简介
《中国当代电影中的纪实现实主义》内容简介：I declare that this dissertation；is the result of my own work and includes nothing which isthe outcome of work done in collaboration; is not substantially the same as any that I have submitted for adegree or diploma or other qualification at any other university; and thatno part of it has already been or in being concurrently submitted for anysuch degree, diploma or other qualification; does not exceed the prescribed limit of 80,000 words.
I have used hanyu pinyin for all Chinese names and phrasesthroughout the dissertation, except for names of characters as theyappear in the film's English subtitles. The hanyu pinyin and the original Chinese characters are listed in the "Glossary of Chinese Terms" forcross -reference.
All translations of quoted Chinese texts are mine unless otherwisestated.
目录
Preface
Acknowledgements
Dissertation Summary
Chapter One Introduction
1.New Chinese Film: The Inadequacy of Labels in Describing the New Film Practices in China
2.Mapping Contemporary Chinese Film
3.Discursive Parameters
Chapter Two Identifying Docu瞨ealism in Terms of History, Philosophy and Aesthetics
1.Historically: Inside and Outside China
2.Philosophically: The Redemption of Physical Reality
3.Aesthetic Principles111
Chapter Three Zhang Yuan: A Breakthrough in Presenting Reality — Escape from the Encirclement of Melo瞨ealism
1.Zhang Yuan and New Approaches to Reality
2.Sons·Cinema-verite·Cinema瞕irect
3.Seventeen Years and the New Documentary Movement
Chapter Four Jia Zhangke: Distinguishing Nostalgia from the Fifth Generation's Exoticism
1.Xiaowu: The Common Man's Consciousness and the Popular Perspective
2.Platform: Loose Narration and De瞕ramatization
3.Unknown Pleasure: Redemption of Real Life Through Sound
Chapter Five Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming: Constructing Docu瞨ealist Aesthetics in Film Construction
1.Shot·Deep Focus·Mise-en-scène
2.Colour·Light·Physical Reality
3.Editing·Montage·Long瞭ake
Conclusion
Appendix Main Docu瞨ealist Film Directors and Their Works
Bibliography
Glossary
Acknowledgements
Dissertation Summary
Chapter One Introduction
1.New Chinese Film: The Inadequacy of Labels in Describing the New Film Practices in China
2.Mapping Contemporary Chinese Film
3.Discursive Parameters
Chapter Two Identifying Docu瞨ealism in Terms of History, Philosophy and Aesthetics
1.Historically: Inside and Outside China
2.Philosophically: The Redemption of Physical Reality
3.Aesthetic Principles111
Chapter Three Zhang Yuan: A Breakthrough in Presenting Reality — Escape from the Encirclement of Melo瞨ealism
1.Zhang Yuan and New Approaches to Reality
2.Sons·Cinema-verite·Cinema瞕irect
3.Seventeen Years and the New Documentary Movement
Chapter Four Jia Zhangke: Distinguishing Nostalgia from the Fifth Generation's Exoticism
1.Xiaowu: The Common Man's Consciousness and the Popular Perspective
2.Platform: Loose Narration and De瞕ramatization
3.Unknown Pleasure: Redemption of Real Life Through Sound
Chapter Five Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming: Constructing Docu瞨ealist Aesthetics in Film Construction
1.Shot·Deep Focus·Mise-en-scène
2.Colour·Light·Physical Reality
3.Editing·Montage·Long瞭ake
Conclusion
Appendix Main Docu瞨ealist Film Directors and Their Works
Bibliography
Glossary
Docu-realism in contemporary Chinese film
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- 大小
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