简介
Summary:
Publisher Summary 1
A study of contemporary women playwrights from a feminist perspective.
Publisher Summary 2
Working through a generational mix of writers, from Sarah Kane, the iconoclastic "bad girl" of the stage, to the "canonical" Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the end of the twentieth century. Aston also explores "new" writing for the 1990s in theater by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
目录
Table Of Contents:
Acknowledgements
1. A feminist view on the 1990s
2. Telling feminist tales: Caryl Churchill
3. Saying no to daddy: child sexual abuse, the 'Big Hysteria'
4. Girl power, the new feminism?
5. The 'bad girl of our stage?': Sarah Kane
6. Performing identities
7. Feminist connections to a multicultural 'scene'
8. Feminism past, and future?: Timberlake Wertenbaker
9. Tales for the twenty-first century: final reflections
Bibliography
Index.
Acknowledgements
1. A feminist view on the 1990s
2. Telling feminist tales: Caryl Churchill
3. Saying no to daddy: child sexual abuse, the 'Big Hysteria'
4. Girl power, the new feminism?
5. The 'bad girl of our stage?': Sarah Kane
6. Performing identities
7. Feminist connections to a multicultural 'scene'
8. Feminism past, and future?: Timberlake Wertenbaker
9. Tales for the twenty-first century: final reflections
Bibliography
Index.
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