简介
"Cross-dressing is an important theatrical technique. It creates a new reality, provides alternatives, unleashes the imagination and enables actors to provoke otherwise repressed responses in audiences. The Changing Room examines: the origins of the dame comedian, the principal boy, the glamour drag artiste and the male impersonator; artists such as David Bowie, Boy George, Charles Ludlam, Dame Edna Everage, Lily Savage, Candy Darling, Julian Clary, and The New York Dolls; the gender-bending elements of Greek and early Christian religion; the homosexual appeal of the boy actor on the traditional stage of China, Japan and England; and tribal rituals and shamanic practices in Africa, Australia, the Balkans, Korea and Tibet."--BOOK JACKET.
目录
List of illustrations p. ix
Acknowledgements p. xiv
Introduction p. 1
Acting out p. 15
The sham in shaman p. 17
The Greek for it is 'Gynaikiseos' p. 39
Skirting Christ p. 56
Stages of sodomy p. 77
Orientations p. 79
China trade p. 106
Playboys and boy players p. 127
The mannish and the unmanned p. 157
Arms and the woman p. 159
Monstrous pleasures of the baroque p. 179
Breeches birth p. 206
Beldames sans merci p. 228
The prince, the pauper and the pan p. 258
Subcultures surface p. 293
Putting on the drag p. 295
The imp(ersonator) of the perverse p. 326
Amateur hour p. 350
Children of the ghetto p. 375
Queens of clubs p. 377
Alternatives p. 409
Sex, drags and rock 'n' roll p. 444
Glad-ragging the Establishment p. 459
A gender of their own p. 481
Afterword: from dressing up to dressing down p. 501
Index p. 512
Acknowledgements p. xiv
Introduction p. 1
Acting out p. 15
The sham in shaman p. 17
The Greek for it is 'Gynaikiseos' p. 39
Skirting Christ p. 56
Stages of sodomy p. 77
Orientations p. 79
China trade p. 106
Playboys and boy players p. 127
The mannish and the unmanned p. 157
Arms and the woman p. 159
Monstrous pleasures of the baroque p. 179
Breeches birth p. 206
Beldames sans merci p. 228
The prince, the pauper and the pan p. 258
Subcultures surface p. 293
Putting on the drag p. 295
The imp(ersonator) of the perverse p. 326
Amateur hour p. 350
Children of the ghetto p. 375
Queens of clubs p. 377
Alternatives p. 409
Sex, drags and rock 'n' roll p. 444
Glad-ragging the Establishment p. 459
A gender of their own p. 481
Afterword: from dressing up to dressing down p. 501
Index p. 512
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