简介
"You can't act Shaespeare until you can speak him". Those words inform every page of Speaking Shakespeare. Patsy Rodenburg tackles one of the most difficult jobs an actor can take on: speaking Shakespeare on the stage both as his words were meant to be spoken as well as in an understandable and dramatic way that projects the reality of the character. Patsy calls this book "a simple manual to start the journey into the heart of Shakespeare." This is just what she gives readers in a book that was developed as she worked with her students at London's Guildhall School of Music and Drama. As she worked with the people in her classes, she explored Shakespeare's work and encouraged them to consider the way in which Shakespeare's text and how it is spoken would inform every aspect of the creation of a character onstage. She begins with the "givens" of speaking verse. She then moves on to the rehearsal of leading Shakespeare roles from Hamlet, King Lear, Richard III, Macbeth and others. With the same sensitivity to an actor's development that she displayed in The Actor Speaks, Patsy uses ideas of dramatic resonance, breathing, placement and the actor's preparation to show how one can bring these characters fully to life. Like The Actor Speaks, this will be a book every working actor will need to have. Speaking Shakespeare is a passionate book about how one properly plays the characters of the most well-known playwright in the English language and that passion is encompassed in another rule she passes on to her students and readers: "To Release the Full Power of Shakespeare's Work, You Have to Commit Through the Body, Breath and Word." - Dust jacket.
目录
Acknowledgements p. ix
Preface p. xi
Foundation Craft
Foundation Craft p. 3
The Body p. 15
The State of Readiness p. 23
Breath p. 30
Support p. 36
Freeing the Voice p. 40
Placing the Free Voice p. 46
Consolidation p. 50
Deepening the Work p. 53
Range and Resonance p. 55
Clear Speech p. 57
Listening p. 60
Hamlet's Advice p. 63
Structure
The Givens p. 69
The Word p. 72
Alliteration, Assonance, Onomatopoeia p. 78
Rhythm p. 84
Pauses and Irregularities of Rhythm p. 95
The Line p. 103
The Thought and the Structuring of Thoughts p. 108
The Structure of Scenes p. 120
Antithesis p. 121
Rhyme p. 126
Prose p. 155
Irony p. 163
Puns p. 169
Language games p. 173
Repetition p. 177
The Story p. 180
Location p. 184
Stage Directions, Props, Entrances and Exits p. 186
Soliloquy p. 188
The Imaginative
The Imaginative Exploration of the Text p. 191
Anchoring the Text p. 201
Focus and Energy p. 217
Summary p. 222
The Speeches
Richard III p. 226
Julius Caesar p. 236
Measure for Measure p. 242
King Lear p. 250
As You Like It p. 266
Much Ado About Nothing p. 273
The Merchant of Venice p. 279
Othello p. 285
Henry V p. 292
The Winter's Tale p. 297
Macbeth p. 303
Twelfth Night p. 314
A Midsummer Night's Dream p. 325
Antony and Cleopatra p. 329
Coriolanus p. 334
Cymbeline p. 338
King John p. 344
Checklists
Preparing the Body, Breath, Voice and Speech p. 351
The Givens p. 354
The Imaginative p. 355
Preface p. xi
Foundation Craft
Foundation Craft p. 3
The Body p. 15
The State of Readiness p. 23
Breath p. 30
Support p. 36
Freeing the Voice p. 40
Placing the Free Voice p. 46
Consolidation p. 50
Deepening the Work p. 53
Range and Resonance p. 55
Clear Speech p. 57
Listening p. 60
Hamlet's Advice p. 63
Structure
The Givens p. 69
The Word p. 72
Alliteration, Assonance, Onomatopoeia p. 78
Rhythm p. 84
Pauses and Irregularities of Rhythm p. 95
The Line p. 103
The Thought and the Structuring of Thoughts p. 108
The Structure of Scenes p. 120
Antithesis p. 121
Rhyme p. 126
Prose p. 155
Irony p. 163
Puns p. 169
Language games p. 173
Repetition p. 177
The Story p. 180
Location p. 184
Stage Directions, Props, Entrances and Exits p. 186
Soliloquy p. 188
The Imaginative
The Imaginative Exploration of the Text p. 191
Anchoring the Text p. 201
Focus and Energy p. 217
Summary p. 222
The Speeches
Richard III p. 226
Julius Caesar p. 236
Measure for Measure p. 242
King Lear p. 250
As You Like It p. 266
Much Ado About Nothing p. 273
The Merchant of Venice p. 279
Othello p. 285
Henry V p. 292
The Winter's Tale p. 297
Macbeth p. 303
Twelfth Night p. 314
A Midsummer Night's Dream p. 325
Antony and Cleopatra p. 329
Coriolanus p. 334
Cymbeline p. 338
King John p. 344
Checklists
Preparing the Body, Breath, Voice and Speech p. 351
The Givens p. 354
The Imaginative p. 355
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