简介
Since the turn of the millennium, there has seen an increase in the inclusion of typography, graphics and illustration in fiction. This book engages with visual and multimodal devices in twenty-first century literature, exploring canonical authors like Mark Z. Danielewski and Jonathan Safran Foer alongside experimental fringe writers such as Ste... more 籿e Tomasula, to uncover an embodied textual aesthetics in the information age. Bringing together multimodality and cognition in an innovative study of how readers engage with challenging literature, this book makes a significant contribution to the debates surrounding multimodal design and multimodal reading. Drawing on cognitive linguistics, cognitive psychology, neuroscience, semiotics, visual perception, visual communication, and multimodal analysis, Gibbons provides a sophisticated set of critical tools for analysing the cognitive impact of multimodal literature. ?less
目录
Table Of Contents:
List of Figures ix
Permissions xi
Acknowledgements xiii
1 Introduction 1(7)
2 Multimodality 8(18)
3 Towards a Multimodal Cognitive Poetics 26(20)
4 Crossing Thresholds and the Exploring Reader of House of Leaves 46(40)
Mark Z. Danielewski
5 Embodiment and the Book that Bleeds: VAS: An Opera in Flatland 86(41)
Steve Tomasula
Stephen Farrell
6 Cowitnessing Trauma in Reading Extremely Loud & Incredibly Close 127(40)
Jonathan Safran Foer
7 Cut, Paste, Repair, but Read: Woman's World 167(41)
Graham Rawle
8 Conclusion 208(19)
Appendix A Reading Woman's World 227(4)
Appendix B Reading the Mock-Up 231(2)
References 233(20)
Index 253
List of Figures ix
Permissions xi
Acknowledgements xiii
1 Introduction 1(7)
2 Multimodality 8(18)
3 Towards a Multimodal Cognitive Poetics 26(20)
4 Crossing Thresholds and the Exploring Reader of House of Leaves 46(40)
Mark Z. Danielewski
5 Embodiment and the Book that Bleeds: VAS: An Opera in Flatland 86(41)
Steve Tomasula
Stephen Farrell
6 Cowitnessing Trauma in Reading Extremely Loud & Incredibly Close 127(40)
Jonathan Safran Foer
7 Cut, Paste, Repair, but Read: Woman's World 167(41)
Graham Rawle
8 Conclusion 208(19)
Appendix A Reading Woman's World 227(4)
Appendix B Reading the Mock-Up 231(2)
References 233(20)
Index 253
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