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ISBN:9780231146128

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简介

Jean Baudrillard (1929-2007) was a controversial social and cultural theorist known for his trenchant analyses of media and technological communication. Belonging to the generation of French thinkers that included Gilles Deleuze, Jean-Fran?ois Lyotard, Michel Foucault, and Jacques Lacan, Baudrillard has at times been vilified by his detractors, but the influence of his work on critical thought and pop culture is impossible to deny (many might recognize his name from The Matrixmovies, which claimed to be based on the French theorist's ideas). Steve Redhead takes a fresh look at Baudrillard in relation to the intellectual and political climates in which he wrote. Baudrillard sought to produce a theory of modernity, but the modern world of the 1950s was radically different from the reality of the early twenty-first century. Beginning with Baudrillard's initial publications in the 1960s and concluding with his writings on 9/11 and Abu Ghraib, Redhead guides the reader through Baudrillard's difficult texts and unorthodox views on current issues. He also proposes an original theory of Baudrillard's relation to postmodernism, presenting the theorist's work as "non-postmodernist," after Bruno Latour's concept of "non-modernity." Each section of the Reader includes an extract from one of Baudrillard's writings, prefaced by a short bibliographical introduction that places the piece in context and puts the debate surrounding the theorist into sharp perspective. The conflict over Baudrillard's legacy stems largely from the fact that a comprehensive selection of his writings has yet to be translated and collected into one volume. The Jean Baudrillard Readerprovides an expansive and much-needed portrait of the critic's resonant work.

目录

On Non-Postmodernity p. 1
Mass Media Culture p. 14
The Linguistic Imaginary p. 33
The Ecliptic of Sex p. 49
The Beaubourg Effect: Implosion and Deterrence p. 57
Please Follow Me p. 71
The Evil Demon of Images p. 83
The Gulf War: Is It Really Taking Place? p. 99
Pataphysics of the Year 2000 p. 122
Impossible Exchange p. 132
The Millennium, or the Suspense of the Year 2000 p. 153
Truth or Radicality? The Future of Architecture p. 171
The Art Conspiracy p. 186
Requiem for the Twin Towers p. 192
Pornography of War p. 198
Contemporary Art: Art Contemporary with Itself p. 203
The Pyres of Autumn p. 212
We Have Never Been Postmodern: Reading Jean Baudrillard p. 217
Index p. 225

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