Kozloff A Phenomenological Solution to \u201cWarholism\u201d and its Disenfranchisement of the Critic\u2019s Interpretive and Evaluative Roles 154
PART FOUR: \u201cCultural\u201d Critics 177
7 Susan Sontag Pop, the Aesthetics of Silence, and the New Sensibility 179
Conclusion 216
Notes 231
Index 283
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