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ISBN:9788772887869

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简介

  A wide spectrum of critical approaches to the works of German, English, American, French, and Scandinavian Romantic writers is displayed in these fifteen essays. Of primary importance to the contributors is the correlation between literature, art and theory in romantic writing; they also discuss the interstices between Romanticism and 20th century theory. The work of Novalis, Schelling, Nietzsche and Foucault, Coleridge and Humboldt, Atterbom, Hoffmann, Wordsworth and Turner, Carus, Kierkegaard, Schlegal, Dickinson and Whitman, Blake, Tieck, Grimm, Keats, and De Quincey are places in the context of modern theoretical paradigms. These chapters are grouped under thematic headings: Language and semiotics; Image, imagery, and imagination; Dreatasy and the unconscious; and History and intertext. This anthology will be of great value to students and scholars interested in Romantic aesthetic and literary theory as well as the boundaries between literature, theory and philosophy.  

目录

Table Of Contents:
Abbreviations 8(11)
Introduction 11(9)
Language and Semiotics

The Early Romantic Theory of Language and Its Impact upon Nietzsche and Foucault 20(21)

Ernst Behler

`Transition Fossiles': Friedrich von Hardenberg's Conception of Transition in his Werner-Studien 41(17)

Marie-Theres Federhofer

The Performative in Romantic Theory and Practice: On the Linguistic Philosophy of Coleridge and Humboldt 58(15)

Angela Esterhammer

The Voice of the Mother: On Reading, Writing and Feminity in Romantic Poetics and in the Poetry of P.D.A. Atterbom 73(10)

Otto Fischer

German Romanticism between World Literature and German Philology 83(25)

Bengt Algot Sorensen
Image, Imagery, Imagination

Hypervisuality in German Romanticism, or `The Crystal Revenge' 108(16)

Alice Kuzniar

Images and Counter-Images: Quotations of Forms and Genres in Tieck and E.T.A. Hoffmann 124(10)

Andreas Bohn

The Metaphysical Implosion: Reflections upon Reflections of Landscape in Turner and Wordsworth 134(20)

Klaus P. Mortensen

Carl Gustav Carus and Landscape Painting 154(11)

Diana Behler

The Overgrown Space: Romantic Imagination and Arabesque in Søren Kierkegaard's The Concept of Irony 165(11)

Isak Winkel Holm
The Romantic Other

William Blake and the Gothic Sublime 176(17)

Ib Johansen

Schelling and the Unconscious of a Work of Art 193(15)

Cecilia Sjoholm

The Erosion of Romantic Love: From Friedrich Schlegel to E.T.A. Hoffmann 208(14)

Chenxi Tang

Dickinson and Whitman at the Crossroads: Perfection, Gender, and the Embryo of a Modernist Split Subject 222(15)

Ide Hejlskov Larsen

Poetique du reve et theories de l'ecriture dans l'Europe romantique 237(27)

Alain Montandon
About the Contributors 264(4)
Index 268

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