简介
The north African roots of Jacques Derrida--he was born in Algeria, and lived there until he was nearly twenty--have yet to receive due consideration. Derrida, Africa, and the Middle East investigates the iconic theorist's claim to "Black, Arab, and Jewish" identity, demonstrating for the first time his significance for Africa and the Middle East while remaining mindful of the conflict between these Jewish and Arab heritages. Even as it criticizes Derrida's analyses of the Palestinian-Israeli conflict, it shows why Derrida's idiosyncratic politics should not deter his critics. Further, this study reveals similarities between deconstruction and ancient Egypto-African ways of thinking about language, and posits a new critical lineage--one with origins outside the bounds of Greco-Roman thought.
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For Judi, Zachary, Zo?, Ayesha, and Michael
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Earlier versions of the following chapters have appeared in the following journals: Chapter One, ?Saying ?Yes? to Africa: Jacques Derrida?s Specters of Marx,? in Research In African Literatures, Vol. 33, No. 4 (Winter) 2002: 124-142; Chapter Three, ?Deconstruction and Zionism: Jacques Derrida?s Specters of Marx,? in Diacritics, Vol. 31, No. 1 (Spring) 2001: 56-72; Chapter Four, ?The Figure of Jerusalem: Jacques Derrida?s Specters of Marx,? Christianity and Literature, Vol. 54, No. 1 (Autumn) 2004: 73-91. Versions of these essays printed in this book supersede previously published versions.
List of Previous Publications
Whither Arabism? (2008)
The Yambo Ouologuem Reader (2008)
Developing American Studies at Arab Universities (2004)
The Desert Shore: Literatures of the Sahel (2001)
Yambo Ouologuem: Postcolonial Writer, Islamic Militant (1999)
Litt?ratures du Sahel (1998)
The Marxian Hermeneutics of Fredric Jameson (1995)
The Black Arab Jew: Derrida, Africa, and the Middle East
Table of Contents:
Preface
Chapter One: Saying ?Yes? to Africa
Chapter Two: Deconstruction of the Veil
Chapter Three: Arab-Jew
Chapter Four: Deconstruction and Zionism
Chapter Five: The Figure of Jerusalem
Chapter Six: Conjuration
Chapter Seven: The Secular Trace
Chapter Eight: The Double Gesture
Chapter Nine: Realism Without Realism
Chapter Ten: The Wordless ?Yes?
Chapter Eleven: Deconstruction and the African Trace
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