简介
"James Agee's literary reputation has grown enormously since his death in 1955. He wrote novels, short stories, poetry, film criticism, screenplays, and investigative journalism, but these accomplishments earned him only a modest public reputation during his brief life. Ironically, Agee's greatest recognition as a writer came posthumously, when his novel A Death in the Family won the Pulitzer Prize." "In James Agee and the Legend of Himself, Alan Spiegel examines these accomplishments and treats Agee not simply as a celebrity, journalist, or "Depression" writer but as a self-interrogating literary artist who created a homemade legend from his earliest family memories, sifting his experience through an automythology composed of his mother, his father, and himself."--BOOK JACKET.
目录
Introduction: Legends p. 1
Agee and the Ageeans p. 5
Agee in the Classroom p. 13
Tales of the Self p. 21
King and Queen p. 24
Radiance p. 29
"Sonnybunch" p. 37
A Fantasia of the Actual: Let Us Now Praise Famous Men p. 44
With Failure Foreseen p. 49
Two Reveries p. 73
The True Tastes of Home p. 88
Gods in Ruins p. 119
The Milk of Paradise: Agee on Film p. 143
Performances: The Critic as Artist p. 149
The Testament of Endymion p. 166
Obligations p. 190
Chains of Flesh: The Morning Watch and A Death in the Family p. 197
New Voices p. 200
Intestate p. 215
Invisible America p. 219
Oceanic Roll: The Uses of Childhood p. 224
Home and the World: The Structure of Nostalgia p. 238
Coda: All the Way Home, Sort of p. 258
Notes p. 263
Selected Bibliography p. 285
Index p. 289
Agee and the Ageeans p. 5
Agee in the Classroom p. 13
Tales of the Self p. 21
King and Queen p. 24
Radiance p. 29
"Sonnybunch" p. 37
A Fantasia of the Actual: Let Us Now Praise Famous Men p. 44
With Failure Foreseen p. 49
Two Reveries p. 73
The True Tastes of Home p. 88
Gods in Ruins p. 119
The Milk of Paradise: Agee on Film p. 143
Performances: The Critic as Artist p. 149
The Testament of Endymion p. 166
Obligations p. 190
Chains of Flesh: The Morning Watch and A Death in the Family p. 197
New Voices p. 200
Intestate p. 215
Invisible America p. 219
Oceanic Roll: The Uses of Childhood p. 224
Home and the World: The Structure of Nostalgia p. 238
Coda: All the Way Home, Sort of p. 258
Notes p. 263
Selected Bibliography p. 285
Index p. 289
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