简介
Summary:
Publisher Summary 1
Skirting the mainstream of several disciplines, explores the relevance of mental imagery, memory, and consciousness to language and the relations between spoken and written language, influenced by scholars such as Franz Boas and Edward Sapir whose sense of language and thought were informed by their contacts with indigenous Americans. Among the topics are intonation units, topic hierarchies and sentences, representing other speech and thought in conversation, and displaced immediacy in written first-person fiction. Paper edition (unseen), $24.95. Annotation copyright Book News, Inc. Portland, Or.
Publisher Summary 2
Wallace Chafe demonstrates how the study of language and consciousness together can provide an unexpectedly broad understanding of the way the mind works. Relying on close analyses of conversational speech as well as written fiction and nonfiction, he investigates both the flow of ideas through consciousness and the displacement of consciousness by way of memory and imagination.
Chafe draws on several decades of research to demonstrate that understanding the nature of consciousness is essential to understanding many linguistic phenomena, such as pronouns, tense, clause structure, and intonation, as well as stylistic usages, such as the historical present and the free indirect style. While the book focuses on English, there are also discussions of the North American Indian language Seneca and the music of Mozart and of the Seneca people.
This work offers a comprehensive picture of the dynamic natures of language and consciousness that will interest linguists, psychologists, literary scholars, computer scientists, anthropologists, and philosophers.
Publisher Summary 3
Wallace Chafe demonstrates how the study of language and consciousness together can provide an unexpectedly broad understanding of the way the mind works. Relying on close analyses of conversational speech as well as written fiction and nonfiction, he investigates both the flow of ideas through consciousness and the displacement of consciousness by way of memory and imagination.
Chafe draws on several decades of research to demonstrate that understanding the nature of consciousness is essential to understanding many linguistic phenomena, such as pronouns, tense, clause structure, and intonation, as well as stylistic usages, such as the historical present and the free indirect style. While the book focuses on English, there are also discussions of the North American Indian language Seneca and the music of Mozart and of the Seneca people.
This work offers a comprehensive picture of the dynamic natures of language and consciousness that will interest linguists, psychologists, literary scholars, computer scientists, anthropologists, and philosophers.
目录
Table Of Contents:
Preface ix
Acknowledgments xi
Symbols Used in Transcriptions of Speech xiii
PART ONE Preliminaries
Introduction 3(5)
Understanding Language and the Mind 8(18)
The Nature of Consciousness 26(15)
Speaking and Writing 41(12)
PART TWO Flow
Intonation Units 53(18)
Activation Cost 71(11)
Starting Points, Subjects, and the Light Subject Constraint 82(11)
Identifiability and ``Definiteness'' 93(15)
The One New Idea Constraint 108(12)
Discourse Topics 120(17)
Topic Hierarchies and Sentences 137(9)
Another Language 146(15)
Some Alternative Approaches to Information Flow 161(25)
The Flow of Consciousness in Music 186(9)
PART THREE Displacement
The Immediate and Displaced Modes in Conversational Language 195(17)
Representing Other Speech and Thought in Conversation 212(12)
Displaced Immediacy in Written First-Person Fiction 224(13)
Representing Other Speech and Thought in first-Person Fiction with Displaced Immediacy 237(12)
Displaced Immediacy in Written Third-Person Fiction 249(10)
Written Fiction That (Partially) Lacks a Represented Consciousness 259(12)
Written Nonfiction 271(7)
Displacement Integrated with Flow 278(18)
Written Paragraphs and Discourse Topics 296(5)
Epilogue 301(3)
References 304(13)
Index 317
Preface ix
Acknowledgments xi
Symbols Used in Transcriptions of Speech xiii
PART ONE Preliminaries
Introduction 3(5)
Understanding Language and the Mind 8(18)
The Nature of Consciousness 26(15)
Speaking and Writing 41(12)
PART TWO Flow
Intonation Units 53(18)
Activation Cost 71(11)
Starting Points, Subjects, and the Light Subject Constraint 82(11)
Identifiability and ``Definiteness'' 93(15)
The One New Idea Constraint 108(12)
Discourse Topics 120(17)
Topic Hierarchies and Sentences 137(9)
Another Language 146(15)
Some Alternative Approaches to Information Flow 161(25)
The Flow of Consciousness in Music 186(9)
PART THREE Displacement
The Immediate and Displaced Modes in Conversational Language 195(17)
Representing Other Speech and Thought in Conversation 212(12)
Displaced Immediacy in Written First-Person Fiction 224(13)
Representing Other Speech and Thought in first-Person Fiction with Displaced Immediacy 237(12)
Displaced Immediacy in Written Third-Person Fiction 249(10)
Written Fiction That (Partially) Lacks a Represented Consciousness 259(12)
Written Nonfiction 271(7)
Displacement Integrated with Flow 278(18)
Written Paragraphs and Discourse Topics 296(5)
Epilogue 301(3)
References 304(13)
Index 317
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