Jacqueline Hassink : mindscapes ; [on the occasion of the exhibition: "Jacqueline Hassink: Mindsc...

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作   者:with texts by Els Barents and Sarah Anne McNear.

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ISBN:9783764369934

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简介

Where does private space end and public space begin? How does the individual set about defining these boundaries? How have the computer and the internet altered the relationship between private and public space? Photographer Jacqueline Hassink explores these and similar questions in her project "Mindscapes". Looking at the USA and Japan, two of the economically most influential countries in the world, she has captured the rooms of CEOs, the screen savers of top managers, the coffee cups of office personnel, the extravagant shoes of star designers, or the changing rooms of leading fashion houses in photos taken in 500 leading companies. She creates not only a photographic excursion through closed spaces, but also a mosaic of those private articles which are used to bridge the gap between public and private rooms. Author and photographer Jacqueline Hassink lives and works in New York. Since 1993 her photos have been exhibited in Europe and the USA.

目录






Mapping Spheres of Influence 4-7
Els Barents
Mindscapes 8-9
An Introduction (1998 - 2002)
Jacqueline Hassink
100 CEOs - 10 Rooms, USA & Japan 10 - 13
100 CEOs - 10 Rooms, USA 14- 79
100 CEOs- 10 Rooms, Japan 80- 101
Personal Coffee Cups, USA 102
Netscape 103 - 111
CIGNA 112-115
Cubicles, USA 116/117
Sun Microsystems 118-127
Silicon Graphics 130-139
Intel Corporation 142 - 147
Training Center for Salarymen, Japan 148 /149
NTT EAST Training Institute 150- 165
The Shoe Project, USA 166/167
Ms. Joan Rose 168/169
Ms. Holly Solomon 171
Ms. Beverly Sommers 172/173
VIP Fitting Rooms, USA & Japan 174/175
Fendi, Shibuya-ku, Tokyo 176/ 177
Issey Miyake, New York, NY 178/179
Donna Karan, New York, NY 180/181
Chanel, New York, NY 182 /183
Hanae Mori, Minato-ku, Tokyo 184/185
Issey Miyake, Minato-ku, Tokyo 186/187
Prada, New York, NY 188/189
Mindscapes: Charting the Private and the Public 190 - 195
through the Photographs of Jacqueline Hassink Sarah Anne McNear
Acknowledgements 196





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