大学与美术馆——美术馆与艺术史书写

目 录Contents

美术馆与艺术史书写

Art Museum and Art History Writing
大学思想University Philosophy
Soul of University: Dialogue on “University Philosophy”
讲出你自己——西川访谈
Express Yourself: Interview with Xi Chuan
美术馆文化Museum Culture
Valéry Proust Museum
未来主义博物馆策略
Futurist Museology
不断前进的鱼雷——美国纽约现代艺术博物馆绘画与雕塑收藏的思路演变
The Evolving Torpedo: Changing Ideas of the Collection of Painting and Sculpture of The Museum of Modern Art
美术馆叙事还需努力
Art Museum Narrative Still Has Room for Improvement
民营美术馆与中国当代艺术史的书写——今日美术馆执行馆长高鹏访谈
Private Art Museum and Contemporary Chinese Art History Writing: Interview with Gao Peng, Executive Director of Today Art Museum
弗利尔－赛克勒美术馆观画记——美国博物馆行记之一
Painting Appreciation in Freer and Sackler Gallery: The First Post of Travels to American Museums
艺术史与理论Art History and Theory
Contemporary Art and Politics of Aesthetics
艺术史书写中的作者理论和作品理论
Theory on Author and Work in Art History Writing
艺术史的“监狱”
The “Prison” of Art History
中国双三年展中的艺术史观——以新世纪之初的广州三年展、上海双年展为例
The Concept of Art History in Biennails and Triennails in China: Take the Guangzhou Triennails and Shanghai Biennails at the Early 21st Century for Example
双年展无界限？
Biennials Without Borders?
1989“中国现代艺术大展”研究（节选）
Study on Exhibition “China/Avant-garde” in 1989 (Excerpt)
新视角New Perspective
The Difficulty and Solution of Art Aid Policy in America: From The Perspective of the National Endowment for the Arts
公共与教育Public and Education
Engaging Strangeness in the Art Museum: An Audience Development Strategy
典藏研究Collection Research
The Aesthetic and Historical Aspects of the Presentation of Damaged Pictures (Part one)
布兰迪修复理论内容浅论
Brief Discussion of Brandi’s Theory of Restoration
研讨会Symposiums and Forums
布兰迪修复理论内容浅论
Brief Discussion of Brandi’s Theory of Restoration
研讨会Symposiums and Forums
Take Away my Authority: Artists, Networks, and Collaborations in Contemporary Global Art—Minutes of Lecture by Alexandra Munroe