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简介
《女性身份的嬗变:莉莲?海尔曼与玛莎?诺曼剧作研究》主要内容：在秉承海尔曼现实主义的创作手段的同时，诺曼继承了海尔曼作品中对女性命运的关注，而且在女权主义运动第二次浪潮冲击下开始创作的诺曼在女权主义主题的传达上更明确，塑造了更积极的女性人物形象。海尔曼和诺曼都试图通过对女性个体生存困境的刻画来昭示20世纪美国社会女性整体的生存状态。受作者所处历史时代的影响，海尔曼作品中塑造的女性人物往往采取消极的方式面对自己在家庭和社会中被边缘化的现实，通过酒精或者宗教进行自我麻痹，她们缺乏自我意识，未能获得独立的女性身份。相反，诺曼赋予她的主人公更强烈的自主意识和更清醒的自我认识，她们能够采取积极的方式突破在道德和生存层面遭受的歧视和束缚，从而获取对生活的主宰权利，诺曼尤其强调女性群体之间的互相扶持对女性成长的积极作用。
目录
Chapter One Introduction
1.1 Significance and Purpose of the Study
1.2 Analytical Approach
1.3 A Note on the Relationship between Realism and Feminism
1.4 Literature Review on Lillian Hellman
1.5 Literature Review on Marsha Norman
Chapter Two Victim and Survivor of Moral Inferiority
2.1 Rumor Kills
2.1.1 Slander Web Woven by Women
2.1.2 Death in the Homophobic Gaze
2.2 Breaking the Locking Bars
2.2.1 Inside and Outside Prisoner
2.2.2 Paths Out
Chapter Three Siege and Sortie of Physical Confinement
3.1 Family Enclosure
3.1.1 Money Hunger
3.1.2 Bird with Clipped Wings
3.2 Dark Road to Autonomy
3.2.1 Solitary Confinement
3.2.2 Nonexistence with Meaning
Chapter Four Loss and Regain of Psychological Wholeness
4.1 The Attic of Illusion
4.1.1 Feminine Mystique
4.1.2 Ties and Lies
4.2 Mid-night Awakening
4.2.1 Woman without Full-fledged Name
4.2.2 Mothering Each Other
Chapter Five Conclusion
References
1.1 Significance and Purpose of the Study
1.2 Analytical Approach
1.3 A Note on the Relationship between Realism and Feminism
1.4 Literature Review on Lillian Hellman
1.5 Literature Review on Marsha Norman
Chapter Two Victim and Survivor of Moral Inferiority
2.1 Rumor Kills
2.1.1 Slander Web Woven by Women
2.1.2 Death in the Homophobic Gaze
2.2 Breaking the Locking Bars
2.2.1 Inside and Outside Prisoner
2.2.2 Paths Out
Chapter Three Siege and Sortie of Physical Confinement
3.1 Family Enclosure
3.1.1 Money Hunger
3.1.2 Bird with Clipped Wings
3.2 Dark Road to Autonomy
3.2.1 Solitary Confinement
3.2.2 Nonexistence with Meaning
Chapter Four Loss and Regain of Psychological Wholeness
4.1 The Attic of Illusion
4.1.1 Feminine Mystique
4.1.2 Ties and Lies
4.2 Mid-night Awakening
4.2.1 Woman without Full-fledged Name
4.2.2 Mothering Each Other
Chapter Five Conclusion
References
Lillian Hellman and Marsha Norman:dramatizing female identity
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