简介
《斯帕克的后现代主义小说艺术》的作者戴鸿斌2009年6月毕业于上海外国语大学，其博士论文经过一年多的认真修改，即将以专著的形式出版。这是作者第一本独立撰写的学术专著。作为他的博士论文导师，我颇感欣慰，因为这是戴鸿斌学术生涯的新起点。相信《斯帕克的后现代主义小说艺术》的面世将会进一步激发他的学术兴趣和潜能，成为他继续努力前行的动力。
当代女作家斯帕克在英国文坛享有盛誉，曾经三次入围布克奖的提名，并且获得各种大奖。她得到著名文论家克莫德和大卫。洛奇等人的高度评价，被称为是“她那一代作家中最有魅力的”小说家。她的作品已被翻译成二十多种语言，在全世界广泛流传。有关斯帕克的研究成果在国外层出不穷，但她的作品在国内并未得到应有的关注。因此，戴鸿斌选择该作家作为研究对象具有一定的实践意义和理论价值。
目录
序
Introduction
Chapter One Intertextuality in The Comforters
Ⅰ.An Overview of the Theory of Intertextuality
Ⅱ.Relations Between The Comforters and the Book of Job
Ⅲ.Intertextual Reference to The End of the Affair
Ⅳ.Parody of the Detective Story
Chapter Two The Art of the Nouveau Roman in The Driver's Seat
Ⅰ.The Nature of the Nouveau Roman and Its Relation with Postmodemism
Ⅱ.The Impersonal Writings of the Fiction
Ⅲ.The Rejection of the Sequential Plot
Chapter Three The Craft of Metafiction in Loitering with Intent
Ⅰ.Some Issues of Metafiction
Ⅱ.The Mctafictional Structure of Loitering with Intent
Ⅲ.The Exposure of Artificiality
Ⅳ.Discussion About the Criticism of Fiction
Conclusion
Bibliography
Acknowledgements
后记
Introduction
Chapter One Intertextuality in The Comforters
Ⅰ.An Overview of the Theory of Intertextuality
Ⅱ.Relations Between The Comforters and the Book of Job
Ⅲ.Intertextual Reference to The End of the Affair
Ⅳ.Parody of the Detective Story
Chapter Two The Art of the Nouveau Roman in The Driver's Seat
Ⅰ.The Nature of the Nouveau Roman and Its Relation with Postmodemism
Ⅱ.The Impersonal Writings of the Fiction
Ⅲ.The Rejection of the Sequential Plot
Chapter Three The Craft of Metafiction in Loitering with Intent
Ⅰ.Some Issues of Metafiction
Ⅱ.The Mctafictional Structure of Loitering with Intent
Ⅲ.The Exposure of Artificiality
Ⅳ.Discussion About the Criticism of Fiction
Conclusion
Bibliography
Acknowledgements
后记
Postmodernist art in Muriel Spark’s fiction
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