简介
Summary:
Publisher Summary 1
In the first major study of the twentieth-century American protest novel, Kimberly S. Drake examines a group of authors who self-consciously exploited the revolutionary potential of the novel. These works transformed literary conventions concerning art and politics, readers, and characters. This project draws upon a range of cultural studies concepts to take a fresh look at Richard Wright, Ann Petry, Tillie Olsen, Chester Himes, and Sarah Wright.
目录
Acknowledgments p. ix
Introduction: Determinism, Double Consciousness, and the Construction of Subjectivity in American Protest Novels p. 1
Rape, Repression, and Remainder: Racial Trauma in Wright's Early Novels p. 49
么Women on the Go枚: Stereotype, Domesticity, and Street Culture in Ann Petty's Fiction p. 89
么You Make Your Children Sick枚: Domestic Ideology and Working-Class Female Identity in Tillie Olsen's Yonnondio and Sarah E. Wright's This Child's Gonna Live p. 131
Doing Time in/as 么The Monster枚: Subjectivity and Abjection in Narratives of Incarceration p. 175
Notes p. 199
Works Cited p. 231
Index p. 247
Introduction: Determinism, Double Consciousness, and the Construction of Subjectivity in American Protest Novels p. 1
Rape, Repression, and Remainder: Racial Trauma in Wright's Early Novels p. 49
么Women on the Go枚: Stereotype, Domesticity, and Street Culture in Ann Petty's Fiction p. 89
么You Make Your Children Sick枚: Domestic Ideology and Working-Class Female Identity in Tillie Olsen's Yonnondio and Sarah E. Wright's This Child's Gonna Live p. 131
Doing Time in/as 么The Monster枚: Subjectivity and Abjection in Narratives of Incarceration p. 175
Notes p. 199
Works Cited p. 231
Index p. 247
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